Ever since 14 July 1988 when I read Chronicle of Youth with absorbed attention and keen feeling I have been fascinated by Vera Brittain. This fine work, without duplicating Chronicle of Youth, sets out the letters written by her and her brother and friends till all her correspondents were killed in the war. This is a poignant work, well worth reading. One stands amazed and impressed by the eagerness of these Englishmen to serve their country, even though they knew the hell that the Western Front was, and though so much was repellant about the condition under which they soldiered.

Anyone who is interested in WW1 and the men and women who lived it, should read this account of the war first hand!

This is what the war really meant to people, both in and out of the trenches, for these are the letters written from and to them.

A thought provoking book, that it is true, is even more shocking.

It is about a generation of people that we should never forget.

I have been interested in Vera Brittain since her autobiography, Testament of Youth, was featured on Masterpiece Theatre in the 70s. I came across this new book by chance when looking for Testament, which my book group is reading and enjoying this month. This collection of letters not only recaptures Vera, her brother, and three close friends, it adds great dimension to their WWI experience. This is a book I will treasure a long time.

The original edition, hardcover with beautiful dust jacket, was printed in 1975 in England. It is one of my favorite all-time photo books, since in includes shots of Borobudur, the Ziggurat, the Red Fort in Delhi, Angkor Wat, Ctesiphon in Iraq - lots of photos hard to find even on the net. History all the way to the opera house in Sydney. A most fascinating book. Large: 9 1/4 x 11 3/4, 383 pages, a sound minimal text with each plate numbered and easily referenced - to me this is one of the great books. Everyone who has travelled, or who wants to travel, will enjoy this tremendously. (Many of the areas shown are difficult and often dangerous to visit, now.) Try it. You'll like it.

This volume should be among the first 5 books anyone interested in the history of landscape must buy, no wonder it's included in the academic readings in many fine schools. The B&W photographs are remarkable, and it's filled with plans and diagrams from all over the world. In the last revised edition, covers the actual trends in landscape architecture, as well as asian and pre-columbian cultures. As an architect starting out in this field of study, I found it very helpful, and I'm sure others will!

Excerpted from The Independent Review (Summer 2001) by Roger D. Congleton.

My main complaint about Geoffrey Brennan and Alan Hamlin's new book is its title, which supplies a nice alliteration but seems a bit misleading. The title might lead the reader to expect a book about democratic intrigue at the turn of the twentieth century, when the high tide of democratic ideology gave rise to widespread suffrage movements and electoral reforms. Instead, what the reader finds is a very interesting rational-choice analysis of how constitutions should be designed if individuals can and do choose to follow normative rules-none of which seem, strictly speaking, to be intrinsically democratic. A helpful subtitle might have been "Implications of Norm-Following Behavior for Constitutional Design," which would indicate an issue on which the book does make a good deal of progress.

I have only very minor quarrels with the authors' basic argument, which on the whole seems to be very reasonable-and indeed many of their points have been mentioned, as they point out, in classic works on constitutional design.

Overall, the evidence suggests that ethical behavior in politics occurs, but it may be of more limited significance to voters than the Brennan-Hamlin analysis seems to imply. However, to their credit, Brennan and Hamlin expressly claim only that norm-following behavior does occur and may be relied on in some circumstances. This much all but the most diehard skeptics would surely acknowledge.

Even those who doubt this more modest but still significant claim, however, will benefit from considering the path-breaking analysis Brennan and Hamlin develop in this book.

Two weeks before my trip to England and Scotland this past year, I decided that climbing excursions would be fun and different from the usual tourist sights. I had a rack, gear and experience with both trad and sport climbing, but no idea where to climb on the island. Getting 'biners at my local outfitter, I saw this book, and immediately pounced on it. The work told me everything I needed to know about climbing in the Lake District, and included extremely useful directs on how to locate the crags.

"Down three thousand fathoms deep, Deaths of millions in her keep; With her, in eternal sleep -- Sergei Preminin." With these words begins Russell Hoban's poem immortalizing an extraordinary deed of an ordinary Russian submariner. "Hostile Waters" also recounts Seaman Preminin's selfless sacrifice, which saved the lives of countless unsuspecting Americans. But this is only one of the riveting episodes of desperation and courage chronicled in this true story about a doomed nuclear submarine. Authors USN-AWS Capt. (ret.) Huchthausen and Soviet Capt. 1st. Rank Kurdin were participants in the ongoing Cold War events which led to the tragedy of K-219. Written with the assistance of accomplished novelist Robin A. White ("Siberian Light", "Ice Curtain"), their book reads like a spellbinding adventure of disaster and heroism on the sea. In 1986, the Soviet Navy, in its futile attempts to match its superior American counterpart, was sending its fleet of obsolete boomers to patrol the eastern coast of the US. Capt. Igor Britanov knew that his noisy, decrepit boat was being tracked from the moment she left her home port, and that once in American waters, he was being shadowed by a state-of-the-art hunter-killer. Following an unintentional collision by the USS Augusta, K-219 sustained severe damage which left her flooding and burning, with an open missile-hatch, on the surface. In a cascading chain of catastrophe, her nuclear reactor began to overheat. As the US military went on DEFCON alert, K-219 foundered in her desperate and dangerous death-throes. You, the reader, will intimately experience the Soviet crew's minute-by-minute struggle for survival. You will bond with the Russian Captain, whose fatherly affection for his men inspired their loyalty and dedication to the point of personal sacrifice. You will be astonished by the attrocious actions of the American Captain, which alienated his own crew and ultimately cost him his career. You will be disgusted by the competative uncooperativeness between the American armed forces, and the open hostility between individual branches of the Navy. You will be dismayed by the utter callousness of the US and Soviet governments whose disregard for human life imperilled the world. And you will never forget Sergei Preminin, who voluntarily entered the hot reactor and manually cranked down the stuck baffle-plates, thus preventing a meltdown mere miles off the American coast. For an eye-opening and disturbing view of US Cold War politics, and an even-handed and compassionate portrayal of the Opposition, read this "ten-star" story!

Maybe you remember. The book says something to the extent that, "a certain event almost jeopardized the summit meeting with Reagan and Gorbechav." This book tells you what that event was. It is a TRUE story. A very haunting story, and I'm one who lives in southern Arizona, far away from the scene of this event. This book is like a Hunt for Red October from hell. I won't tell you ANYTHING about what happens, because it is important that you read this yourself. Another classic example of our government hiding things from us hard-working blue-collar workers. Another amazing thing about this story is that IT READS LIKE A NOVEL, but it isn't. At the end, I found myself CHEERING for the RUSSIANS because the Americans were (sorry) so STUPID and SELFISH. To many people, "russians" is synonymous with "evil". I hope this book changes your view of the Russians, as it changed mine--they are no better or worse than we are, as we are all human beings.

Through my work as Exec. Asst. to the Exec. Dir. of the Navy League of the U.S., I met member Peter Huchthausen when he introduced Igor Kurdin to the NLUS as an associate member. I became their liaison. Through this I have worked with young hero Sergei Preminin's high-school teacher, who created a small museum to his heroism. Then on 8/4/97 at a dinner in his honor at the Officers Club of the Naval Academy in Annapolis, I was privileged to be seated at the head table with and to meet the brave Russian sub commander, Igor Britanov, who saved our East Coast from a Chernobyl, and probably thus headed off WWIII. I was honored to be made a member of the St. Petersburg Club of Sailors and Submariners that evening. Peter Huchthausen did painstaking research, as did his coauthor Igor Kurdin to create this book. It is riveting, utterly compelling, heart-wrenching, and true. Although I have read it three times and highlighted much, plus viewing the HBO slightly-altered and less grippingly true rendition, I still weep for these brave men. This is the sign of a well-written book! It captures vividly the heart and soul of these men, and what they courageously endured. To read of them and meet them in person is to love them for their bravery and decency. I have never seen a face radiate more goodness than Captain Britanov's. I highly recommend this book to everyone I engage in conversation on the subject. I only wish that it had received much more publicity, in hard and soft cover.

The version of this classic I read was a translation into modern English by Nevill Coghill. As you can see above, I awarded Chaucer (and the translation) five stars; but I do have a criticism. This translation (and many other publications of Chaucer) do not contain the two prose tales ("The Tale of Melibee" and "The Parson's Tale"). These are rarely read and I understand the publisher's and the translator's desire to keep the book to a managable size. Still, that should be the readers decision and no one else's. I had to go to the University library and get a complete copy in order to read those sections. As I mentioned, this copy is a translation into modern English. However, I do recommend that readers take a look at the Middle English version, at least of the Prologue. Many years ago, when I was in high school, my teacher had the entire class memorize the first part of the Prologue in the original Middle English. Almost forty years later, I still know it. I am always stunned at how beautiful, fluid, and melodic the poetry is, even if you don't understand the words. Twenty-nine pilgrims meet in the Tabard Inn in Southwark on their way to Canterbury. The host suggests that the pilgrims tell four stories each in order to shorten the trip (the work is incomplete in that only twenty-four stories are told). The tales are linked by narrative exchanges and each tale is presented in the manner and style of the character providing the story. This book was a major influence on literature. In fact, the development of the "short story" format owes much to these tales. All of the elements needed in a successful short story are present: flow of diction and freedom from artifice, faultless technical details and lightness of touch, and a graphic style which propels the story. In poetry, Chaucer introduced into English what will become known as rime royal (seven-line stanza riming ababbcc), the eight-line stanza (riming ababbcbc), and the heroic couplet. His poetry is noted for being melodious and fluid and has influenced a great many later poets. He has a remarkable talent for imagery and description. With respect to humor, which often receives the most negative responses from a certain group of readers (as witnessed by some of the comments below), there are at least three types: good humor which produces a laugh and is unexpected and unpredictable (for example, the description of the Prioress in the Prologue), satire (for example, the Wife of Bath's confession in the Prologue to her tale), and course humor, which is always meant to keep with the salty character of the teller of the tale or with the gross character of the tale itself. I am really stunned at the comments of the reviewer from London (of June 21, 1999). He/she clearly has no idea of the influence of the work nor on the reasons why Chaucer chose to present the humor the way he has. T. Keene of May 17 gave the work only three stars, presumably because it was once banned in Lake City, Florida. (Does that mean it would get fewer stars if it hadn't been banned?) Perhaps our London reviewer will be more comfortable moving to Lake City! Another reviewer suggested that "The Canterbury Tales" was only a classic because it had been around a long time. No! Chaucer's own contemporaries (for example, Gower, Lydgate, and Hoccleve) acknowledged his genius. My goodness, even science fiction books acknowledge the Tales (for example, Dan Simmons' "Hyperion," which won the 1990 Hugo Award for best science fiction novel of the year, is based on the Tales). These brief entries are too short to review all of the tales. Let me just descibe the first two. Other readers might consider reviewing the other tales in later responses. In "The Knight's Tale," the Theban cousins Palamon and Arcite, while prisoners of the King of Athens (Theseus), fall in love with Emelyn, sister of Hippolyta and sister-in-law to Theseus. Their rivalry for Emelyn destroys their friendship. They compete for her in a tournament with different Greek gods supporting the two combatants. Arcite, supported by Mars, wins but soon dies from a fall from his horse (due to the intervention of Venus and Saturn). Both Palamon and Emelyn mourn Arcite, after which they are united. It is the basis of "The Two Noble Kinsmen" by Fletcher and Shakespeare. "The Miller's Tale" is a ribald tale about a husband, the carpenter John, who is deceived by the scholar Nicholas and the carpenter's wife Alison that a second flood is due. In this tale, a prospective lover is deceived into kissing a lady in an unusual location. And, recalling the response from our reviewer from London, apparently this Tale should not be read by people from London (or Lake City)!

The Canterbury Tales by Geoffrey Chaucer is one of the first great works of literature in the English language and are good reading for a number of reasons. They are written in "old English", however, and read like a foreign language for most of us. Barbara Cohen's adapted translation gives us four of the tales in contemporary English and therefore provides an excellent introduction to Chaucer's Canterbury Tales. Cohen's tales retain Chaucer's colorful insight into fourteenth century England including life as a knight, the horror of the plague, and the religous hypocrisy of the age. The illustrations by Trina Schart Hyman are vivid and tell a story all by themselves. I use Cohen's book as a supplement to teaching medieval history and literature to 7th and 8th graders.

In addition to its literary importance, Chaucer's Canterbury Tales are an enchanting reading experience. The Bantam Classic edition presents the tales in Modern English translation alongside the Middle English so that one can fully appreciate the tales as Chaucer composed them, or if you're just in the mood for a fun romp you can speedily read the translation. The tales themselves move at a quick pace, so beginners will probably enjoy the modern version much more.

The Canterbury Tales revolve around a group of 29 on a pilgrimage to Canterbury Cathedral to pay homage to the martyred St. Thomas a'Becket. The members of the pilgrimage come from all walks of life, including a Knight, Prioress, Merchant, Miller, the ever-entertaining Wife of Bath, and many others. The Canterbury Tales are the pilgrims' stories and each one reflects the individual character's personality beautifully. One can't help but feel a part of this lively group.

Whether you like a bawdy, raucous tale or a morally sound fable you will definitely find something entertaining in this book. I laughed out loud several times and found Chaucer's use of symbolism, wit, wisdom, and the glimpse into 14th Century life absolutely fascinating.

A well written book that makes for very interesting reading. It is the story of Hasbro and the events that unfold around it. Since the author had a good access to the Hasbro team, he has been able to write up about Hasbro executives in great detail. Competitiors, esp. Mattel get seen through Hasbro eye's and hence maybe make for a one sided perspective.
The book talks well about how toy brands have evolved from simple objects to complex products involving Hollywood, comics, cereals, mega blitz promotions and the like. It offers a good understanding of how the toy business is not a childs play any longer.

having worked at toys r us for many years and living near the hasbro company- i felt that the subject would be of interest to me only - but in trying to get the book at my local bookstore i found that it was difficult to obtain. When i bought the book and read it i was pleased to find that the book was easy reading. The book is fast paced and takes you through the high stakes world of the toy industry dealing with two giants - mattel and hasbro- it was fun reading how favorite toys got started and even more fun to learn about toys that you knew were doomed to failure i went to high school with one of the people that is acknowleged as helping the author and can't wait to talk to him about his contribution.

Now that hasbro and mattel are in the news again, Toy Wars is especially timely. Going behind the scenes, Miller explains the background leading up to today's problems in the toy industry. But the book reads like a true adventure story, with people as interestign as the toys! Highly recommended for anyone with an interest in business -- or toys.

Fine book for the EUROPEAN railroad fan. Good content and illustrations. However, my disappointment is that it does NOT include information about the American Railroads.