
List price: $24.95 (that's 30% off!)













List price: $24.95 (that's 30% off!)








As for the plot of this one, it's a little complex and sometimes incoherent, but it moves well, and once again, his parallel story telling ties the two segments together nicely. Particularly unique is his handling of Anna Tolan, a police investigator back in 1903, who in addition to trying to solve a similar case to Payne's in the nineties, is having doubts about her relationship with Trace Wydmore, a nice young man who is trying to score a "home run" with the virginal young girl. Considering the times, one can understand both Anna and Trace's different problems. Their dialogue rings so true, it's refreshing.
The murders that Payne has to solve lead him to a belligerent Native American named David Rhodes, whose estranged wife, just happens to be policewoman Cindy Rhodes. I'll say one thing for Iowa---they certainly advanced women's lib in their use of women as police officers.
The supporting characters are appropriately shady and/or nice, and Payne's adventures with the two elderly Native Americans who want to fly in his biplane is extraordinary.
A great novel in spite of its minor flaws.

I hope Ed continues to write more funny stuff though, like Daugher of Darkness. Can we get more satirically hilarious old Hollywood kiss-and-tell quiche please? Love those faded actors. Maybe Gorman can do something about Bradbury versus Mr. Barrymore. He should work closely with Matheson, Jr. or David Schow and get back on the old saddle with hilarious faded cowboy actors and so on. Maybe he can freshen the read with faded scifi actors too (ala Galaxy Quest). Hey Ed, time to imagine a really satirical SF novel, with Hollywood in it. Whaddaya say, hey?

List price: $24.95 (that's 30% off!)




This book would be good for the serious indie director who has bet his/her credit cards on their dream or even the special person in your life who stays up until 4am watching the Turner Classic Movie channel.
There is something here for everyone as there is a wide range of directors who work in a wide range of styles. There isn't a genre that isn't touched in this book - from Hitchcock on Horror to Chuck Jones on cartoons. What's great is that Bogdanovich captures insight into directors that are no longer with us (like Fritz Lang who directed Metropolis). Since the directors tell their own stories, you don't get the Hollywood hype filter.
If you had to buy one book on film this year, this would be it!














I was an English student of Robert Vasquez for my first semester of college, and I came to know him as a very intelligent and capable professor, and as a good person. Now, after having read his book, I know him to have been a very passionate and exceptional writer. The literary world should definitely mourn the loss of such a talent. He, as well as his love for writing, will surely be missed.