The poet shares her feelings and invites us to meet the people who shaped her life. There is both emotion and clarity here.

For the totally nonRussian speaking English speaker, this is definitely the definitive Akhmatova (...say that ten times fast...). Not only are all her poems here (over 800), but we get a host of other useful things like introductory essays, an essay by Isaiah Berlin, chronology, notes, and tons of beautiful pictures of the beautiful poet herself.

Akhmatova is one of the premier 20th century poets, and it is a shame that her reputation is still only establishing itself among English speaking countries. This volume should help in that regard. However, it must be strongly emphasized that readers who hear Akhmatova only in English are really missing most of the beauty of her poems. Russian poetry is musically beautiful, and this is NOT carried over into the Enlglish, although it must be granted that Hemschemeyer does make some pretty valiant attempts to do just this.

So the reason for the four stars is that there is no Russian in this edition. Granted, the size of it would hardly permit it. So I would ask that people complement it with an edition of Akhmatova's poems in the original, and either learn cyrillic or get someone who can read them to read them to you! You will hardly recognize them, they are so beautiful. She is a master of alliteration, assonance and rhyme... all of these being so important to her lyricism.

I actually bought this edition, and when I found there was no Russian, I returned it and got Hemschemeyer's "Selected Poems of Anna Akhmatova" instead, which only has 100+ poems but has the Russian on the opposing pages. It was sad to have to do this, but after I sat down and read through some of the poems, I realized I had made the right decision. What I miss most are the pictures...

Akhmatova was one of the few unrepentant Acemist poets to survive Russia's Bolshevik revolution and subsequant Stalinist takeover and purges. She was seen by authorities as a dangerous element, related to the pre-revolutionary order. Somehow, even as her fellow poets - including friend Osip Mandlestam and husband Nikolay Gumilov - were executed, exiled, sent to camps, or fled, she managed to survive - outliving Stalin himself. Her poems range from the early tales of love and unrequitation, to the tormented later works such as Requium - a harrowing dedication to the victoms of Stalinism. Her use of words is fantastic - the reader can truly feel her presence. This collection is very comprehensive, and well-translted from the original Russian. Definately worth the $21.

Finally, the poems of one of my favorite authors are out in one book, and what a book this is! For lovers of graceful, touching, heartfelt poetry, but also for those who are interested in that period of Russian history between the twilight of the Czars and the horror of Stalin, Akhmatova's poetry covers a very wide spectrum. She wrote of love and nature. She wrote about and for her friends. She wrote about her personal tragedies and the tragedy of her country. If you have never read Akhmatova, do yourself a favor and discover her in this magnificent translation by Judith Hemschmeyer: translating poetry is particularly tricky, but the job is superbly done here, because it feels as if the author had written her verses in English, not Russian. If you like what you have read, or if you already appreciate Akhmatova's style and are interested in more about her life, nothing better than the book by Roberta Reeder on Anna Akhmatova. Reeder has also edited this volume and her love for the work of a great poet is evident. These "Complete Poems" are truly complete and satisfiying, ordered chronologically, supported by biographical material, photographs, and an astonishing section of notes. A book for the poetry lover in us, and also a book for the student. I must also say that the translation of "Requiem," my favorite poem by Akhmatova, is one of the best I have read. My only complaint has to do with the binding: this is a paperback, and we all know what happens to paperbacks, and at 948 pages this one may break fairly soon. My advice is to buy it nonetheless, and also buy one of those plastic, self-adhesive covers on sale in most big bookstores, protect the book with it and, as an additional touch, put one more layer of the hard plastic on the spine, so it'll reinforce it better and your book will last a lot longer. At least that is what I did with my copy and after almost two years it still looks new. So, a great collection, indeed, by a great poet, and by people who truly cared about her art. Five stars is the maximum, but I would give it more.

Anna Akhmatova not only lived through some of the most exciting, dangerous, and horrific times in Russian and Soviet history, she was also blessed with an incredible lyrical gift in writing poetry. Collected here, in admirable translations and with the original Russian, are over a hundred of her finer (shorter) poems. The passion and intensity of this poet are clearly visible from the start, from her early love poems of "Tskarskoye Selo" to her later, more serious, "Requiem".

Readers who know enough Russian to read the cyrillic text will appreciate Akhmatova's musical lyricism, the alliteration and natural rhymes and cadences she is able to (so easy, seemingly!) create. The English translations naturally do not have this music, despite the very valiant attempts to recreate it by Hemschemeyer. She usually gets the cadence, rhythm and stress pretty well, but... well... it's never the same. However, since the poetry is difficult, those who have some Russian (but not perfect, like myself) will really enjoy having both languages present on opposing pages.

This is a chief complaint I have with the "Complete Poems", by the way, which have 800 poems, a lot of essays and tons of beautiful photographs, but NO RUSSIAN ORIGINALS! Argh. What is that? The translations are much less than half the worth of these poems.

One big complaint with this volume, though, is that it leaves out Akhmatova's major long poem, "Poem without a Hero". It baffles me why it wasn't included in this volume, even though it runs a bit long. They should have added it to the end. The editor's notes that a subsequent volume of "Poem without a Hero" is forthcoming on its own is small consolation...

There are short introductions (abridged from the "Complete Poems" and not terribly interesting), and some notes at the end (somewhat useful).

So, this is a great poet, and this may be one of the better editions for readers. Because of the slight complaints, it only gets four stars, but Akhmatova herself deserves all five!