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Anyway, despite the date of publication (1962) which leaves the commentary a little outdated, in that it doesn't really address Stanley Fish or Joseph Wittreich or some other big Milton scholars' recent contributions to the subject, this edition is great, for beginning milton readers and more advanced alike. The introduction and footnotes are among the most complete available anywhere with good references to hebrew, classical, and other motifs within the poem. It addresses the ptolemic vs. copernican debate (sun round earth or earth round sun) and Milton's astronomy in some depth in the introduction, maybe beyond what will be interesting until you've finished the poem.
A timeless edition, I would say, which is why its still popular after 40 years, much better than the penguin classic edition.
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Spend the wad and buy the book. If you're reading this, then you're a bibliophile, no doubt. For the rest of your life wouldn't you prefer to have the best edition of Milton on your shelf, or will you be satisified with a $9 Signet Classic? (I tossed mine.)
Check out the Dore Illustrations for PL, too.
BTW, after reading Areopagitica, I believe that everything Jeffereson said was a debt to Milton.
Hughe's edition is invaluable as a tool for students, scholars, or general readers. The notes never get in the way of the text, but will lead the reader to relevant sources should he/she desire to learn more about a given allusion or want more background. If the reader is patient, and actually reads all the material that comes before "Paradise Lost", he/she will be rewarded with a richer understanding of Milton's magnum opus. Please be advised that if you have made it that far, don't stop there. "Paradise Regained" and "Sampson Agonistes" are powerful examples of epic poetry as well. I personally feel that "Paradise Regained" has had almost as large an impact on modern fiction in particular (Dostoevsky and Flaubert are prime examples)as has "Paradise Lost."
Blake said that Milton was of Satan's party without knowing it. Actually Milton's prose does open up some interesting possibilities in that sphere. In "Areopagitica" he advocates for the necessity of evil. He was, as history has amply recorded, hardly a defender of central authority. He was emphatic about individual liberty and wouldn't be dictated to by Pope or King.
There are several short early biographies of the poet at the end of the book. All paint a portrait of an idiosyncratic genius who suffered numerous setbacks both physical and political, particularly in his last decades. He was an extraordinarily brave man, who has taken some heat from Virginia Woolf and later feminists for his "ill use" of his daughters, who, the line goes, he kept in ignorance and near slavery so that they could aid him as ameneunses after he went blind. If such detractors had actually done any wide reading on the subject (Shawcrosse is an excellent source) they would not have made such charges. Though not what could be described as a "loving father," Milton certainly never inveighed against his daughters to remain "indentured" to him, nor did he subvert any marriage plans they arranged (none were forced into "arranged marriages" either, though the practice was still common in that era). He didn't tutor them in the Languages he asked them to transcribe, per se. But this begs the question, if they were'nt taught Latin, Greek and Hebrew, how would they have been able to act as scribes in those languages in the first place?
I'm sorry to see that this volume is now almost $100. In this day of large trade paperbacks, perhaps a more affordable edition will be forthcoming.
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The Internet is, above all else, a vehicle for information. E-commerce is often the medium through which information is provided, organized, and housed. However, before marketers can determine the most effective means of successfully accomplishing this task, we have to gain a fuller picture of the overall audience. Since political information is a primary information need for Internet users, the dynamics of this user market is something that should interest anyone involved in e-journalism, political sites, community portals, and online information sources more broadly. I look forward to follow-up studies from the authors!
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This text is enormously informative, attractive, destined to be a classic, and should be on the shelf of your personal library if you are in any way connected with the field of retrovirology.
As a side note, the publication of the paperback edition was a godsend to a poor student who was at odds with the prospect of paying for the high-priced hardcover.
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Dr. Kalinina Adelya.
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The first chapter 'Fifteen Verses of Wisdom' went straight over my head, which shows I still lack understanding in this area. The chapter 'Talks on Practice' reveals the mechanics of meditation according to the system of Kashmir Shaivism. I found it clear and insightful. This was balanced by the chapter 'Talks on Discipline' which shows that Lakshmanjoo has the integrity to give clear guidelines to the spiritual aspirant on how one should conduct oneself on the spiritual path.
Finally in his last chapter 'The Secret Knowledge of Kundalini' Swami Lakshmanjoo gives real insight into the mechanics of the mysterious subject of kundalini. To date I have found other material on this subject to be rather nebulous and mere fantasy, based in the vivid imaginations of so called gurus and well read authors. Swami Lakshmanjoo takes this mysterious subject out of the category of fantasy and clearly defines how kundalini functions. His intimate description of the various modes of rising of kundalini clearly shows that he has experienced this himself.
This book is a revelation for the earnest seeker on the spiritual path.
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The book is well organized into chapters each focusing on the life of one individual artist. The author skillfully and humorously connects information about artists' personalities, preferences, and lifestyles with how they affected their most well known artworks. It recreates each one's position in history, telling how the artists were seen by the general population in their day, or even their reputation among curious or superstitious neighbors. Readers will be able to see for themselves that famous artists were real people who did mess up once in a while. The author explains a time when Leonardo Da Vinci decided to try out a new painting method, saying, "The technique resulted in disaster...(he hadn't read all the way through to the part that said "don't try this on walls")."
The author's voice helps compliment the content in several ways. Kathleen Krull's words strike a tone that is warm, chatty, and friendly, making you feel as if she were talking with you in the same room. Her gossip extends not only to the basic facts but also to many specific details abou the artists' lives. Showing the passion and tragedy in his life, she remarks about the artist Vincent van Gogh,"Van Gogh imposed a condition of near starvation on himself and would go for days without food so he could afford to buy art supplies." In addition, every sarcastic or humorous comment made on the part on the author helps readers to feel they are getting to know an actual person rather than a cold, vague historical figure.
The author also ensured that the book would appeal to an audience of both children and adults. The words and explanations are engaging and humorous and immediately capture your interest, yet the vocabularly is not too difficult for children. The full-page color illustrations are vivid, clever, and bring to life each artist for the young and old alike. Because the book gives more information about each artist than is generally known, it is sure to benefit and interest a wide range of audiences.
Readers of all ages will definitely become hooked on this fact-filled and entertaining biography. Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought) retells the one of a kind stories of each of the world's most famous artists, blending historical facts with humor and captivating details. Most importantly it allows readers to recognize each individual artist through an attractive mix of their achievements, lives, and unique personalities.
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---Megan W.
Paradise Lost can be a difficult read. Personally, I could never get round to comitting myself to the book, but this reading really brings it to life, and is well worth spending the time and money. Milton creates many wonderous and fantastical images and characters. Satan is shown as a tragic hero, tormented by the innocence of Adam and Eve, and prompted to revenge. Milton actually uses his characters to play 'devil's advocate' (literally!) by asking many paradoxical questions of the biblical story. Considering this book was first printed at the height of the witchcraft paranoia of the seventeenth century, it's amazing he managed to get away with it.
Full of allegory and layers of meaning, this is a CD set you can enjoy again and again.