A must have for anyone who is fascinated by Robert Cochrane and the Clan of Tubal Cain. There is much to learn from this complex writings , His devotion to the Old Ways is felt when you read his letters. Some of the letters give inside information about the way the Clan of Tubal Cain worked . A great job done on this by Evan John Jones and Michael Howard. FFFF

A must have for anyone who is fascinated by Robert Cochrane and the Clan of Tubal Cain. There is much to learn from his complex writings , His devotion to the Old Ways is felt when you read his letters. Some of the letters give inside information about the way the Clan worked that has not been made public before. There more new information about the letter "s and The Clan of Tubal Cain. The only thing missing are the drawings and symbol's.
A great job done on this by Evan John Jones and Michael Howard, FFFF .

This encyclopedia is indispensable to anyone seriously interested in blues and gospel recordings of the pre-WW2 era. Awe-inspiring labor has brought forth a volume of nearly 1500 pages listing, alphabetically by artist, recording data for every known African-American blues and gospel performer whose work was put on disk through 1943. It is not a jazz discography, though a few essentially jazz acts are included. As well as commercial recordings, it also attempts to catalog all known folklore field recordings of the same period, particularly those of the Archive of American Folk Song at the Library of Congress. Included are an index of artists, to help locate sideman appearances, and an index of song titles. The work involved here, which has occupied several writers for many years, is awe-inspiring, particularly since the book is specialized enough (and priced highly enough) that it will never break any sales records. A love for this wonderful music is evident on every page.

I bought a copy about 2 years ago and use it frequently, especially with my disk and tape collection. The kind of session data given so generously here was notoriously absent on LP reissues of early blues music. As an inveterate compiler and collator and list-maker, I can't imagine not having this info! The Oxford edition is a sturdy and well-made volume, and I consider the book worth every dime I paid for it, and then some.

One "improvement" I would like to see in a future edition is the addition of some symbol to designate records of which no copy is known to exist. Here and there the editors note that a particular recording has "never been found," but this should be done more consistently. Even with such a notoriously lost 78 as Pm 13096, only the absence of a master number indicates its status. Since 7 types of saxophone are differentiated in the instrumentation chart, I would also suggest that the Queen of Musical Instruments -- I mean, of course, the 12-string -- might be distinguished from the plain old 6-string guitar (perhaps as "12g").

The quibbles are quite minor. There is really nothing about this book that I don't like. Casual blues and gospel fans certainly don't need it, but it will be indispensable to those with a more serious interest.

Dorothea Tanning shows an incredibly wide range of artistic styles in this compilation of her works. Some of the most intruiging and inspiring paintings I have ever seen!

If you have ever, i mean ever had a gripe with America, this book is for you, and who hasn't really. R. Crumb comes from so many differnet angels and makes fun of so many different ideologies and people in America, it really covers it all. Of course, he does it all in his unique style of sick humor that you must experience to know. You'll either love it or you'll throw upon first read. Let me warn you that this artist is considered to be by many "racist" "mysogynist" "hateful" "jingoist" "sadistic" "masochistic", etc... but his defense would be that he is an artist and is merely an observer and portrayer of what he sees around him in America. I'd agree that you shouldn't pretend taht things like racism don't exist. In any case some other conflicts he makes fun of and comments on are: corporate greed, military jingoism, mindless political correctness, sixties counter culture, utopianism, stereotypes of the "white man", the "angry black man", the "jewish conspiracy", hippies, losers, corporate scum, and just "normal" people...THis is not a book for children or people with high-blood pressure. He is a dangerous cartoonist and is always pushign the boundaries of everything. In the end though if this book is nothing else it is a laugh...at ourselves and everything else that is America.

Very surprised that this book is not reviewed much. Has great case-based questions for a majority of the tested topics with detailed and valuable answers that help to distinguish between even the most apparently similar diagnosis. It is question and answer based USMLE Step 2 review at its very best. Because of this book, I passed Step 2 after an initial unsuccessful try using other really dry, boring review books that just took up space on my bookshelf. Keep it simple, this book is all you need for Step 2. Thanks a bunch to Dr. Alario and the whole cast for having written such an exceptional review book.

For a clearly written, concise, reliable summary of Western military history with an operational-level focus, this is the book to buy. I use it to teach military history, and my students (cadets) rate it highly.

John Howard Griffin's Black Like Me, contrasts the lives of Blacks and Whites in the 1950's. I was mesmerized by the hateful encounters that the Black people went through just because of their skin color. I was also amazed about how my ancestors, the white man, never gave the Black people one iota of respect.
Another angle of the story showed how far a journalist of the fifties would go for a story. Through the book, I saw Griffin go against all morals of his time for a story. I saw him become an outcast of his society. On top of that he put his life on the line, with the skin change and the crazy white men, for a story. This seemed to me to be a dumb mistake that eventually cost him his life.
I enjoyed the book and will read it again. I think this book could give you a different perspective on a lot of issues not only of Griffin's time, but on ours as well.

... ...
09/07/02
Core 8
Book Review
Black Like Me
Book Review

For my summer assignment, I read the novel Black Like Me by John Griffin. It is an autobiography about a white man who explores The Deep South as a black man by changing the pigment of his skin. This is a terrific book and I strongly recommend it.
Mr. Griffin's purpose is to find out how African American's are treated compared to Caucasian American's. To achieve this, Mr. Griffin travels to The Deep South. He finds himself in the middle of two cultures who accept or reject him merely because the color of his skin. He finds the discrimination gets worse as he travels farther South.
The book takes place in the late 50's and early 60's. It is set mainly in New Orleans and The Deep South. The mood of the book is depressing and poignant.
I think Mr. Griffin proved his point by telling America and the rest of the world how badly black people in society were treated. His writing is fairly easy to read with a few difficult words. I would have liked the book more if Mr. Griffin was not so verbose. Overall, the novel is very moving and John Griffin vindicates himself. I would recommend this novel because it tells a lot of history and Mr. Griffin speaks very eloquently and from his heart.
The novel taught me some history along with how African American's were restrained from having a normal life.

There are only a few books that have really given me a deeper understanding into the issues of the world around us. This book is one of them. John Howard Griffin penetrates into a world that seems almost beyond belief and yet is undeniably and startlingly real. Realizations await on every page to show that the generally sheltered cultural perspective of the typical white (like myself) could not conceive the situation which confronted blacks in the south every day just a very few years ago -- as experienced by a white man who changed his skin color and dealt with the consequences. The book is made even better by a series of stories about his experiences after returning to the world of caucausions and going on the lecture circuit about the plight of blacks in the south. He demonstrates the rationalization and close mindedness that characterizes even those who consider themselves "good people". This book would probably be too much to accept if not for the authors remarkably unassuming and explanatory style. Rarely has such a sore subject been confronted so directly and yet so plainly. Highly recommended. I keep having to buy new copies because people will read a few pages and want a copy.

This book does an excellent job in pointing out some of the real stuggles of Thomas Merton. It is very helpful in seeking to understand the person Thomas Merton. If one reads Merton, it is evident that Merton loved God and was committed to his vocation. However, it is very clear in this work that love for God and commitment to vocation does not eliminate personal struggles with right and wrong. Griffin does a good job showing a side of Merton that so many seek to ignore. Also, the book has many good pictures. This is a good book to read.

I purchased this book after reading the review from the reader in New Orleans. This is a loving look at the final years of Thomas Merton's life. (1965 - 1968) I have only recently delved into the writings and life of this incredible man. John Howard Griffin was a close friend of Merton's and writes about his friend from within Merton's hermitage and Merton's personal journals. It is a shame that Grifffin's health prevented him from completing what was to be an authorized biography of this fascinating mystical monk. The photographs taken by Griffin are a terrific addition to a very readable book on a man and a spititual figure that I greatly admire. If you have any interest in Thomas Merton the man, then you will cherish this book. One of Griffin's lines is a nice summary of Merton, if Merton can be summarized - "What mattered was to love and to be in one piece in silence and not to try to be anybody outwardly".

This book is a must-read for those seeking to understand the final years of Merton, whose importance for contemporary spirituality cannot be underestimated. Based on Merton's own journals (to which Griffin had full access during extended stays in Merton's hermitage after the latter's untimely death in 1968), the material in this book was originally intended to be part of the officially authorized Merton biography, which ill health prevented Griffin from completing. This book is not for those whose love of Merton is confined to such early works as The Seven Storey Mountain and The Sign of Jonas. However, those who seek insights into the struggles underlying the writings he produced from 1965-68, encompassing subjects such as the Vietnam war, the evils of racism, and the practice of Zen, are likely to find this book very rewarding. John Howard Griffin (author of Black Like Me) was an excellent writer in his own right, a skilled photographer, and a friend of Merton. All three of these characteristics contribute to Follow the Ecstasy, which includes a number of intimate photographs of Merton and his hermitage. Griffin's own contemplative bent shows itself in empathic descriptions of Merton's hermit existence, with well-chosen quotations from the monk's journals. Of particular interest to some will be the very detailed account of Merton's extended involvement with a young nurse he encountered while hospitalized following back surgery. This relationship, which is referred to in very vague and sometimes sinister-sounding terms in other works on Merton, is laid bare here in all its emotional splendor. Those who love Merton may be astonished at both his vulnerability and his capacity for self-deception. For most of us, to fall deeply in love with a young woman whose feelings are reciprocal, and to arrange trysts that do not include sexual consummation of such love, would not constitute a major moral dilemma. But most of us are not world-renowned spiritual writers vowed to lives of celibate chastity. To top it all off, Merton had only recently (the year was 1966) been granted long-sought permission to live as a hermit on an isolated piece of monastery property, in order to deepen his experience of solitude. Anyone who has ever fallen in love can identify with much of what Merton went through, but few can ever have known the exquisite anguish engendered by his circumstances at the time. It is almost comical at times how he struggles both to rationalize his behavior and to see through his own rationalizations. He is a man deeply and painfully torn. On the one side, he is beset by a tide of emotions he has never before experienced and is ill-prepared to handle, while on the other, he is solemnly vowed to a life he not only loves, but believes is his divinely given vocation. Although some would be scandalized by such revelations, others will see in them yet another poignant example of the divine mystery played out in the arena of human affairs. What Griffin makes clear is that Merton fully expected this episode to become public knowledge after his death, and that he wanted those who might have idolized him to see him, warts and all, in all his human frailty. It is plain that Merton was less interested in adulation than in honesty, even regarding events in his life that show him in a less than flattering light. If there was some degree of duplicity in the machinations he undertook for the sake of spending time with his beloved, I believe it is offset by his ultimate fidelity to his Beloved. Griffin handles all of this with consummate sensitivity and grace, explicitly noting that he obtained full permission from the woman in question prior to publishing details of her relationship with this celebrated monk. Although this chapter alone, with its touching descriptions of Merton's internal spiritual combat, would've made the book worthwhile for me, there are gems scattered throughout, and an informative introduction by Robert Bonazzi. A must for real fans and/or scholars of Thomas Merton.

introduction to cost control and what is a cost control

This is just what I needed to get started on my breakdown sheet for costs of job site work. Thank you.

This book (and its second volume: Military Operations since 1871) are both required texts for my Military History class. Most students claim to only rapidly skim required reading for classes, but I've managed to read everything so far (if that tells you anything). As far as material is concerned, this text is both wide-ranging and thourough, describing the invention and development of military techniques as well as discussing the society and government of the time, and how all these factors influence eachother. Highlighted areas include the Thirty Years War and the development of limited war, and the progression though the Napoleonic Wars to almost complete total war during the War Between the States. This book does an excellent job in tying all these early battles together and showing the overall development of warfare. However, if you are interested in nitty-gritty facts on Waterloo or Gettysburg, find a book specific to that battle instead of the sweeping panoramic view this book provides.

This book is the result of the collaboration of a number of the best military historians in the US today, including Mark Grimsley, George Herring, John Lynn, and many others, skilfully tied together by the editors (who are also major contributors), Professor Ira Gruber of Rice University and Colonel Robert A. Doughty of West Point. The result is an outstanding survey of modern Western military history designed for undergraduate history courses, but easily accessible to the general reader as well. The prose is exceptionally clear and the ideas lucidly presented. These two volumes are definitely focussed on the operational level of the "military art" (i.e. on the planning and conduct of campaigns), with some treatment also of strategy, tactics, and technology, but very litte material on "war and society" subjects (i.e. how wars and military developments have affected society and vice-versa). This makes it especially useful for ROTC military history classes, but it is also a very good introduction to the "sharp end" of military history for scholars or students whose main interests lie in the effects of war, rather than its conduct.