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Second, I didn't find her a sympathetic character, because she herself seemed to have so little sympathy for others: Canadians were boring, dull, undemonstrative; North-American teenage life superficial; the local Jewish community obsessed with status and the notion of 'better' or 'worse' people. etc. I got the feeling of her portraying herself as a true and sensitive (European!) heart among the barbarians and the uncomprehending. Sorry, doesn't wash.



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Ms. Hoffman in her book touches all the right problems, but somehow she leaves it all on the surface, never daring to explore the emotions of the characters in deep.
The book feels more like an account of events in the life of the heroine and it never reaches the level of a great novel.


autobiographical 'lost in translation' for being so honest
so sincere,
her factographical 'exit to history' for being well researched,
well documented and having rare indights.
But this new book, 'Secret' I love. This is her first real
novel, science fiction, and I would compare her to Bradbury.
It is about people, not technology, but near future technology
is well extrapolated and credible. I think the reviwer who found her 'too wordy' missed a subtle humor and magic of the
mastery of language and description.

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Her reflections on Havel's Czech Republic, the still lurking oppressiveness of Romania post-Ceausescu, the Bulgarian-Soviet aura, and the Hungarian cynicism mesh nicely with her own Polish rather aristocratic attitudes (not by birth but by predilection?).
While the report's well-written, it does lapse into an over-reliance on the chat in the salon, so to speak, rather than on the street. You feel as if she, naturally attracted to educated dissidents for the most part, wished to relate their stories to us at the expense of a conventional tour of the countries she visits. For instance, little of Slovakia appears, and the sights she describes stick less in the mind than the ideas she ponders.
Fine, but fair warning for anyone expecting another Patrick Leigh Fermor (pre-WWII) or Brian Hall (Stealing from a Deep Place, 1988--Romania/Hungary/Bulgaria cycled through from an American's p-o-v). A useful introduction to how politics inevitably must give way to the ordinary, the human, the lived experience. Although she may differ from Havel, Hoffman provides a beneficial Western counterpart to his own thinking. 3 1/2 stars.



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This book showed academics working as sex radicals and sex radicals working as academics. Gay studies undergraduates are going to be surprised at how risque and sex-positive their stodgy professors can be. Readers of all educational backgrounds will be shocked when they see what sexual act is portrayed on the cover of this basically non-pornographic text.
This book had authors diverse in their gender, sexual orientation, and HIV status. This will give readers of all sexualities a glimpse at how members of the gay community can conflict with each other. For instance, the venom at which these contributors condemn Signorile and Rotello has not been seen since the constructionists' attack against the late historian Boswell. Still, as complex as this book was, it may be an example of too many cooks spoiling the soup. Further, this book is VERY New York-centered and many readers from other localities may not be able to relate.
Let me leave with two examples of problems in this book. Kendall Thomas interviews a black gay man and black lesbian who started radical sex establishments in the City. He introduces his first question with reference to the 1980s Bowers decision and Pat Califia as if these clubowners were as erudite as himself. Later, Munoz jumps from Adorno to Warhol to tearoom art to the psychology of HIV-negative gay men all within 15 pages. I think these two academics are two of the most awesome writers out there and yet I found myself rolling my eyes during both discussions.
This book is unique, yet it gets repetitive after a while. It is quite challenging, yet I still ask myself, "What were all these contributors thinking?!"
I am glad I got the chance to read this book, but some of the balls being juggled here were dropped.

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As a memoir of life and death during the Nazi Holocaust, as well as a chronicle of spiritual transformation, this ranks among the very best.
Though it has been five years since I read the book, I am still inspired by Etty's courage and love.