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Well - it was worthg it. In fact, twice the price would have been fair. Not, of course, that I'm complaining.
"Force Of eagles" is the second of Herman's books, and it's a great yarn. Tautly plotted, with excellent airborne and land battle sequences, the action's non-stop. The concentrated action, however, doesn't interfere with the development of a bunch of likeable characters.
Yes folks, it's battle time, and the good guys are good, the bad guys are bad. (OK, so they're a little cliched. But hey... get with the picture. They are the bad guys, after all!)
The scenario's realistic (Herman must have war-gamed the action a number of times) and is told from a number of perspectives: the pilots, the ground-crew, the medics, the CO and his staff, the odd civilian.
Good stuff... as good as Dale Brown, without the political posturing of the letter.
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This book is the typical formula that that was old after Clancy's first book - it is looking no better with age. So, we have nothing new - but the death of many trees. It is a sad thing that this type of book gets published when there are probably much better books just waiting.
In between the combat, Herman shows a less-than-deft approach to Israeli politics. USAF pilots, well educated as they are, usually have their own opinions about such subjects as Israel's occupation of the West Bank and the settlements erected there - but Herman's protagonist is conveneiently clueless, and the readers can take heart that a sultry Israeli love interest is on hand to explain the UN resolutions against the Settlements while arab bombs rain down from above. The Knesset scenes, where charachteristically litiguous Isreali politicians censure each other for believing their own propaganda, is probably accurate. Less so are scenes meant to depict life in typical Israeli combat units. One such unit, a tank platoon, contains a Druze arab and an orthodox jew, the latter of the two doesn't really do anything but annoy his commander. Because the orthodox doesn't really exist outside his CO's negative perspective, he comes across less as a separate charachter than a blank apparently intended to symbolize all orthodox jewish soldiers. Let those orthodox jews who serve extended military tours debate the accuracy - it's simply poor writing, the product of any writer who can push just about anything with his miltary credentials, no matter how unrelated to his area of actual expertise. Doubtless orthodox soldiers still unaccounted for in the Lebanon war weren't given copies of "Firebreak" to enliven their captivity (assuming they lived long enough for the paperback ed.)
Worst of all, Herman's Israeli protagonist is the sexy Israeli linked up with the novel's hero. When are writers going to wise-up and realize how dated this stereotype is? This has to be the 3rd book I've read since the Gulf war that featured Israelis exploiting sex. Desert Storm, which showed how far ahead our military is in just about every way, has also revealed the how medeival technothriller writers are. Herman's understanding of the mid-east clearly neglects how often real-life anti-zionists (whether Islamic fundamentalist or secular pan-arabist) fall back on the stereotype of Female Mossad agents seducing otherwise stalwart arabs into sedition. So dated is this stereotype that, were Herman's military units comparably equipped, they'd be fighting with slingshots and pointy sticks.
Instead, Herman applies his critical thinking to his command of military technology, but even here comes up flat. These have to be the flattest flight scenes of any technothriller - comparable to some circa-1991 flight simulator. As usual for this sort of book, the plane come off feeling less like soaring engines of military might than cheap plastic models. Ofcourse the author refuses to depict air-to-air confrontations from a single point-of-view, preferring instead to show where his planes are at all times. In real air combat, the relative positions of different planes is one of the single most important factors. Herman's inability to exploit this element robs his air combat of both drama and realism, marring a book with little credibility to recommend it.
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joke. The South spilled a lot of blood trying to save their
new nation and to say they lacked nationalism is bad. There was
problems with State's Rights issues among the various Governors
of the States (esp. Georgia, N. Carolina) but among the soldiers
it wasn't that bad.
The author's continued comparison of the South's
military tactic's to those of German and French General's
who served under Napolean is just annoying since the books
written by these Generals were either not yet published in
English or published at all and I doubt that many confederates
spent much time reading them the works in French or German.
This book is just another reason why many people think
history is boring. If you want a good read, pick up a Civil
War book by James McPherson, Shelby Foote, Douglas Southall
Freeman, or Bruce Catton.
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The Warbirds is at its best as the story of a combat unit in the post-Vietnam military struggling to prepare for war, as a portrait of a unit under wartime conditions, and as a study of leadership. As a whole, it remains an excellent novel.
The novel begins with the 45th Air Wing posted to Egypt, where the first segment of the book begins. As storm clouds gather in the Persian Gulf, and following a clash with Libyan plans, the unit is reposted to RAF Stonewood for training purposes, under its talented new leader "Muddy" Waters. The last third of the book covers its posting to the Persian Gulf to oppose an Iranian campaign to overrun the oilfields.
Richard Herman has a real talent in populating his novels with distinctive and memorable characters. The Warbirds establishes the core group of the early Herman novels, in particular: Anthony "Muddy" Waters, Jack Locke, James "Thunder" Bryant, Doc Landis, Rupert Stansell and Ambler Furry. Herman defines his characters by their actions. The resulting is a set of interesting and likable individuals.
Perhaps by virtue of his own Air Force experience, Herman's depiction of the service is frank. Particular emphasis is paid to the necessity of adaptation under training and combat conditions. Bureaucracy takes its toll on the characters, and the hero, Muddy Waters, is forced to repeatedly defend both his men and his command from rivals in the Air Force.
The last third of the book contains some very well rendered depictions of combat. The 45th is steadily attritted by combat against an Iranian army, and, in the final section of the book, forced to fight for its life against an amphibious attack. The losses it suffers are made vivid by the author's willingness to sacrifice likable characters (something lacking in other genre authors).
Good characterization, tense action and (amateur editorial review above to the contrary) solid plotting make The Warbirds an early classic of the military genre and a great first novel for Richard Herman. By all means read this and then Force of Eagles, which is its immediate sequel.