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Flannery O'Connor is one of my all time favorites. She has a strong way of making a point; her endings have always taken me by surprise. Her 1965-story The Comforts of Home, about a son still living with his mother and the unwelcome guest she brings home, has the honor of being included. Another great one is, Susan Glaspell's 1917 story, A Jury of Her Peers; a story of a husband who hung himself while still in bed. Then there's a 1905 story by Willa Cather called Paul's Case; about a recently released safe cracker who may or may not go straight. Be sure to read Tony Hillerman's introduction. He tells the reader the difference between literature and mystery and how mystery has evolved. On my keeper shelf it goes!

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This is an ecclectic collection of short stories in settings that rage the American West by a wonderful variety of writers. They are all new, never before published, stories.
Each story is a "mystery" of some sort. I found them all to be quite facinating, even if most are not about cats. One story is most decidedly about a cat, Midnight Louie.
Louie has his own series of novels. The short story in this anthology is a good example of Midnight Louie's other adventures.
If you or your purrrson like mysteries and stories of susspense, deceit and excitement, this is a great book to have. The stories are completey engrossing, easy to read and a treat! Take the book along when you have to wait for your next medical, dental or other appointment. Each tale is like a piece of gormet canip--a pleasure that almost doesn't last long enough.
A book for adult readers, but without sleaze, or the need for parental discression!
Twist, a prrroud member of CLAW, and the CLAW Bookstore Committee



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In this book of three earlier Jim Chee mysteries we get the best of Hillerman and a nice dose of all the things he's rightly famous for. There are insights into Native American culture, beautiful descriptions of the Southwest, intriguing mysteries and even a little love story.
When Jim Chee falls in love with Mary Landon, a Wisconsin school teacher who wants him to leave the reservation and work for the FBI, two of the mysteries allow us to follow the development of that relationship as Hillerman explores the difficulties of a cross-cultural relationship. Chee's struggle with his personal life gives a great deal of texture to the mysteries, and his efforts to be both a Navajo singer and a policeman create tension between his personal and professional duties.
Of course, the best part of these mysteries is Hillerman's marvelous grasp of character and place. Open this book and you'll lose yourself on the Navajo reservation with as interesting a group of people as you'll ever wish to meet in real life. Especially that Jim Chee character!

Jim Chee is a member of the Tribal Police, struggling with one foot in the ancient tradions of his born-to and born-for clans while trying to assimilate modern mores. His on-again off-again love is Janet, a spirited Native American lawyer, whose thoroughly modern stance clashes with his ambiguous identity.
Through Jim Chee we experience glimpses into Dinetah, the land, and culture of a fascinating people. The brushstrokes that create this world are deft, with a pyschological appreciation for each character. Hillerman creates a world for all senses to enjoy.
Two stories are set in the Navajo Nation, while one begins there and travels to Los Angeles, CA. Layers upon layers unravel, as Chee investigates seemingly random and unrelated bits. I especially appreciate the culture interwoven into the story line, yet never felt this done in a heavy-handed way.
Each novel is a jewel, each with it's own merits. Villians may be expected, or nearly the last person you suspect, but you'll have your consciousness raised while loving every minute of these tales. Atmospheric, sensitive and compelling Hillerman with have you longing for a trip to this world.
I think it's especially telling that the author has been given the highest honor that can be bestowed on a non-tribal member: Friend of the Navajo People. The Dineh appreciate dry humor, and while Hillerman never creates sterotypes, he gently lampoons instead of deifying. Once you enter THIS land of enchantment you will clambor for more from this splendid storyteller and outdoorsman.

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This book did what all good books should do - it left me fascinated and wanting to learn more.


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From day one, Hillerman has been a successful mystery writer. He writes with integrity about the lives of the Southwest Indians (emphasis on the Navajo) with perception and understanding. Hillerman has won many fans with his series of mysteries but some in the Navajo nation are disturbed over a White author writing about their "ways" even though Hillerman doesn't get into secret tribal matters. Regardless, Hillerman has fostered a lot of good will for the Navajo, the Zuni, and the Hopi with his large audience of readers.
Over the years, the possibilities inherent in the mystery formula have become exhausted. Hillerman has developed, within the framework of the formula, a Navajo policeman who solves crimes with a mixture of modern and ancient skills and also educates readers about Navajo beliefs. Hillerman's stories don't challenge a reader's intellect. That isn't the author's intention. What he produces is a likable hero, descriptions of fabulous scenery, unobtrusive murders, and the absorbing lives of the Navajo. The author ably works the White and the Idnian worlds as he explains the reality of Whites and some off-reservation Indians intruding on the reservation and the resulting conflicts. In Hillerman's mysteries the reservation Indians always win.
The author's writing skills are evident as he mixes the acts and thoughts of different individuals smoothly and coherently in "The Blessing Way." The author employs McKee, a close friend of Leaphorn, to do most of the work. McKee deduces, faces danger, solves dilemmas, but Leaphorn actually ties the loose ends together at the finale. Leaphorn reveals clues but you'll be none the wiser unless you have some knowledge of Southwestern weather, fauna, hieroglyphics, Indian beliefs, and similar arcana.
The author uses the "Dance hall of the Dead," to really educate a reader in SW Indian lore. The central point to the story is an archeological excavation and the disruption brought by the White man to the reservation. Navajo mysticism pervades this murder mystery. We learn about the Beautiful Mesa Families, who elected to die when Kit Carson arrived in 1864; Zuni Indian spirits who join the Kachinas and become one of them; the Navajo Chindi who spread sickness and evil among the Dineh; and the Shalako Ceremony which grants fertility to crops and brings needed rain to the desert regions of the reservation.
In the "Listening Women," Hopi ways are introduced as are the Navajo concepts of -- Remaining in harmony with the universe; Navajo wolves identified as men and women who turn from harmony to chaos and assume the guise of Coyotes, Dogs, Wolves, and Bears in order to spread sickness among the Dineh; Disharmonious sand paintings which can cause death; and Destruction of tradtitional Kiowa medicine bundles when the Buffalo disappeared. While this quantity of information might seem daunting to a reader, author Hillerman allows Joe Leaphorn to solve a murder while smoothly inculcating a reader in Native American lore.
The author has applied a gentle and refined twist to the mystery formula by creating an intriguing product employing Southwest Indian lore, the masterful Joe Leaphorn, and a little murder or two wrappoed up in a pleasing package. Try Tony Hillerman's mysteries, you'll enjoy his flights of imagination.


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Ernest Franklin's energetic illustrations make every page an eyeful that enhances Hillerman's spare and witty style of storytelling. Buster's Band gets a definite A for effort.
Nancy Tandberg
New Mexico Kids! magazine

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ASM