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I found myself wanting to help the main character out of his terrible predicament. This is one of those books you just can't put down, and one that you don't want to end. She's got a great story to tell, and her writing style is outstanding.
This is one of the best novels I've read in years.

It is not amiss to equate her offering with the quintessential record of those experiences, Andersonville by MacKinlay Kantor for Ms. Higgins exhibits an estimable command of research, as well as a munificent gift for lyrical elegiac prose.
Scenes of prison camp life are heart-bruising as seen through the eyes of men struggling to survive in a morass of death and disease. "...there are eleven thousand of us in this pen of about twenty acres. And four of those swamp." Plagued by vermin, lack of sanitation, self-administered medical care, raiders (comrades who steal their scant possessions for barter) and the cruelty of guards, many captives soon die, even beg to be shot.
Yet, in spite of intolerable conditions there is a thread of hope - not Emily Dickinson's hope, "the thing with feathers," but the hope of those pushed beyond their physical and emotional limits: "The burn and pulsing of it. That is hope doing its work."
A young Union soldier and former apothecary's apprentice, Ira Cahill Stevens, is taken prisoner in 1864, during the time when passionate arguments have brought prisoner exchanges to a standstill. Thus, prison camps have become intolerably overcrowded and tantamount to a death sentence, abysmal sties where soldiers switch allegiance for food and clothing.
Incarcerated with only his "Soldier's Book for Leisure Moments," a small handbook "intended for the young Christian soldier going forth 'in deference of his country,'" his father's pen, a silver spoon, and needle and thread, Ira is aghast and sickened, tenuously clinging to the prospect of a prisoner exchange.
Ira's sustenance is found in his ever present book, "...the only thing that helps me fall asleep," and his comrades. For guidance the young soldier looks to an older man, Gus, a preacher, who kneels to say his daily prayers then pats the ground and falls asleep. When Ira grows ill, Gus reads to him from the Bible. Ira hears "...words that don't mean a thing but the sound of 'em nice."
Gus's counterpoint is Marinus, an incorrigible cynic, who relishes the sound of his own words. There is also Louie with his "ferrety laugh" who tries to tunnel to freedom, and Willy, "...skinny but with a little boy's plumped up face yet. Hair so red it makes his skin pink. Jug ears."
Eventually Ira is moved to a military prison in Florence, South Carolina, where he becomes a paroled prisoner volunteer in the hospital overseen by a compassionate Dr. Strother. Ira comes to hold the medic in such esteem that he vows not to try to escape, "...my word of honor that I will not violate my parole by going beyond one-half mile from the hospital limits."
But when he is sent into surrounding woods to forage for berries, he walks on "pine needles and mossy stone. I kneel down and claim it all for the Union." He is tempted to flee in the dense fog but returns to confinement, realizing, "Loyalty, it seems, is a prison strong as any."
Ultimately, that is the message of A Soldier's Book - choices. No matter how desperate the situation there are choices. As Ira increasingly opts for the humane when surrounded by inhumanity, he evolves into moral manhood. And this affecting volume becomes not only a harrowing reminder of the brutality we visit upon one another, but a memorable paean to the noble bent of the human spirit.





Josie Carver marries Matthew Mitchell. However, his three children (fifteen-year old Becky, twelve-year old Rory, and ten-year old Clare) from a former marriage and his mentally imbalanced ex-wife cause problems for their relationship. In contrast, Matthew gets on well with her child (eight-year old Rufus) from her former marriage. Can this couple survive the storms of an extended family?
Josie's ex-husband architect Tom Carver becomes engaged to client Elizabeth Brown. His oldest son Lucas (from his first marriage to the deceased Pauline) hopes his dad finds happiness. His other adult child from Tom's marriage to Pauline, Dale, causes major friction between them. Can this couple survive the storm of one individual?
Renowned for her novels set in England, Joanna Trollope writes an excellent and timely contemporary drama on the impact of various related step-families. The story is extremely complex, enjoyable, and poignant. The motivations of the numerous characters are comprehensible and allow readers to deeply look into the varying dilemmas confronting adults and children with the modern ultra-extended family. OTHER PEOPLE'S CHILDREN demonstrates that Ms. Trollope knows how to dig into the psychological heart of the modern world.



I won't go into detail of what happens next in case you decide to read this boring novel but let's just say that it's predictable, yet boring, with no really likeable characters. Very flatly written! I give it 2 stars...

The story revolves around 2 families--Hilary and Laurence and their 3 sons, and Gina and Fergus and their only child Sophy. When Fergus leaves for greener pastures, everyone is shocked--Gina is a rather unpleasant, emotionally unstable person, and she begins to lean on her old childhood friend Laurence and his overworked wife, Hilary for emotional support. Hilary, who co-owns and manages the family hotel rejects the role--she has enough people to carry! Laurence, however, falls into the trap of "helping" Gina emotionally.
The only character that I found even remotely interesting and believable was Sophy's grandmother, Vi. The other main characters, Fergus, Gina, Laurence and Hilary just didn't seem real--Hilary was especially difficult to swallow--even though she remained one of the most pleasant characters in the book.
The teenagers Gus, George, Adam and Sophy were utterly unbelievable. Teenagers don't think like this--at least none that I've ever known. Trollope's teenagers were mature, stable, sensitive, considerate, kind, industrious, thoughtful (the adjectives continue...). Unfortunately, since a great deal of the drama was presented through Sophy, the book was rather spoiled for me.
Furthermore, in the edition I had, there were at least two spots where the author confused the female characters and used the name "Gina" instead of "Hilary." Picky, picky picky, but it annoyed me.

"The Best of Friends" catches up with university buddies Laurence and Gina, some 20 years after they have each happily married other people. Laurence and his wife Hilary run a charming inn and have three teenaged sons; Gina and Fergus live a highly upscale life mostly devoted to Fergus' antiques business. They have a teenager as well, their only child, Sophy. The book begins with Sophy in some sort of crisis. As only Trollope can do, we gauge the depth of Sophy's adolescent pain by watching her, almost literally, childishly suck on a blue bead she wears on a leather thong around her neck. It is these tiny details, almost too subtle to notice, with which Trollope captures the reader's attention and heart.
It turns out that Fergus has suddenly and cruelly decided to leave Gina. Sophy and her mother are devastated, each in her own way. Sophy acts out in increasingly childish and pouting behavior; the reader doesn't know whether to slap her or hug her (and anyone who has teenagers can relate to this feeling!) Gina simply falls apart. And in her crumbling state, she turns, of course, to her best friends Laurence and Hilary.
The domino effect of one person's selfish decision to leave his wife causes anguish and pain he could not have anticipated. Trollope's message is clear, although she does not judge--nobody lives in a vacuum, and one IS accountable for one's actions.
This theme is further played out in the subplot: the story of Gina's elderly mother Vi (who had Gina after an impulsive fling with a boy who deserted her upon finding she was pregnant) and her dear friend and neighbor Dan. Again, the smallest of details bring these people to life. Vi is an exuberant soul, full of strong color, both in her clothing and in her garden and home. She has a parakeet (of course!) and her messy house matches her divine personality. Dan is her polar opposite. We come to love him for his meticulous tidiness, his strict ways (learned many years previously in the military) and his total adoration of Vi. They are so happy together, and it is so lovely...until the actions of a busybody who righteously feels she is "doing the right thing" destroys the elderly couple's lives completely.
The ending of this book, as always, is true and real. I won't give it away, but suffice to say that as in real life, nothing in the end is "clean and perfect." But it all makes perfect sense. This is one of Trollope's more depressing novels, but so worth the read, if only to cherish the wonderful characters she creates so very well.

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