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available now Ceramic Extruding by Jean and Tom Latka successfully answers the question of, "Why are all of those clay extruders rusting on potter's walls?" Their answer is thus: Ceramists, like everyone else, have to be inspired to create beautiful work. This book acts as a magical muse for artists by showing over 300 quality photos of beautiful work by some of the finest international contemporary artists working in the medium today. This book's focus is on the recent emergence of extruded ceramic art as dynamic and surprisingly varied form of creative expression.
"Though the words extrude and extrusion are not ones most people encounter in everyday conversation, we live in a world where we are surrounded by extruded objects. Our brick houses and their tile roofs are made from extruded clay. We shower on extruded tiles, send our smoke and fumes up extruded chimneys and our waste down extruded sewers. From the round O's in your breakfast cereal to the pasta on your dinner plate, extruded objects occupy every conceivable nook and cranny of our lives". Beginning with bricks, Ceramic Extruding details the history of the extruder then demonstrates the ease, as well as the necessity, of using an extruder in one's pottery. The book is organized in a logical manner in order to guide the reader by employing numerous step-by-step instructional methods.
Essentially, Ceramic Extruding is a how-to book and the projects gradually become more advanced. Apart from the photos, another subject that distinguishes this book from other books on the market is its comprehensive theory of extrusion and was the only chapter I had to read twice. It is a difficult subject. The authors give detailed information on why extruders act in the manner in which they do. For instance, I didn't know that clay moves faster down the center of the barrel than clay closer to the walls. This information is useful for artists who want to design their own dies.
Educators take note: As a teacher, I know how it feels to give students a
blank canvas and ask them to be creative. In contrast Ceramic Extruding
shows how to create a limitless supply of foundation material from the
extruder for the student.
The book truly has an international cast of artists, photos of ceramics
spanning from Australia to Inge Pedersen in Norway. I became aware of
several renowned European ceramicists. Antonio Cumella, Alessio Tasca, Elina
Brandt-Hanson, Jim Robison. Other artist's work that impressed me was Ken Williams, Jutta Golas, and Jack Sures. Jean and Tom Latka have an excellent body of work apart from each other, but their collaborative work shines superior.
Everyone has been waiting for the next thing in clay. Well Latka's Flying
Hybrid Extruder and Michael Sherrill's novel extruder/wheel could lead to
the new revolution in clay. The quick release system makes these extruders user friendly. The expansion box is larger than most other machines, and in the case of Flying Hybrid, it out performs slab machines by making slabs faster and more superior. Oddly enough, slab machines compress the clay from the center of the roller to the edges. This creates an unstable molecular structure and cracks result. The clay is evenly compressed in the Vertical Flying Hybrid. An 18"x24" slab is the result when an 8" cylindrical shape 18" long is extruded and sliced lengthwise.
I would like to sum up with a quote from Michael Cohen. "It is important to find a well-made extruder that is adaptable to your needs. As for the
wheel, once you learn how to use it, one question ultimately remains: What are you going to make? After mastering centrifugal force and friction, perhaps it's now time to use gravity and inertia to make a personal statement. Like throwing, it only looks easy."
"Extruding clay takes on a wonderful new meaning when you use the extruder as you would any tool---as one step in the making process, not as an end in itself. The extruder's contribution to the studio can be as profound and influential as the potters wheel --- a slab for the imagination to leap off from". Jean Latka
Two thumbs up! Burn the other extruder books; this is the only one you will ever need.
I am an college art teacher at U.S.C. and find it the best book for my introduction course on the Extruder.
...

spanning from Australia to Inge Pedersen in Norway. I became aware of
several renowned European ceramicists. Antonio Cumella, Alessio Tasca, Elina
Brandt-Hanson, Jim Robison. Other artist's work that impressed me was Ken Williams, Jutta Golas, and Jack Sures. Jean and Tom Latka have an excellent body of work apart from each other, but their collaborative work shines superior.
Peter Helm

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it has cool detective gear and a guide for how to be a super detective!
Stick with the motto that everyone follows {even the author}:
Buy it!



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First let me say that Beth Russell is not necessarily the place for beginners to start. The designs are detailed, and the charts are detailed, and the canvas is usually smaller than, say, Elizabeth Bradley. For those needlepointers with some experience, however, you will enjoy the challenge of translating these beautiful Morris-inspired designs into art for your home.
Some of the best I've done include the Morris Lion (a wonderful medieval-looking lion with an ornate tapestry background), the orange pillow (on the cover), and the woodpecker tapestry


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SECOND HOME. Rating: 10. This gorgeous coffee table book is also practical. Great houses, dreamy photos of locations, but the homes, which are in all styles from cabins in the woods to big family homes on the Atlantic, aren't out of reach. The book has tips on finding a location and that sort of thing as well as decorating. Nice resource list with internet sites for more information. Blends dreamy beauty with information.
THE CABIN. Rating: 6. Another pretty coffee table book. Not practical in any way but nice to look at. More of an architecture book than anything else.
COTTAGE STYLE. Rating: 8. All about decorating any home so it looks like a weekend cottkage. My decorating "bible."
ADIRONDACK STYLE. Rating: 5. Good pictures of homes and interiors. But it's limited to one rustic style, of course.


house does indeed capture the mood, spirit and colors of
Provence. Anyone looking for ideas or studies of trompe l'oeil
will totally enjoy the art on every page. I remember the
first time I saw the art of Fisher and Chappell in an old issue
of Country Living magazine. They artfully painted a garden
shed and it made the cover of the magazine. A story unfolds
as you go room to room in this house, the walls are the illustrations. French tiles, a mouse on garden tools, rabbits
in a hutch, windows to lavender fields, murals of glorious
Provencal landscapes, a broken plate on the floor, pearls on the stair steps, rose petals on a window sill: are they
real or painted? An excellent addition to a collection of
interior design books. You can't go wrong here. The resource
guide in the back features decorative sources, fabric and upholstery sources, garden catalogs and graphic designers.
Lots of garden pictures too as Nina Williams was the founding
editor of Country Living Gardener. From the kitchen to the
atelier, the boudoir to the foyer you will find inspiration!
Thumbs up!
All of the instructions are very clear and the large amounts of pictures are especially helpful. I would highly recommend this to a beginner quilter.
It may seem somewhat expensive since it is only one pattern, but the Quilt in a Day series is so user-friendly I find it well worth the price.