Guerrilla warfare is seldom spoken in Civil War circles or written about. Probably one of the more popular characters in this topic from that period is Bill Anderson. Authors Albert Castel and Thomas Goodrich have assembled quite a bit of useful information in regards to Anderson's ambitions, motivations, movements and operations throughout Kansas and Missouri. This dangerous, callous and revengeful individual is brought forth to show how rough and chaotic war can be, especially for a divided state such as Missouri. Anderson leads his small band of raiders throughout these states living like desperate pirates to plunder towns and more importantly hunt down enemies to the extreme.

Anderson's life is never short of violence as he is the ultimate and sadistic leader of a dangerous group of bandits that have borderline allegiances to the Confederate cause. Portraying to be Union Cavalry, Anderson and his band of murderers steal, burn, kill and ravage towns of Union sympathizers. Union Militia throughout the state of Missouri is quickly and badly organized to hunt down Anderson and his company that seems to constantly grow larger in membership. Anderson raids towns such as Fayette and Centralia leaving deadly results by killing many former Union soldiers, burning depots and various other buildings while looting stores. Anderson and his gang are always drinking and whiskey seems to elevate their need for murder and money that never ends.
Is he ever stopped?

Like many, I couldn't resist this book and wished for more though there is quite a bit of useful information for a short book of roughly 144 pages. It was descriptively well-written, concise, maps and pictures were included which gave the book a great rhythmic flow as far as content. 5 STARS!!

This is a very interesting and well written book about the atrocities that Bill Anderson and his bushwhackers committed, within the background of the Civil War. The authors have done a tremendous amount of research and it pays off.

The only problem I has with it is that at 150 pages, it was a bit too short. Then again, the subtitle does say Short and Savage life.

Well recommended for Civil War or military history buffs.

I found this book to be an easy to read history of not only Anderson but the circumstances that helped create him. The authors have done an excellent job turning up new information and sifting old information to write a helpful new view of Anderson. The book is well footnoted and contains several never before printed photos including a photo of Anderson's wife, Bush Smith and one of the cord he used to keep track of his kills. This book is a must for anyone interested in the Civil War on the Kansas-Missouri border.

This book rocks! Everyone should read especially stupid politicians who let our health system be the way it is.Besides Mr. anderson is very smart- smartest guy i know anyway! :)

Should be on the Best seller lis

The authors are eminent and accomplished physicians associated with several of the outstanding medical institutions in the world. They focus their attention with a a kind of brutal humane sympathy on the manner in which our medical system has become entwined in games of technology rather than styles of care, in the organization of cashflow rather than the movements of patients to health. They show how easily third-party payments become a form of "big-brother is watching you" except that the brother is a miserably small-minded accountant or share analyst. This is at once a heart-breaking book because of the awful reality it so fairly documents. But it is also reassuring that two skilled practitioners can so clearly and productively document what is happening in medicine, and also what can be done about it. It could well be required reading for medical students and hospital administrators - and patients with a sense of self-defence!

This picture book is a compacted synopsis of the life of Laura Ingalls Wilder, from her birth in 1867 to her death in 1957 at age 90. Children who are familiar with some or all of Laura's stories (or the TV show) will delight in hearing of her entire life. I have yet to meet a child who does not delight in Laura's life and stories. Even if a child has read the Little House series of books, there is something new to learn here as her life continued beyond what we know from the Little House series.

If a child has never heard of Laura before, I suspect that they may not be very interested in this book because the challenge of cramming a biography covering 90 years of a person's life within the publishing industry standard of a 32 page picture book, has hindered the author's ability to present many captivating stories and interesting details about her life. They may also not "get" the interest in her life (in particular) and perhaps may view this more as a story of "just" a life of a pioneer girl in more of a historical context of hearing what life was like in America back then. There is much to learn about "just" the Pioneer Days aspect of this book, though. (Although my wish is that all children would read and know the wonderful stories contained in the Little House series.) The book doesn't really capture the unique and endearing qualities of Laura's personality and it is not a funny book. The text sometimes seems to rush through her life seeming to mostly focus on why they decided to move to a new place and what they liked there and then repeating the format through her many moves. (Those of us who already know these basics about her life won't see a problem with this, it will then be seen as more of a nice synopsis and summary of her life.)

There is a greater amount of text per page than in most picture books; perhaps explaining why the publisher has determined this is for a 9-12 age range. However, the font size is quite large and the language and information is so watered down that a 3 or 4 year old could understand it. What suffers here is the illustrations. The illustrations sometimes are of a more boring scene in the opposing page than could have been chosen. For example one page shows Laura and Mary doing homework at the kitchen table and while that is a part of the opposing pages' text, so is the more dramatic story of a terrible blizzard, which forced the family and other families to live together in the town building. While the people were starving, two boys (one being Almonzo Wilder) risked their lives by braving the storm to get food for everyone, not only surviving themselves but saving the lives of the townspeople. It seems to me that this exciting story would have made a better illustration.

As a read aloud, my two boys aged three and five sat quietly to listen to this story, they are familiar with the Little House chapter books and with the reruns of the TV show from the 1970s. They both enjoyed this story, as did I. If you want more details of Laura's life I advise you to read the entire Little House series of chapter books. I feel that children as young as 2.5 or 3 enjoy that series of books as a read-aloud. There are also books on the market that discuss Laura and her daughter Rose's life in much more detail if you are interested. There are also craft books and cookbooks as a companion to the Little House series.

I appreciated the author's focus on trying to capture what life was like in Pioneer days. The author did a great job at expressing the hardships of life and really appreciating how much physical hard work must be done to survive. He portrayed the hopes and dreams of Laura's father, why they wanted to move to a certain place, why they had to move on, etc. There were always good reasons for doing a certain thing. The strong family bond is very apparent and their love for each other is very clear, for example, when Laura was 15 and working as a teacher and lived away from her family she missed them and was happy to come home on weekends to be with them. Laura's adult life was full of change and adapting, and both she and Almonzo's commitment to do hard work in order to survive is expressed. ...

This book summarizes Laura's life, explains the values and commitment they all shared, and expresses the difficulty of life in Pioneer Days. It is interesting for both Laura-fans and for anyone interested in learning about life in the American Pioneer Days.

This really is an outstanding and quite beautiful picture book! I never really read the Little House books as a kid. But I'm inclined to now. This IS a great prelude to those books. Incredible illustrations!

Bill Anderson has done a wonderful job of telling the story of Laura Ingalls Wilder that can be read and enjoyed by both children and adults. Dan Andreason's illustrations are absolutely beautiful and complement Anderson's story very well.

I found a lot more than I'd expected in this book. The editor obviously put a lot of thought into her selection of authors and passages from their works. It seemed to me as if these were the passages I would have marked for rereading had I read those works myself. Pretty much every selection struck me as being beautifully inspirational, poetic, or otherwise moving. I'd forgotten how much simply reading about nature can do to lift and heal the spirit. I also learned a lot: I was unaware that so many women have been writing about nature for so many years -- and it was sobering to realize that much of what the earlier authors wrote about no longer exists in our world today.

The author bios themselves make for fascinating reading. (You can't help but wonder how your own life would be summed up in a paragraph or two.) And of course, as I'd expect from any good anthology, this collection inspired me to add quite a few items to my "to-read" list. The nearly 40-page bibliography includes very helpful summaries, and lists not just the sources of this anthology's selections but many other works as well.

Whatever you might expect from Sisters of the Earth, I doubt you'll be disappointed. There should be something in it for everyone -- and it's a pretty book that would make a great gift.

I have found this book to be wonderful in the growth process of the spirit. A truly marvelous piece of work, a compilation that is worth a second volume, indeed. This is a perfect "anytime" gift, to your self as well as others that are journeying the spirit.

Sisters of the Earth is one of the best books I have ever read. It is a collection of stories on woman's relationship to the earth. Each short piece is written by a woman from the United States from any time in our history - about some connection she has with the earth. I've turned down so many pages in this book and put in little post-it notes saying "great!". After reading one of the stories a new author's work is now available to me. I give this book to others as a gift all the time. The stories themselves are personal reflections of nature that speak softly to me of the wonders I am surrounded by and often fail to notice. These stories remind me of where I really live and how powerful my connection is to the earth. I would love to see a second volume by Lorraine Anderson on this topic, she has selected well. I have also read Cries of the Spirit, also a book about woman's connection to the earth and found it very good also.

A sweeping, incisive, colorful view of the life and times of the man in red galluses, Eugene Talmadge, famous for his slogan, "The poor Georgia dirt farmer ain't got but three friends who never let him down: God, Sears Roebuck, and Ol' Gene."

This work is a must read for anyone interested in southern history, or in demagougery in the U.S., or in southern politics! The author does an excellent job -- in a very interesting and readable narrative -- of truly capturing the colorful Eugene Talmadge, four times elected Governor of Georgia! He captures the real Gene, from Talmadge's red suspenders, to his plants at political rallies, to his outlandish, dogmatic ways -- such as the time he caused the Univ. of Ga. to lose its accreditation. As a teacher and historian, this book is one of the very best I have ever read!

AN outstanding literary piece. I would highly reccomend it for all especailly children. Eugene Talmadge's life, as expresses in this book was spent in th ebetterment of the ordinary working people of our nation.

I can still remember sitting in the children's reading area of our public library (about 20+ years ago!) reading every Billy and Blaze book I could get my little hands on! If you have a child who loves horses and adventures, you need to purchase this and other books in the series. The books are easy to read with the right amount words to keep a youngster's attention, and the illustrations are perfect!

This book is perfect for the very young horse lover it is easy to read and has wonderful pictures. It is a story of one boy and his pony who helps another boy with his pony. My 4 year old grand-daughter loves it. All of C. W. Anderson books are a pleasure to read for both the young and old horse lovers. I have enjoyed them since I was a child. The pictures are almost as good as a photo. I recommend this book to all horse lovers.

I found God's Arm to be a refreshing perspective on the life of Jesus and the circumstances and environment which helped to shape the scriptures of the New Testament. He describes the life of Jesus as a man by illustrating the Roman point of view as well as relating the social pressures of the Pharisees, Sadducees, as well as the role of the Sanhedrin. He also is able to describe the emotions that Jesus might have felt as a man and how he learned what his role might be in his life on earth. William Anderson does a superb job from a historical perspective with only a few historical errors.

The book is well written and maintains intense interest from beginning to end and I highly recommend it to anyone who might be interested in the circumstances of Jesus's life or anyone who wants to be entertained with a captivating story.

Wonderful! GOD'S ARM made the life of Christ come alive with customs, history, and feelings Jesus may have faced as he started his ministry. My understanding and Bible knowledge jumped by leaps and bounds in reading this book!

I read the review of this book in the New York Times, and knew it was a necessity for an upcoming surgery. The "Times" said you would laugh so hard you'd fall off your bedpan. The review was correct. Heartily recommended for every hospital patient as a "cheerer upper."

What I was in the hospital for, you don't want to know. But a friend dropped this book by and it really cheered me up. Great cartoons, too

It's welcome recognition of the rich body of American noir writing that the Library of America has decided to gather these novels and include them in it's collection. This volume, along with it's companion, "Crime Novels: American Noir of the '50s", is perhaps the definitive collection of this genre. While this volume is not as strong as the second volume collecting hard boiled writing from the '50s, it more than makes up for it with the inclusion of two seminal novels from the genre: "The Postman Always Rings Twice" and "They Shoot Horses Don't They?" The themes that would be later expanded on by Jim Thompson, Charles Willeford, et al. are here: the uncertainty of reality, the indifference of fate, the allegories on the disfunction of mercantilist capitalism, the femme fatale as deus ex machina, the erosion of moral standards...themes that are that much more relevant today.

It's comforting in a way that these novels, which were considered (and still considered by some) as trash, disposable items of consumption, are collected along with the novels of Melville, James and Hawthorne...."elevated" to high brow lit.

Perhaps the original authors of these masterworks would disagree on the modern critical re-assessment, but to readers like myself, it's just confirmation of something we've known ever since we first discovered them.

The Library of America is a first-class organization. The LOA is consistently reprinting volumes of literary achievement by the most notable authors in American history. They have reprinted everything from political speeches to poetry to historical works. This volume is the first in a two volume set dedicated to American noir stories. The stories in this book were written in the 1930's and 1940's in what seems to be the golden age of the genre.

The first story is from James Cain, and it's a whiz-bang of a tale. I had heard of "The Postman Always Rings Twice" before, mainly in reference to the two film versions of the story. This is one dark read. Adultery and murder never seem to mix, and it sure doesn't here, either. Told in first person narration, a drifter gets himself mixed up with a washed up beauty queen who is tired of her Greek husband. The result is classic noir: a conspiracy to murder the poor schmuck and run off together. As usual, the murder brings about tragic consequences. This story has more twists and turns than you can imagine. The ending is especially atmospheric. This is certainly one of the best stories in the book. I always like to see a story where the blackmailer gets a good beating.

Horace McCoy's "They Shoot Horses, Don't They?" is next in line. This is another great tale that was made into a film in the 1960's starring Hanoi Jane Fonda and Gig Young. The movie is soul shattering, with depictions of dehumanization in the neighborhood of "Schindler's List." The story is not quite as good, but it still packs a heck of a punch. The story is set in Depression-era America and depicts the horrors of a dance marathon. These marathons were apparently quite popular during the 1930's, until they were ultimately outlawed. Contestants were required to dance for hundreds of hours with only ten minute breaks every two hours. The couple that lasted the longest won a thousand or so dollars. The public would come and pay admission to watch this sorry spectacle. It's like poking sticks at animals in a cage. This story is loaded with dark depression and sexual innuendo. The conclusion is suitably depressing to merit a noir award.

"Thieves Like Us" was pretty substandard when compared to the other stories in this book. This one really didn't seem to have those noir elements that I like so much. Actually, it's more of a Bonnie and Clyde type story. A penitentiary break leads to a crime spree across Texas. Banks are robbed and cops are killed while the gang lives on the lam. A relationship between Bowie, the main character, and a girl named Keechie really doesn't add much interest to the story. There is some good dialogue and a bit of desolate atmosphere, but not enough to lift this to the level of noir. I don't know why this story is included here. Try and guess how the story ends (the clue is "Bonnie and Clyde"). I hope that Edward Anderson's other stories are better.

Kenneth Fearing's "The Big Clock" is excellent, and brings the level of the book back up to where it should be. Set in a magazine publishing house, this tale is sleek and smart. The story is told in first person narration, but Fearing shifts the narration to various characters in the story. These constantly changing viewpoints turn the story into a roller coaster ride of epic proportions. An editor at the company makes the mistake of sleeping with the boss's woman. When this lady turns up dead at the hands of same boss, all heck breaks loose. This story is riveting and has a great ending that is all suspense. A must read.

William Lindsay Gresham wrote "Nightmare Alley" after some discussions he had with some carnival workers. This story is the longest one in the book and is a decent addition to the volume. Full of unpleasant images of murder, swindle, cynicism and downright perversion, you won't be disappointed when this one comes to an end. A scheming magician decides to take his con to the big time by posing as a Spiritualist minister, and as usual, the end result is tragedy all around. This story is downright depressing, and if you don't feel sorry for Gyp, you have got a problem. I didn't really care too much for the (...) addition of the black Communist towards the end of the book. Gresham had a flirtation with the Redski movement, so this apparent insertion makes some sense in that context. It goes nowhere in the story, however. There are some other holes in the plot but overall this is an entertaining story.

The final tale comes from the sumptuous pen of Cornell Woolrich. "I Married a Dead Man" becomes instantly familiar within a few pages, mostly due to the numerous films that have copped the plot. The writing here is far superior to any of the other stories in the book. I'd say it's far superior to most writing in general. The metaphors are extraordinary. Look for the description of Bill lighting his cigarette in the doorway. Wow! The story centers on a case of mistaken identity with a strong dose of blackmail thrown in for good measure. Of course, there's also a murder. This story is outstanding.

Overall, if you are just starting to read noir, start with these two volumes. It is good to see some of the best noir has to offer, and you will find some of it in these pages. The book clocks in at 990 pages, but it reads really fast. There is also a nice summary concerning the careers of each author at the back of the book. Recommended.

I was surprised at how modern the themes and writing of this compendium were. I read "Thieves Like Us" just when the Texas 7 episode was happening and was amazed at how little the views of crime and punishment, justice and desperation have changed since that writing, especially in Texas where the story takes place.

"They Shoot Horses..." was my favorite of the bunch for it's depiction of deperate people doing desperate things to survive in the form of a Dance Marathon. But are they doing this out of deperation (even the winner of the prize money, after months of physical torment , will end up having made less than a dollar a day)? Or becuase there is nothing else to do? What is futile and what is meaningfull, the story seems to be asking.

"Nightmare Alley" brought the Tyrone Power movie back home, only the ending seems more poignant. The author organzies each chapter along the 22 minor arcana of the Tarot, a device used by later authors like Robert Anton Wilson and Umberto Eco.

"The big clock", filmed at least twice with variations on themes, uses a unique writing style of shifting narratives from the main characters' points of view and has an awfully modern motive for the murder (probably a little too modern for that period).

"The Postman.." and "I Married a Dead Man" story were also very dood. The Noir theme of "Crime Does Not Pay" runs through most of theses stories, but when you read them, you realize that it's not as simple as that. In the end, who really wins and loses and does it matter?

I don't think one can do better for reading the greats of American Literature than through the Library of America seri

I particularly enjoyed GREEN MAN because the author William Anderson brings together and explores many subjects of interest to me -- the natural world, mythology and archtypes, Gothic church architecture, Wordsworth, and the concept of Gaia. GREEN MAN has been described by it's critics as a book about Mythology and Ecology, but I think Anderson has also written a very fine art history.

Anderson suggests most art historians and critics have overlooked the Green Man as an archetypal element and artifact. And, although I've taken several art history classes on the topic of Western church architecture, I can't recall a single instructor discussing the foliate masks, vine disgorging heads, or human fruiting vegetation Anderson clearly describes. The photographs in his book show they can be found in many places in churches including on rood screens, columns, capitals, corbels, tympani, stringcourses, pediments, flying buttressses, with the Holy Virgin and child, and weeping over Christ.

Anderson suggests the Green Man (or our need for him) has morphed into variation after variation over the millenia. The Green Man probably began life as a Celtic mythical figure, but by the 20th Century he had become a hidden Art Deco element. His most amazing incarnation occurred in the Middle Ages in the Gothic cathedrals, especially very sacred spots like Chartres in France. Chartres was one of Joseph Campbell's favorite haunts, and he has shared many of his insights about the cathedral, as has the art historian Panofsky. Anderson shares a few more ideas involving the Green Man.

If you plan to visit churches or cathedrals in Britain, Ireland, or Europe, I think you'll find this book a good resource. You can also learn more about the Green Man and his link to the Earth Mother and the natural order.

I discovered this book in a small bookstore several years ago, and have thoroughly enjoyed reading it several times. Having ten years of training in art and art history, many books on art frustrate me, because many people don't know how to write about it. I found Anderson's book an absolute delight. He cites his sources, and it was always clear (to me, at least) when he was speculating, and when he was using references to support his statements. Discussing art and art history can all too often lead to muddy logic and subjectivity, which means that good art historians must meet a very high standard of proof. Anderson satisfied me on that count. Mind you, this is largely a work undertaken for his own curiousity and pleasure, so perhaps I wasn't as rigourous as I might have been with a work that claimed to be authoritative. But I know trash when I read it, and this is emphatically not trash. He's done his homework, and he knows his stuff. He states his case very well.

My own research into the Green Man and into the interface between Christianity and paganism in the Dark Ages and Middle Ages have led me to disagree with Anderson on a few points. But that doesn't diminish for me the pleasure of reading his book again.

I also enjoyed the many photographs. There's nothing worse than a book about art that doesn't illustrate the points made! And this book satisfied me there. I've used the illustrations as inspiration for my own artwork many times.

I count this as one of my favourite books of all time.

Very good variety of photos of Green Man sculptures. Poses interesting theories as to the disappearance and reappearance of the Green Man in art and sculpture.