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The old man... also has beautiful images and throws up lots of questions aboutrole models and determination. I read in one of the reviews that the reviewer wanted snatiago to let the fish go and go back to land! That is totally missing the point. We have to look at santiago and his qualities. Take the arm wrestle he didn't just 'give-up'. All of us can do with some of his determination to be resloute, fear no sacrifice and surmount every difficulty to win victory.
All in all i feel this is a fantasti book that uses some wonderful images. the language, which has caused such a chasm between the reviewers, I feel is beautiful. It is so beautifully simple that hemingway himself considered it the best he had ever and would ever write.
I would like to recommend One hundred years of solitude by gabriel garcia marquez, graham greene, a confedaracy of dunces by john kennedy toole
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At the simplest level, this is a story of twenty- and thirty-something Brits and Americans existing in post-WWI Europe; it's told through the eyes of Jake Barnes, a newspaperman left impotent by a war wound. Barnes and his comrades, including the "damned good looking" Lady Brett Ashley, make their way from Paris to Pamplona and partake of the week-long bullfighting fiesta. Hemingway reveals his own passion for bullfighting in his smooth description of the matadors' artistry and in the distinguishing of those whose work is mere illusion from those who work with true grace and courage.
Throughout the story, moments of violence burst through the affected nonchalance of Jake's circle. Emotions run high as the men strive for Brett's affections, win them . . . lose them just as quickly. One of the most enticing anti-heroines in literature, Brett is an alcoholic and (possible) nymphomaniac, as much at the mercy of her whims as those around her. She is described as "Circe" because she turns the men around her to pigs; a group of Spanish dancers form a circle around her but prevent her from dancing--she must be still, worshipped as an idol. She is a remarkable character, adored and yet worthy of our pity: only an impotent man is safe with her; only a healthy man can satisfy her cravings.
A fascinating achievement in twentieth century writing, TSAR has aged in places, where much of the characters' slang is unfamiliar. Nonetheless, it reads quickly and often easily, providing a good introduction to Hemingway's work and a disturbingly vivid picture of the lost generation.
Jake Barnes, like most of the characters, is a veteran of World War I. A very unfortunate wound left physical love a complete impossibility for him, and thus he is left gnashing his teeth watching the woman he loves run around with all sorts of men. The Jewish Robert Cohn, who learned boxing in college in order to conquer his feelings of inferiority, happens to become smitten with her as well. Somehow, they and some of their friends and acquaintances end up going to Spain to experience the Fiesta, and while their experience starts the same giddy, frenzied, hedonistic way as for most people, it ends quite differently, when the book's darker undercurrents come to light. Insert scenes of cafe life, fishing, reminiscences, conversations with friends, watching the bullfights, some absolutely brutal humor, and lots and lots of liquor, and you've got yourself Hemingway's first masterpiece. Every element of every great Hemingway book can be seen here - plenty of vivid descriptions; moments of strange, elegiac melancholy; the human spirit fighting against the world; loneliness, isolation, and endurance. They're all here.
For some reason, this book seems to draw accusations of anti-Semitism. And all I've to say on that topic is: What? Anti-Semitism? Here? Please, what is this you speak of? Sure, Cohn's a Jew. And sure, the characters aren't too fond of him. And yet, Hemingway presents him in a very, very sympathetic light. Sure, we're rooting for Jake Barnes because he's smarmy and witty and cool, but when we see Cohn break down in tears in his hotel room because ..., he was naive enough to _believe_ Brett loved him, how can you possibly say Hemingway had any anti-Semitic sentiments on his mind? No, no, no, and a thousand times no. This is not a book about Jews, or Americans, or Britishers. This is a book about _people_, about young people searching for substance in a world that has none, trying to build up some sort of semblance of a normal life after having been through war. This is a book about people who feel life has passed them all by, and who have nothing to really look forward to. This book is filled with the genuine bitter loneliness of people who see nothing ahead of them. The sense of hopeless longing for something better permeates every page.
The Sun Also Rises is the sound of people trying to find a purpose for themselves in an increasingly shallow world. And lest that not convince you to read it, it happens to rock .... Rarely have I read more bitingly acerbic insults and comebacks, wry and cynical remarks, and deadly accurate observations. Actually, rarely have I ever felt so drawn in to the world of a book as much as here. I identified with Jake Barnes and Bill Gorton and that Englishman they met while fishing and with the boozing Mike and with Cohn. I understood their copious drinking and verbal barb-flinging because I was struck by the moments of absolutely believable fragile vulnerability that lay underneath the surface. The subtle gestures, the shifts in tone, the tough, terse prose all added to the various effects when necessary. When I was done, the book left an indelible stamp on my mind. And what higher recommendation could anyone possibly give a book than that?
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The book invites us to imagine all of the brave soldiers who went into the war in search of glory. What they found instead was the endless stalemate and hideous prospect of trench warfare. Perhaps more than any other war in the history of warfare, the first World War changed the traditional paradigms of how wars were fought and what the objectives of engagements were. Hemingway, who was there himself, serves as a perfect instrument to portray what it was really like.
The plot centers around Frederick Henry, an American ambulance driver for the Italian army (a job Hemingway performed himself). Henry is a typical masculine Hemingway male persona who falls in love with a beautiful, long-haired & impetuous British nurse named Catherine Barkley. Henry is an exemplar of the WWI soldier who gets more than he bargains for in the war; betrayal and ignominious soldiering of the Italians in the wake of defeat.
The tragic irony of this novel is what makes it so memorable. Henry, as a wounded man who withdraws from the battle, as well as the whims of the Italian Army. However, he does so only to find that life is full of tragedy whether you're in a war or not.
I would highly recommend this novel to all fans of Hemingway, American literature and World War I period historical and literary works. It is with the subtle prose of Heminway that we can be effectively transported back to that epoch of our world history.
To summarize the book without revealing too much about the stupendous novel, is that it is about Henry, the American ambulance driver, who finds himself in true love with a nurse, Catherine. As their love grows for one another the passion to leave the war and pursue this love also grows. The two love birds battle against injury, the enemy of war, and the tough times war presents. Their love becomes so great they decide to illegally escape the war to Switzerland where they can pursue their love for one another. The book does an excellent job presenting situations and ideas the reader can truly understand and relate to.
This book is one that once you begin to read it; you refuse to put it down. I really liked and enjoyed the book because the author writes descriptive scenes of the gruesome war. He demonstrates the emotions of Henry and Catherine so well I actually felt like I was in the story. Hemingway does an excellent job in writing this novel, he shows how true love can fight and survive war, tough times, and even disease & injury. This novel is one I wasn't able to put down after I began to read it. I highly recommend this to anyone who enjoys a story of love, war, and devotion. The book shows and demonstrates how love can surpass all and survive even the harshest of times. The novel is definitely two thumbs up and one you should read.
Throughout the book The Old Man and the Sea, there were many parts I liked and some I disliked. A part of the book I disliked was when the sharks came and started eating the marlin Santiago caught. To me this was heartbreaking and somewhat painful to read because I felt bad for Santiago. My favorite part was when Manolin wants to fish and help Santiago, even though his parents don't allow him to. It was neat to see Manolin care for the old man and his fishing as much as he did. The part most inspiring to me was when Manolin believed in Santiago even though he was unlucky. There were many parts of this story that were both uplifting and devastating.
People of all ages would like this book but mainly those who like slow, simple, uneventful books. For example, the word choice Hemmingway uses is quite simple. I like this because it makes the book flow better and doesn't make you think too hard about the words. This is also good because little kids can read and understand what is being said. I would recommend this book because it has more than words but also a good message. The message is uplifting and inspirational with all the struggles Santiago overcomes. I think by having a good message more people will read it and be touched. This book is great for people of all ages and reading levels.
Hemmingway's book was very touching and inspirational to me. It gave me a sense of hope when reading. I am now more secure with what I believe, and I know that anything is possible.
It tells the story of a fisherman who is down on his luck, but whose spirit is strong as the tropical winds that have tanned his skin and the sun that has made weak his eyes. He is devoted to the sea and knows all of its wildness and subtle moods. He goes out alone one day without his sidekick boy companion, because the boy's family has forbidden him to help his teacher for he has bad luck.
He hooks a Marlin, a huge mythical Marlin, the kind that fishermen only dream of catching. And the fish drags him out deeper and deeper into the ocean, farther than he's ever traveled. The battle is fierce and his hands are even bloodied as he ties himself to the rope and the fish in a struggle that is somehow symbolic of man's eternal quest to gain control over natural forces.
I would say more, however, Hemingway has done such a fine job that I suggest you read and read this wonderful tale. The ending is of course classic Hemingway. And it was for this book that Hemingway won the Nobel Prize for literature.
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Jake, Brett, Bill, Robert, and Mike form a group of friends traveling wherever their consience leads them. Growing restless when they keep themselves in one situation for too long, this mess of human regret lives for the moment. They travel to the week long Fiesta in Pamplona, where they find nights of drinking and days of somber realizations, uniquely tied hand in hand with bullfighting.
As is true with most Hemingway novels, a man and woman's relationship with one another is used as a mode of depicting his views on life. Lady Ashley (Brett, disguising herself with a title as she does with short hair and hats and various other men's traits) stars as the diva without a cause. She wanders the streets of Paris in search of a good night in bed, which is all the war has left her with. As was done to the rest of war-participating America, Brett was stripped of compassion, of desire for love, and was left with a hollow lust. This lust was never to be filled but was continually in search of completement. This is what drew Brett to Pamplona with Mike, her haughty, yet understandably grounded, fiance.
Perfectly depicting the result of Brett's search for completion, Robert Cohn follows Brett to the Fiesta and likewise follows her every move. He is a former lover whwhich cannot seem to tear himself from the idea that she was once his. By his continual snooty comments, and the fact that Brett could find pleasure in him and not Jack (sexually hindered by a war wound) every word that comes from his mouth is the subject of Jack's narrative scorn.
Easily understood is Jack's disattachment from the world which took away his "manliness," especially when this is that which would attract the one thing in life that he values, Brett. Jack's love for Brett is obbsessive and ultimatley dooming when he sacrifices his remaining link to disillusionment, bulllfighting, which is his last escape from the chaos trailing the war. In an effort to please Brett, he gives access to an able-bodied matador, the object of her lust. After losing the trust of a community held tight with respect by Jake, he is left with the same Brett, just a little more contented than she was five minutes ago.
In my careful opinion, Hemingway has reconstructs a world ignored by many, but remembered and endured to this day. In a time of confusion and distrust in the reality of human emotion, this group typifies the actions of self-indulgence and disparity which characterize this generation. Instead of merely a drunken party with some good fights, some bullfighting, and plenty of sex, the novel depicts with pity the lost generation and all their woes.
For all those opposing the seemingly endless stream of war literature, it's fair to say "Give it up, already!" With unforgetable stories like these, how can we complain about a generation willing to share their tales of dedication to one true thing, in a time of great confusion. Their sacrifices will live forever in us and our decisions. Respect this and you can understand any Hemingway novel that is thrown at you.
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