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This volume offers eight chapters: (1) The Great Migration overviews the search for a less racist society with greater economic opportunities in the North; (2) Safe for Democracy? looks at the performance of blacks on the battlefields of World War I; (3) After the War looks at how white racists responded to the new racial pride of the blacks; (4) Marcus Garvey and Pan-Africanism focuses on the leader of the United Negro Improvement Association (UNIA) and one of the most important black figures between the wars; (5) That's Entertainment looks at not only comedies with Stepin Fetchit and "Our Gang," but birth of both the Harlem Globetrotters and the Negro Leagues of baseball players; (6) Harlem talks about the famous New York community, while; (7) Renaissance looks at the writers and artists, such as Langston Hughes and Louis Armstrong, that created the cultural explosion of the Twenties; and (8) A New Struggle Begins looks at the impact of the Great Depression. This book is illustrated with dozens of black & white photographs, not only of key black figures but also of race riots and lynchings.
These books are marvelous supplementary sources for American History textbooks for which the black experience is usually a relatively minor consideration. Yes, young students will read about familiar names like World Heavyweight Champion Jack Johnson, pitcher Satchel Paige and "Duke" Ellington, but they will also learn about World War I hero Sgt. Henry Johnson, author and teacher Jessie Fauset the "midwife of the Harlem Renaissance," and educator Mary McLeod Bethune. Candaele does an excellent telling the story of both these people and the times in which they lived.

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"Days of Sorrow, Years of Glory" goes beyond the most famous names in the struggle of black Americans for liberty (Harriet Tubman, Sojourner Truth, Frederick Douglass) to tell about Norbert Rillieux, William Henry Lane, and Joseph Cinque. I was pretty well versed in the political side of the story in terms of how the nation got from the Missouri Compromise to the Great Compromise of 1850, but Paulson is focusing more on the social side of the struggle. As a result, it is rather surprising to see how much was happening in Black American History in the years before the decade leading up to the Civil War. This book is illustrated with contemporary etchings, drawings, cartoons, and photographs from the period, including a photograph of the Hanging Tree where Nat Turner was executed, the title page of a book written by Frederick Douglass, and a much-reprinted lithograph entitled "The Old Plantation" showing the South's idealized view of slavery. For classes, students and teachers who want more information about American History from the African-American perspective than they will find in their textbooks, this is an excellent series.

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(1) "Unity Without Uniformity" looks at the convention in Gary, Indiana in 1972 when eight thousand African-Americans delegates with diverse political goals. While they failed to crate a new black political party, let alone a single black political agenda, they were able to create a sense that "All things are possible." (2) "Mixing Southie and Roxbury" examines the forced integration in Boston that began in the fall of 1974 with the busing of students. (3) "To Get Beyond Racism" focuses on the issue of affirmative action, begun during the Kennedy and Johnson administrations and challenged by the 1978 Bakke decision that ruled the policy was essentially reverse discrimination. (4) "Rolling Up Their Sleeves" looks at the political success of blacks, from Jesse Jackson's Rainbow Coalition campaign for the presidency to the election of L. Douglas Wilder as governor of Virginia and Carol Mosley Braun to the U.S. Senate. (5) "From 'Roots' to Rap" looks at how African-Americans have transformed the culture of the country from Toni Morrison winning the Nobel prize for literature to Michael Jordan becoming the most famous athlete on the planet. (6) "Criminal Justice" contrasts the "Scottsboro Boys" being found innocent 45 years after their convictions with the Rodney King riots and the O.J. Simpson trial. (7) "Putting the Chain Back Together" looks at the Million Man March in October of 1995 conceived by Nation of Islam minister Louis Farrakhan as a fitting counterpart to the Gary Convention of the opening chapter.
Hull's focus in this volume is on the struggle for leadership and focus among African Americans who have to deal with the desire to build consensus and the necessity of accepting the diversity of black politics. In that regard, the "Unity Without Uniformity" slogan popularized at the Gary Convention holds true. By taking more of an issue-oriented approach than a standard chronology, Hull is able to focus on important themes that establish the current concerns of African Americans. This is certainly appropriate because once you get to the present you are no longer dealing with history, but rather with politics. "Struggle and Love" is illustrated with black & white photographs and underscores that during this period, more so than anytime before, blacks in the United States are able to set their own agendas, cognizant of the cultural and economic problems that continue to exist.

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