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In pre-Classical times, it is likely that almost the entire population of Athens walked the fifteen-mile distance to Eleusis at harvest time every year in order to drink the 'kykeon' and experience the sense of the mythic reunion of Persephone, the Daughter, with Demeter, the Mother who taught men how to plant seeds and reap the fruit. The Christ, the draw in the psychological game of chess between the Hellenised Middle East and Israel, speaks distantly but clearly of Eleusis in John 12: 20-24 and Cicero, the Roman philosopher, author and statesman who coined the phrase 'bread and circuses' to damn the spectacular politics of his time, was an initiate.
Iktinos, architect of the Parthenon, also designed the Telesterion, the classical-period temple of the Mysteries of which only broken columns survive. However, scattered throughout 'Eleusis' by Kerenyi are bits and pieces of the psychological vocabulary of the Mysteries which with the help of ancient Greek and Indo-European comparative etymological dictionaries allow a reconstruction of the mind of the initiate. For example, 'tele', from 'telos', the full circle, the crown - today, we hear it many times every day in connection with technology; however, at Eleusis 'tele' had a sacral meaning.
Eleusis was to religion in Athens what democracy was to Athenian politics: essential.
'Road to Eleusis' and 'Eleusis: Archetypal Image of Mother and Daughter' - read both; and when in Greece, don't miss Eleusis, 20 miles south of Athens on the mainland across the water from the island of Salamis, open every day from 9:00 a.m. to 3:00 p.m. except Monday when the site is closed.


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Editing a thinker like Jung is no small task. Like a sculpture, Hoffman's editing brilliance is revealed in his astute knowledge of cutting away the unnecessary material leaving us only with the beautiful form and substance of the work. He has managed to dish up to the reader the wonderful beauty of Jung's truly impressive and liberating wisdom.
This is the best introduction to the work of Carl Jung that has ever been written. An awesome collection of psychological insight, well ordered and easy to read. I give this book my highest reccomendation. It is destined to become a classic.



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This book attempts to describe the passion and obsession, but its disjointed, episodic and disintegrated form works against it and the technical errors are annoying. Reviewer Collins (see his review) correctly identifies the core problem: the author does not seem to have considered his audience(s). If he's writing for knowledgeable aviation enthusiasts, his lack of depth, poor research and many errors are a turnoff. If he's writing for non-flyers, he doesn't provide enough background information on the many wonderful flight museums and collectors around the world to frame the subject adequately (his superficiality about, say, Kermit Weeks, is a huge disappointment, as just one glaring example). If he's writing for readers who enjoy literature, his lack of polish is a disappointment--much of the book reads like a first draft. It seems that Hoffman's approach to flying is skewed to the gee-whiz and away from the magnificent, mysterious realities of aviation.
Offering credentials like AIR & SPACE and SMITHSONIAN doesn't induce confidence in the reader. Both these publications often use materials from staff or stringers that are deeply disappointing and too often read like the work of somewhat talented amateurs, matched by editorial positions that seem to be issued--without justification--ex cathedra. If Hoffman had written for AVIATION WEEK or FLIGHT JOURNAL one could be sure of its quality.
If some genuinely competent pilot-writer could approach this subject--someone like, say, Walter Boyne or Richard Bach--it would result in an important historical document with breadth, depth and authenticity. Such a work is urgently needed. Sadly, HUNTING WARBIRDSA is not that book.


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Wasson et al's revelations of the complexity of the myths that surrounded the Eleusian mysteries are fodder for hours upon hours of thought play about the foundations of our culture today.