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being slick. It does an excellent job capturing the flavor of
the time and place--Cape Cod in 1968. The book works very well
on a variety of levels: the relationship between an older woman
and a younger man, politics and power structures, and life at a
small-town newspaper. Claire Malek leaves Washington and, by
chance, winds up as a reporter for the Covenant, a twice-a-week
paper in a town on the Cape. She has a lot of learning, and a
lot of unlearning to do about the job. A twice-weekly small-town
paper is not like the N.Y. Times or the USA Today, and the job
of a reporter is very different. You'll learn a great deal from
this novel about the operation of such a paper, from the flatbed
press to the manual typewriters, but there's no getting bogged
down in the details. The author's father and grandfather were
editors of the Falmouth Enterprise (on Cape Cod) and his great-
uncle was Henry Beetle Hough, Pulitzer-winning long-time editor
of the Vineyard Gazette, so the author can describe life on
such a newspaper with loving care.
The Covenant's editor has a son Lane who has just graduated from
college, and who also works on the paper, and there is an
attraction between Lane and Claire, which develops into a
relationship. I have read all too many books which would take
this basic theme and exploit it in an unpleasant manner, but
here things seem very natural and not labored.
The writing style is a joy. As the book gently points out,
as Claire learns, good reporters can tell a story succinctly
and cleanly--they don't waste space, but neither do they
abbreviate. The writing style has this flavor--there is no
sense of padding, no extraneous verbiage, things are told
straightfowardly. Too many novels--too many popular novels--
are short stories padded into 300-page books. John Grisham's
novels seem to be this way, whereas Scott Turow's books are not.
The Last Summer has a fine, easy, unlabored flow to it, and you
don't find paragraphs and pages that you wish had been left out.
There's an epilogue, which brings Claire and Lane back together
after almost 30 years, and the epilogue provides an excellent
counterpoint to the overrated Bridges of Madison County. In
Bridges, each of the lovers has no clue about what the other is
doing over the following years--this never seemed believable--
a top photographer/author who continues his work can be found,
and the photographer can get the local paper, which would let
him know some of what is going on with her life. This is not
always true--it can be hard to find a transient, for example.
In Last Summer, Lane and Claire both stay in the newspaper
business, and, realistically and believably, each has been
able to follow the career and life of the other.
A fine read.

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The story is well written, the pictures are big and colorful, and there is a Faith Parenting Guide at the end which gives some ideas for discussion after each chapter. I highly recommend this book!


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I would recommend this book and the sequel, Spirit of the Buffalo, to anyone who enjoys a good story.


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Hough's book occurs almost entirely during batting practice. Using a season-long press pass, he went to the Fenway clubhouse and dugout during home games to interview the players and coaches, and find out how these players turned their childhood baseball fantasies into reality, when the author couldn't. There's a lot of breathless descriptions of the sun setting behind the right-field bleachers, or the moon climbing over the stadium. Fenway is almost always empty, save for autograph-hounds above the dugout. Compare to Neyer, who sat in the stands for 81 home games and never met a single player.
The interviews, instead of providing the background for detailed player biographies, are printed verbatim in the book. Hough, over 40 at the time of writing, found it easier to speak with coaches: former Sox star Johnny Pesky, and future Sox manager Joe Morgan (not the blowhard ESPN announcer). These two appear most often and are the funniest characters in the book.
Also fascinating is the glimpse at the Red Sox in transition, in between the aging playoff club of 1986, and the young powerhouse that won the A.L. East in '88 and '90. It's nice to know that Roger Clemens and Ellis Burks, seen here as kids, are still star players today.
The most poignant stories in the book involve aging players who've lost their ability entirely -- Robin Roberts, struggling in the low minors at the end of his career, and Mel Parnell, unable to pitch on Old-Timers' Day. The rest is made up of Hough's junior-high baseball stories. You may feel more charitable about those than I. Recommended in general, if you like the Red Sox.

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