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You'd be surprised at some of the places tehy go. You may just run into these stars buying Barbies or getting a bikini wax next to you. Can you imagine a hairstylist using the same pair of scissors that were used on Bette Midler to cut your own hair? Or Bette Midler's mermaid tail brushing up against your dinner jacket at the dry cleaners?
Even if you don't use the book for needed services, it's a fun peek into the lives of your favorite celebrities. Buy this book!
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He stabbed christ in the side with his spear to end his agony on the cross and afterwards he became a christian convert and a
saint.
The next legend is that of the wandering jew who was supposedly cursed by Christ to wander the world until the second coming.
The reason according to the story why he incurred the wrath of Christ was that he out of spite made a derogatory or insulting remark to Jesus as he was being led to his crucifixion.
The result of this blend has been Casca Longinus,a Roman soldier cursed by Christ to wander the world forever until the second coming.
Forever fighting,forever surviving and waiting for him to return.
This series of adventures takes our protagonist down through history from one war to another. In almost each case he endures wounds and horrible pain only to encounter more.
A strange unexplained power makes his flesh heal miraculously from all wounds inflicted and which renders it along with his blood poisonous to all other creatures man included.
His ability to outlive others makes his existence a lonely one without any lasting friendship or company. He finds himself in many cases the victim of other's brutality and hatred thus making his long existence also a harsh and violent one.
That which he desires so much eludes him and that is death,which is freedom from his brutal life and eternal peace. He is not so much a hero as he is a victim of fate in a situation not of his choice.
There is plenty of historic detail in this series much of it dealing with warfare and the military.
For those who want historic fact mixed with fiction this might be worth a try.
For fans of action adventure series in the tradition of "The Executioner" and the "A Team" this is a good recomendation.
There is plenty of fast-paced action in this series and it's guaranteed to keep you from yawning.
There are graphic descriptions of violence and gore so if if you're looking for light reading then I suggest reading Robert Fulghum instead.
In the Eternal Mercenary Casca life goes from soldier, to slave, to extreme popularity very quickly, but I don't want to give too much away. Read this book, the first in a long series of great stories about the man made to live until the return of the Jew. Until we meet again.
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But hey, I've now read the book, and I know the real story and the real Elia Kazan. The book is an 800+ page epic. And an epic in every sense of the word. Kazan's autobiography is a long, brooding, and fascinating recall of his eventful life. He has, as he acknowledges in the later pages, lived a variegated and full life, he has no regrets about any of it, and he realises that he has been fortunate to have led such an interesting life. And 'interesting' it certainly is. The book, though, is no glamorous odyssey of a life lived in Broadway and Hollywood; neither is it a chronicle of the great and the good of America's creative talent. Yes, there are valuable insights and vivid portraits of people like Harold Clurman, Lee Strasberg, Clifford Odets, Arthur Miller, Tennessee Williams, Marilyn Monroe, Marlon Brando and John Steinbeck. You will also meet some of Hollywood's movie moguls, particularly Darryl Zanuck at Fox. Yes, those stories are told, but all in the context of the main enterprise: the laying down for posterity of the intimate detail of the life of one of America's most celebrated creative talents of the middle of the twentieth century. Kazan unashamedly reveals his inner thoughts, his recollections, reasons, reminiscences and experiences-whether they show him in a good, bad or indifferent light. The book is brutally frank and you can only admire the author's unstinting honesty-possibly a cathartic aspect to the work aided Kazan along the way.
Remarkable for a book of this size, there is never a hint of unevenness or flagging. It's an enthralling, engrossing book from start to finish. Much of life's rich tapestry, to use the euphemistic cliché, is explored here. Kazan is clearly an astute and perceptive observer of life. Life essentially means human beings, of course, and this brings us to the essence of the book, human nature, particularly the behaviour between man and woman. Manipulation, expediency, lust, deceit, hurt, love, the passion and the platonic: it's all here in a very stark black and white. Yet still the book continually sparkles, even when the reader faces some genuinely sad and pitiful moments, particularly relating to Kazan's fiercely supportive and loyal first wife, Molly. There is no cherry-picking of 'the good times' in this book: highs and lows, triumph and disaster, they all co-exist side by side. Kazan doesn't shirk from revealing his overwhelming determination at the time to have his cake and eat it ie. a loving wife at home and a passionate mistress outside.
Apart from the inherent problems that male/female relationships spawn, if you forgive the pun, Kazan also talks extensively about his rather frustrating and unfulfilling time at college; his less-than-perfect relationship with his father; reflections on the life of a Greek immigrant family trying to make their way in the 'new world', in this case, New York; more reflections on Greeks, this time those living in another 'foreign' country, Turkey (where Kazan's parents had emigrated from), and the altered behaviour necessary to survive amongst 'the enemy'; and, of course, he describes the whys and wherefores of his 'friendly' HUAC testimony, and the subsequent vitriol directed against him as a consequence from many quarters, including so-called 'friends'; we learn of the unsavoury modus operandi of both the Communist Party in America and the HUAC authorities in the late forties and early fifties; and Kazan's single-mindedness and determination as, post-HUAC, he persevered and produced his best work as a film director; also, an interesting account of how Kazan's second wife, Barbara, and her confused but brave struggle against cancer; and so on.
The book is a courageous and brutally honest self-expose, if you like, of a man who has remained largely silent over the years. He doesn't gloss over his extra-marital activities, and the hard-heartedness and guile required on his part to maintain his passionate love for his mistress and, at the same time, his more platonic love for his first wife. This reflects the 'insoluble' (Kazan's word) nature of man's relationship with the opposite sex.
The book is beautifully-written-quality throughout--and the prose intimate, inviting and lucid. The honesty and intimacy of Kazan's words, as he describes his thoughts, feelings and rationale at the time, ensure that you live his life with him, and by the end of the book, you also feel you've been through one hell of a life.
Over a year ago, I read an excellent book called A Child Of The Century, Ben Hecht's autobiography, published in the fifties. I never thought I'd read another autobiography to match or surpass it. I have, and it's called A Life, by Elia Kazan. Waste no more time and buy this book. Alternatively borrow it or steal it, but whatever you do, read it!!
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Especially powerful are the cantos about that scary young punk Kullervo. Where else in traditional literature is there such a portrait of a kid born to make everyone miserable before he takes his own life?
It's not all dour stuff, to be sure. There are a number of passages in which the words practically writhe off the page as the lines describe tingling, squirming magical growing. There's some humor.
The work is suffused with an earthy quality. It's not ambrosia and nectar we have here, but fish to eat, home-brewed beer to drink, and plain bread -- sometimes bulked up with bark -- to chew. People wear wool, navigate fogs, get up early to light fires and milk the cows.
It was one of a select few works that C. S. Lewis cited, in his essay "On Science Fiction," as works that provide additions to life. Other things that made the list were Tolkien's Lord of the Rings, Coleridge's Rime of the Ancient Mariner, parts of the Odyssey and of Malory's Morte d'Arthur, Peake's Titus Groan, etc.
Interesting list!
This translation seemed to me quite readable.
In it we follow the three main heroes - the elderly Vainamoinen, wise in everything except love; his brother Ilmarinen, the presumably middle-aged master smith; and Lemminkainen, the reckless young lothario who causes his wife and mother endless headaches but who we like enough anyway that we worry about him when he gets into trouble.
In some ways, it's a product of it's time. This was written in a time when women had no say in who they married; they had no recourse if their husbands were abusive; and they were virtually their mother-in-law's slaves until their younger brother-in-laws or sons got married and they weren't the low women on the totem pole anymore. Althoug Aino's story offers a message about this system, it's pretty much accepted. This is what life was really like at the time these stories were sung.
In other ways, though, it's surprisingly modern. Although the results usually aren't so serious, we've almost all been taken down a peg by an elder like Joukahainen at some point in our lives when we've needed it. I would imagine that many widowers - and widows, for that matter - can relate to Ilmarinen's sense of loss when he loses his wife.
And then there's Kullervo. He wins the all-time teen angst award hands down. It's fascinating how his cycle deals with a question psychologists have grappled with for centuries - are kids taught to be good, or are they just born good or bad? He's a danger to society, yes - but he may also never have had a chance. No matter what you feel about what he does, the scene where he wanders pitifully among his family asking if anyone would cry if he died until he gets what he needs to hear from his mother, can move you to tears. Just read the headlines about the latest school shooting. There really are kids almost this messed up out there.
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And for closing, I am quoting my Chilean Aunts mother (who lived in Argentina during the first Peronist Period): "I saw her from the distant and to this day I have never seen a woman more beautiful. She was and is a Goddess. Everything about her was larger than life. She looked my way and her dark eyes pierced my soul. I will never forget her look."
This book offers a glimpse of the awesome power this remarkable woman had in life and still holds 50 years after her tragic demise.
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Jack Elias' therapeutic approach goes far beyond the more superficial levels of popular hypnosis, by dealing with deeper core issues and emphasizing the healing of each person as a whole.
His work is based on the sometimes startling realization that we already walk around in trance, hypnotized by our beliefs and our habitual ways of thinking. Reading this book initiates a mystical process that involves waking up from our limiting thoughts, experiencing the joy, peace, and purity that comprise our inherent magical state, and opening to new choices and new resources in order to honor and respect ourselves and others.
The simple yet profound techniques and ideas found in this book lead to transformations that are indeed truly magical. Finding True Magic is a gift to all humanity.
I have many friends who are already turning to this conscise, well written reference book on a frequent basis.
Bravo Ms. Elias!