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First off, I'm not really sure in what category this book should be placed. It's nominally an alternate history story where China(?!) won WWI (? - it's only referred to once as the 'Great War', and other internal evidence places the start of the story somewhere in the early '20's). But in many of its aspects, I think it might be better to treat this one as an allegory, in the vein of Orwell's Animal Farm. In any case, the story traces the life of a young American girl who, along with all the rest of her village, is forcibly kidnapped by a version of the 'Mob' and sold into slavery in mainland China - the pre-Communist version of China, which in the '20s had seen very little of technological progress, a society that had changed very little in the prior 1500 years. Upon reaching China, the story follows White Lotus (her Chinese name) as she is transferred to various owners, starting with a near-upper class mandarin, to a 'mid' level plantation owner, to a poor cotton farmer, to 'freedom' as she escapes to a province that has outlawed slavery, but finds herself just as desperately bound by her limited job opportunities, to life in a 'free' white community where the 'yellows' still own all the land so her only choice is to work as no-hope share-cropper, to industrialized life in the big city, where job choices for whites are still very limited, and finally as a civil rights agitator/activist. With each change of locale, White Lotus becomes attached to a local strong man (Nose, Peace, Dolphin, Rock), each of whom is the personification of a possible 'answer' to life as a slave/dis-enfranchised minority (become totally worthless, give the owner no value for his slave; stage an armed revolt; run to 'freedom', try to build a life based on self-respect and inner fortitude), each possible answer is demolished by the events as they unfold (executed for supposedly starting fires in Chinese houses; revolt is crushed and leaders executed; runner is caught and ripped apart by dogs; each attempt at building a better life is met by impossible economic demands and job restrictions till there is no hope left).
As you go through the story, it becomes increasingly obvious that Hersey is re-telling the history of the Afro-American in America, from the initial forceful grab in Africa, to the 'genteel' society of the early South, to the heyday of large cotton plantations, to the Civil War and through the Reconstruction era, to the move to urban America and the ghettos, and finally right up to the civil rights movement of the '60s, all compressed into 20 years of White Lotus' life. Along the way, he draws some striking portraits of the reasons for so-called 'black' behavior, of the self-blinding hypocrisy of the 'owners', of each individual's struggle to make sense of life, and grindingly destroying all superstitions, (white/yellow/black), heaping copious quantities of lotus petal dung upon them (and most religious beliefs also). If this book was only an exacting mirror of the White/Black struggle, though, it would not be much more than a well-told polemic. But there is an added dimension here: Hersey's portrait of the Chinese culture. The glimpses we are given (looking at it from the perspective of the very bottom of the society) of this China are impressively authentic. Hersey was born in Tienstin, China, in 1914, spent his first 11 years there, and spent much of his early adult life as a journalist in various places in the Orient, and this experience clearly lands on and illuminates these pages. And because the Oriental culture really is different, it provides an odd 'side' look at the whole issue, giving it a whole other dimension of realization. And the final 'solution' of his protagonist, her method of finding her own self-worth and a possible better life for all whites, is uniquely Chinese in character -- shame the yellows into recognizing them as human, by imitating a sleeping bird. This portion of the story is told within an enfolding prologue and epilogue that form a complete (and very powerful) self-standing story, including a very recognizable portrait of Gov. George Wallace as a Chinese warlord (though he never speaks a word).
There are places where this work drags a bit, becomes almost repetitious, where the parallels he draws are too obvious, and the portrayed horrors of life as a slave never reach quite the depths of despair plumbed by something like Steinbeck's The Grapes of Wrath, but this is still a very honest, insightful, competent, and in places brilliant work. It will make you think. It will make you drag out your own prejudices and carefully examine them. It will show you that the American way of life is far from the only model for good living - others may be just as valid or even better. I've had this one on my top 50 SF works ever since I first read it -- it remains there.




Told strictly as the minutes of a state congressional hearing, this book details the events that follow when Mr. Wissy Jones, from United Lymphomiloid, arrives in the town of Peqoud and presents an offer to outright purchase an exceptional child, Barry Rudd, who is blessed with an extreme intelligence and a maturity beyond his years, for some unspecified project that will 'aid the national defense'.
As we proceed through the hearings, we are treated to some fine characterization of the witnesses, from the sharply opinionated and articulate principal of the school Barry attends to Barry's mumbling, street-wise but not too intelligent blue-collar friend. But the hearings also expose the first of Hersey's sharply satirical looks at our society as we see the conduct of the various senators running the hearing, obviously meant to remind the reader of the McCarthy hearings, with their forcible cutting off of any testimony that does not fit the pre-defined expectation of what the outcome of the hearing should be, denigration of witnesses' lifestyles, and panel members who clearly do not have the intelligence to even understand what testimony is given.
More horrifying, though, is the picture of the educational system presented, from the ivory-tower intellectual theories that have no relation to the classroom, to the constant attempts to make all students fit one pre-determined mold, to the administrative power struggles, to the bizarre web of psychological testing, to the clueless PTA, to the rigid and hypocritical moral code that schools use to bludgeon non-conforming students. Where in this morass is the place for the truly gifted child, or for that matter one who is intellectually challenged? Hersey's points strike like daggers, for even though this book was written more than forty years ago, our schools still have every problem that is shown here.
And what of the moral outrage that should adhere to the concept of selling a child? Once more, Hersey's pen is savage, showing how easily Barry's parents sell out for a few material goods, how the senators are converted by the mere statement that it's for the 'national defense', how the general township is so easily convinced to get rid of this 'different' kid, and, most poignantly, how even Barry, with full knowledge of what the program entails, reacts to the concept.
A very moralistic tale, told sharply and with defining moments of humanity, bringing a near surrealistic concept into the all-too-possible realm of reality.

Meanwhile, Jones skillfully garners support from every quarter in Pequod, from the pioneer-stock, six foot female principal of the elementary school and Barry's closest ally, to his own mother, a slatternly lower class housekeeper who's obviously the source of Barry's brains. Everyone has an opinion about Barry, usually not too good, ranging from jealousy, misunderstanding to just plain contempt (he's fat.) Meanwhile Barry and his street-wise blue collar friend seek to prevent his sale by a hilarious act of sexual misconduct.
What happens to the children purchased by U. Lymphomiloid is openly discussed by Wissy Jones during the trial. Yet despite the shocking revelation, Jones has manipulated the town to his side and even co-opts some surprising allies.
This isn't just an examination of an education system that strives to produce a bland mediocrity and mistrusts talent, it is the story of the intolerance of society for individuals and members of minority religions, race, anyone different than the mass average. There is a lot behind this readable book and it is fresher than every.

The Child Buyer is sketching the discrimination of people with extreem high IQ (HIQ's), something that isn't even an issue in real life (yet). Mediocracy rules the world.
The Child Buyer is a heart wrenching, but at times also hilarious, description of the trial in which must be decided if a HIQ young boy should be sold or not to a company, because that would be good for national security, even though the boy refuses to be merchandise. The book shows how the people of a small village abandon the boy in his lonely struggle, partly because they see him as uncomfortably different, partly because they think it's for his own good to be separated from the rest, and partly because it turns out to be in their own best financial interest if the cooperate...
Hersey has structured his book around the trial. It contains only the dialogue, that is recorded in the courtroom. This may seem odd in the beginning, and perhaps slowing things down a little when all the characters are introduced, but the author succeeds very well in showing the diffence in characters. And in exhibiting the gross stupidity of some of them, as well as the way people choose for there own wellfare, above anything else.
This book was way ahead of it's time, when it was published in 1960, and - unfortunatly - it still is.
I can highly recommend it.

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This is a long exhaustive book. The first hundred pages or so are devoted in Treadup's early life in upstate New York and the reader may be forgiven if he is impatient with the plodding pace. The story picks up when Treadup gets to China as it details his adventures, doubts, and misteps, all worked into the political and social framework of the time. Treadup's journeys -- both physical and spiritual -- are long and arduous and ultimately this is a sad book.
Missionaries are out of fashion these days, but their cause -- the spread of Western civilization -- is still alive. If he lived today, Treadup would not be a missionary, but rather an activist for Tibetan independence, a friend of Bono, a board member of Amnesty International, and a tireless crusader against gender inequality. Will today's secular "missionaries" succeed where Treadup failed?
I don't know of any other novel that probes more deeply and seriously into the life, times, and mind of a China missionary. We live intimately with Treadup and when his life is over, we wonder, as he did, whether it was all worth it.

When I first picked up The Call, I fully expected a well-crafted, rich historiography of China; a novel concentrating on the time period at the turn of the 19th century, through five decades of foreign influence & interaction that finally shaped the terms on which the Communist Revolution was founded. What I did not expect, and was pleasantly surprised to find, was the philosophical depth of Hersey's characters; they were vehicles of an evolution of human thought. Hersey explores both the spiritual and the applied philanthropy of Christianity. Spiritually, the main character David Treadup was a General of the Lord whose application was saving souls: an idyllic gift between humans. Hersey questioned the application, and uncovered its shallow areas. The dilemma of belief without evidence. In response, the character of Treadup tried to justify Christianity with evidence; he used science lectures as his conveyance. There was terrific interest on behalf of the Chinese. Treadup felt that by awakening the Chinese to the laws of science, he was awakening them the laws of the Lord. His fantastic success with the lectures brought on self-doubt. He questioned purpose. Was he a science professor or a missionary? Science ceased to be an acceptable role for him to wear if that wasn't what he was about... there was no connection between his lectures and spiritual redemption. He questioned what he was actually bringing the Chinese, science or religion,... but most importantly he questioned what he wanted to bring.
As the novel develops, Treadup gains experience and insight, he shifts his focus from science lectures to a literary campaign. With fantastic energy and zeal, he rolls up sleeves and takes on the task of teaching the peasantry to read and write. All over the countryside he sets up local schools. After the literary campaign Treadup introduces agricultural reform. He continues to answer the noble call, but by serving functional needs he is moving further, and further away from addressing spiritual ones. As he was with the science lectures, Treadup is again plagued with doubt. He is not saving souls, and in fact is questioning the legitimacy of his religious calling when so many greater needs stand out.
It is not until Treadup is a Japanese POW that he begins to answer the questions that have plagued him for years. In the prison camp he belongs to a group. The camp depends on him like it depends on all the individuals that make up the whole, the goal is survival. Treadup doesn't have to identify need, need has identified him. From his fellow prisoners he hears the Call, and realizes his original draw to Christianity was not religion, or saving souls, but being needed and employing his extraordinary ability to successfully meet that need.

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One doesn't have to enjoy war literature to enjoy this book. It reaches way beyond the war, right into the human spirit.

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The splendid novel is set during World War II, though it isn't really a war novel. The novel is about how very different people can, and should treat one another, especially when in a difficult situation. A Bell for Adano primarily concerns Major Joppolo. He is an American officer placed in charge of the city of Adano after the invasion. Joppolo is a wonderful, though flawed man. He's always practical but remains sentimental. He sets out to make the lives of the people of Adano the best he possibly can. He does so by not treating them as the enemy but as People. The "bell" of Adano refers his attempt to restore an historic bell to the city that it had lost during the war.
I can never do justice to my favorite novels when I review them, and this is one of them. I can't say enough good about it. The characterizations are strong and the interactions between the characters are touching and thought-provoking. Joppolo's relationship to the city's people is truly remarkable. It makes one think about America's relationship with foreign countries. The story is heart-tugging and humorous. There are few novels written this century that can touch a reader as much as this one does, and this one can make you think a little, too. A Bell for Adano certainly deserved its prize, and it definitely deserves to not be forgotten.

How Major Victor Joppolo goes about this task is interesting as are the variety of Italians-former fascists and anti-fascists alike--he meets and, eventually, wins over. More gripping, though, is the character of Jappolo himself who, in many ways, Hersey repressents as Everyman--or at least EveryAmercicanman. He is practical, yet sentimental. He wants to do good, but also wants to be loved. He has a strong sense of loyalty, yet hungers after an Italian woman despite loving his wife back home. He admires the Italians, but shapes them in our American mold. He is--in modern psychobabble--conflicted; imperfect, yet very admirable.
The title refers to the city's most prominent--it has dozens of them--bell which for seven hundred years called the people to work, to eat, to love, to church, to life. It was shipped away by the retreating Germans to be made into bullets at some northern foundry. Its lack leaves a gaping wound in the civic fabric. Joppolo, of course, gets the town a replacement bell. How he does it fills you with pride. His first hearing of its strong voice can break your heart. This is a worthwhile book both as a story and as a still provocative look at the American character.


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what shocks me is that people (some who even read this book!) still think dropping this bomb (not to mention the one on nagasaki) was worth it. granted, there can be a million arguments justifying it, about how it saved lives, and how the japanese committed horrible atrocities too, etc., but just seeing the pure horror this bomb inflicted (through the eyes of these characters) is enough to make me say "no way - going to this degree of horror cannot be justified."
and to all you who still want to argue that dropping this bomb had its merits...and that creating even more destructive nuclear bombs has its merits...well...well...i feel sorry for you. because horror is horror, and when it comes to weapons of mass destruction we are all innocent. no one deserves that.