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A basic explanation of their theory is that history moves by seasons from spring to winter. In spring, there is a civilizational high of good behavior, peace, and prosperity but also stultifying conformity and spiritual deadness. In summer, there is a consciousness revolution, in which the younger generation rebels against their elders and their institutions. In fall, there is an unraveling in which people turn inwards and focus on their private satisfactions and let public institutions and the community values fall into neglect. In winter, there is a crisis of usually war or economic depression that forces everyone to become more communal and morally strict again.
The generations are of 4 types. A prophet generation is born in a civilization high of springtime. They are inwardly focused on spiritual values. They rebel in youth, but become morally authoritarian in old age during a crisis. A nomad generation is born in a summer of consciousness revolution and aren't raised very well since their elder parents are more focused on themselves than their children. This generation is considered a lost or bad generation in which crime and immorality increase with its rising. A hero generation is born in the fall of an unraveling; they become the heroes during a crisis when they are young adults. An artist generation is born during a crisis; they are a meek and mild generation who are sensitive to other's needs and are indecisive as leaders.
When reading the book I couldn't help noting that a prophet generation often generates an unneeded crisis to solve. President George W. Bush is of a prophet generation and I kept thinking of him as a prime example of that, making Saddam Hussein to be bigger threat than he really is. I also made judgements against the artist's generations emphasis of plurality and diversity and the expense of cultural cohesion. I made judgements against the hero generation for hogging most of the public spending on themselves, letting young people fend for themselves. I made judgements against my own nomad generations for their excessive love of tasteless entertainment and general down in the dumps depression and negativity.
It was also interesting to note that during civilizational crisis and high, society is generally anti-female and pro-male in its outlook. In a consciousness revolution and an unraveling, it is general pro-female and anti-male. Depending on the times, people will general espouse philosophies that celebrate or denigrate either sex.
The current generations now living in large numbers are the G.I. elders who are heroes passing on, the Artistic Silent generation who are in elderhood, the Prophetic Baby Boomers who are entering elderhood, The Nomadic Gen Xer's who are beginning to enter middle-age, and Heroic Millennials who are beginning to move into rising adulthood. A new artistic/compromiser generation will eventually replace Millennials in the youth category.
A heroic generation usually values conformity over individualism and they tend to be rationalistic and secular. They build public institutions and generally are young adults during a prosperous, optimistic age. An Artist generation is known for its high educational level and professional expertise. A Prophet genereration is known for its focus on inward idealistic spiritual values and its weakening educational levels. A Nomad generation is known as pragmatic, cynical, unbelieving, pessimistic and poorly educated generation who are middle-aged technical managers of a crisis era. They are wild as kids and young adults, but cautious and reactionary as older people. Each generation rebels against the values of the others, which has a tendency to balance out any excesses given to any one value.
The authors give famous examples of different generational types, some of which fit the type while others don't. The ones that don't are interesting to note: Norman Rockwell, that creator of wholesome Americana art was from the bad Lost generation. He seems more like Hero generational type. Andrew Jackson, that Southern hell-raiser who chased a rival with a knife in the days of his youth was of the supposedly meek and mild Artist/Compromiser generation. He seems more like a Bad/ Nomadic generational type.

The central tenet of this book is that generations don't age the same way, and when looking at generations through history, the correct way to look at them is by cohort - that is, by groups with similar birth years - rather than by age. In other words, if you're born in 1950 and grow up in the '60s and '70s, you'll be different at age 50 than you will if you're born in 1970 and grow up in the '80s and '90s. Strauss and Howe then trace a number of generational cohorts through American History, and find evidence of a cycle of generational types - usually a four part cycle, but in one case a three part cycle. For example, they liken Gen X (whom they call "13ers"), born in 1961-1980, to the "Lost" generation born in the late 1800s.
As a trailing edge boomer, born in 1960, I was not surprised to find that the authors, both boomers, correctly identify the defining characteristics of my generation - characteristics that I happen to dislike, as I'm in the minority that don't fit the mold that well, but that I have to acknowledge as accurate for the majority. On the other hand, the description of the Silent generation, to which my parents belong, was an eye opener - it explained well why my fathers views of what different stages in a man's life are like seemed so alien to me. The description of Gen X was likewise enlightening, both in terms of explaining some of my previous business interactions with Gen Xers (they always seem so surprised when someone actually gives them a break - turns out it's because they hardly ever get breaks) and helped me understand and interact much better with one particular Gen X who is very important to me - my wife. The description of the Millenials seems to be accurate so far for undergraduates I work with.
Two caveats when reading this book - first, remember it's American history, and the conclusions don't apply to those born overseas; second, the authors seem to emphasize the optimistic view of the future, for example focusing on the possibility that the current cycle will be a triumphant four part cycle, rather than an agonizing three part cycle as the Civil War cycle was.
At any rate, I'm now buying my own copy. I just wish I could find a hardcover, but hopefully it will still be in print when the paperback I'm buying wears out from repeated reference in a few years.

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Unfortunately, this book celebrates the chaotic destruction of family, of duty, of responsibility to others and God equally with the building up of virtue. In the authors' eyes, the evil which we have witnessed in the past 35 years is a necessary and acceptable part of cyclical change. The public may well have to witness foul behavior before becoming willing to take action and move in the opposite direction however, I strongly disagree that acceptance of such behavior is appropriate.END


Some people think the theory makes false generational characterizations and charge the authors with not providing evidence to make such generalizations. First off, theories are designed to make sense of the world. They are based on historical trends, statistics, and years of intellectual discussion. This theory does not directly dictate how a teenager in Illinois may live her life, but it does provide a much more credible account of things to come in her life than she could have possibly imagined herself.
It is insensitive and politically incorrect to suggest that the events of September 11th were "predictable." I do not think that the theory makes any indication that it was predictable; however, the way people are reacting to those events DOES support the theory. The thing that makes this occasion unique compared to major tragic events of the eighties or nineties is that the mood of the nation has changed. That mood, as the theory suggests, is propelled by the alignment of generations right now. As the generations move closer towards this alignment, more characteristics that Strauss and Howe have established will become more visible, and we will begin to see the impending crisis. What we are seeing right now is that 92% of Americans are in support of war and in support of the Bush administration. Nothing like that would have ever happened during the eighties or nineties.
As far as my generation goes, I'm sure there are trends that have happened that the authors didn't consider or that were unpredictable. But figures such as the media really have made us everything we think we aren't. Even MTV, the network of "individualism," has been our prime influence of conformity in the music scene. Media has, directly or indirectly, encouraged us to be cooperative, dutiful, and optimistic. This form of passive commercialism has been shoved down our throats, and the fact that we don't even notice it demonstrates how conditioned we've become to accept what we are told.
Since 1991, Strauss and Howe have accurately predicted the mood of the nation. Their theory is also supported by 400 years of American history. I would highly suggest this book to anyone, even skeptics, as an invaluable analysis of the American landscape.

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Indeed, the people who appreciate the concept of Millennials best are educators. Educators who have been in education for some time have noticed the shift and are the best people to consult on how youth culture has changed. Interestingly, it is these educators who have given the book the most positive reviews.
The change is very real. While I understand concern about not wnating to "label" a large group of people, the trends are undeniable. SAT scores, international test comparisons, teen crime, teen pregnancy, drug usage. With a few exceptions and statistical aberations, and media frenzies around horrific spectacles like Columbine, the trends are wholly positive. All are improving. While still not at the levels that they should be, the TREND is the important aspect of the theory. Unlike Boomers, Millennails a generation of improving trends and youngest members will be "better" than the older ones. Contrast this with Boomers -- who through their entire youth brought about a 17-year slide in SAT scores, worsening crime, and explosive drug use.
But the message of Strauss and Howe is the thing that is most often misunderstood. The authors are not calling for fascist regimentation of today's teens, but rather, a LOOSENING of that regimentation. They merely want pundits, the media, and the culture to appreciate today's youth as wholesome. A generation to be encouraged, not scorned. And certainly not one that should be held down by EXCESSIVE zero tolerance and testing policies. Far from calling for more regimentation, the book is pointing out the excesses of the Millennial's elders.
I highly recommend this book -- an excellent portrayal of what's going on in today's changing youth culture.

Some reviewers who identify themselves as Millennials are very angry about this book. To be blunt, 10 years ago no kid would have given a second thought about its contents. If nothing else, Millennials care what people think about them, and that is massive change.
Second: Any young person who thinks they're radical or rebelling should check out a book like David Frum's How We Got Here: The 1970s. Current generations can't begin to match the radical climate of that time.
Third: It's true that the stats in the book are biased, and reflect the upper-middle class. But this is exactly what happened in the 1960s -- the revolt started with wealthy college students at Ivy League schools and spread to the rest of society over the next 20 years.
Fourth: Howe & Strauss do mention the recent rise in drug use, in particular pot. Their actual claim is that if pot use becomes accepted, it will fill the same role that alcohol did for earlier generations -- just check out a film from the 50s and see them getting smashed at every turn. Not a biggie.
Finally, I should note that this book is very well written. Part of the anger in reviews comes from this source. It gets people excited. If it were a dry statistics text it wouldn't arouse such ire.

Strauss and Howe's theories seem to have justification, but there are other theories that historians and social scientists have come up with and the authors do not address the validity of these theories very much. One being that a civilization rises to its peak with traditional values and then falls apart gradually by rejecting these traditional values for new gods and liberalism. It would have been interesting to have them react to such a theory. I also thought that by not addressing other theories of civilizational history, it made their some of their comments on the increasing multiculturalization of America seem naive at times. Given the previous theory I have mentioned, such multiculturation of America will cause its decline, not improve it.
This book is one of their more entertaining books that I have read by them. They have sidebar comments from millennials and about millennials that are amusing and interesting much of the time. They also have funny cartoons about millennials throughout the book. This makes the book more interesting than other books of social analysis.
Strauss and Howe say that the millennials will be the next hero generation that may be asked to fight another total war. That may be so, but in a way, I hope not. The more I study history, the more I learn that the wars we fight are usually total rackets and unjustified, no matter how much they are glorified afterwards because our soldiers sacrifice themselves in them. True heroic citizens stay informed and skeptical and make sure that the government is not hoodwinking them into another useless war.
That being said this is still a useful book and I use the authors' theories all the time when analyzing events, social institutions, and the arts and entertainment.

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