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The Great Escape
Published in Paperback by Ballantine Books (Trd Pap) (2002)
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Great story, weak presentation
A fun but tragic true story
Paul Brickhill, based on his actual experiences in a prison camp and using characters based on real life POW's, takes the reader behind the wire at a World War II prison camp. These men were trapped, unable to fight for their country in battle, so they found a way to do the next best thing. Led by Roger Bushell, they formed the X organization, a group of the most intelligent and resourceful prisoners from the British and American air forces. Using only their wits and the few materials available, they devised and executed a plan to tunnel under the fences and escape into Nazi Germany. Unfortunately this led to fifty of the escapees being shot by the Gestapo, but Brickhill does credit to their memory with this book. Using a light writing style, humorous anecdotes, and fascinating descriptions, Brickhill has created an entirely readable adventure with charismatic protagonists who gain the readers respect and sympathy from page one.
If the Plan Went as Smoothly as the Book . . .
220 Allied POWs would have been swarming all over the Third Reich before the Germans realized they were missing. Unfortunately, only 76 managed to escape through a tunnel under Stalag Luft III that had taken a year to dig. Of those 76, only 3 managed to make their way back to Britain. Twelve found themselves back in Stalag Luft II in a matter of days. Eight wound up in concentration camps. The remaining 50 were shot by the Gestapo, on orders from Hitler himself. Among the 50 was South African-born RAF Squadron Leader Roger Bushell, a.k.a. "Big X", the originator of the escape plan. The Great Escape is an incredible read. While the book is narrated from third person omniscience, its author was anything but detatched from the story. Paul Brickhill mentions his own role in the escape only very briefly in the foreword to the work. A key element of the escape plan, as Brickhill recounts in great detail, was the forging of official papers required for freedom of movement across the Reich. Brickhill led the gang of "stooges" that warned the forgers when camp guards approached. He found himself barred from participating in the actual escape when Big X learned of his acute claustrophobia. That fear may well have saved his life. After the war, Brickhill interviewed several of his other fellow survivors to assemble the grand narrative. The result is a riveting tale that ranks among the greatest war stories ever written, fact or fiction. You've seen the movie. Now read the book!
Lonesome road
Published in Unknown Binding by W. W. Norton ()
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A Different View of a Familar Story
Lonesome Road is the autobiography of George Harsh. In it, he discusses his past in a Georgia Chain Gang, and through a remarkable turn of events, how he is released. After entering in the Canadian RAF, he is commissioned, and later shot down over Nazi occupied Europe. This is where the familiar story of "The Great Escape" comes in. Harsh describes, with vivid realism, his account of the mass escape from a German Luft-Stalag. His unique viewpoint, as a former prisoner, gives the reader the feeling of futility in the whole escape endeavor. A must read for fans of both the novel "The Great Escape" and the movie of the same name.
Fascinating story
The interesting thing about George Harsh is that he wasn't an innocent man. As a teenager he took part in a murder; then he served years in a Georgia chain gang. He got out in time to join the RAF, get shot down, and serve more years in a WWII German POW camp. His life was difficult, but he writes with a certain maturity that must have come from long years of hardship.
pageturner
This book is a must read. What this man goes through is something no innocent man should have to deal with. I guarantee you this will be one of your favorites
The Chicago Afro-American union analytic catalog : an index to materials of the Afro-American in the principal libraries of Chicago, housed in the Vivian G. Harsh Collection of Afro-American History and Literature at the George Cleveland Hall Branch of the Chicago Public Library
Published in Unknown Binding by G. H. Hall ()
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Brickhill gives a firsthand account of the escape of 76 men from Sagan, a German prisoner-of-war camp, during World War II. Through tireless efforts and disheartening setbacks, the men managed to dig a lengthy tunnel 30 feet down into the earth, and 300 feet towards possible freedom. The plan, which originally called for three such tunnels, was the single largest escape in WWII history, and the efforts, patience, and bravery of the men secures their escape as one of the most noble efforts of man.
What a pity, then, that THE GREAT ESCAPE is a fairly badly written first-hand narrative, related with all the style of a person making a grocery list. Brickhill has provided the bones of an amazing story, but he neglected to provide any meat along with them.
The story couldn't help but lend itself to a fascinating read. The actions of these men could never be anything less than remarkable. But all Brickhill does is tell the story. He doesn't add any true characterization to the hundreds of people who pop in and out, resulting in a lack of empathy for these men. The reader is left wanting to know more, but is frustratingly denied the opportunity. Even the leader, Roger Bushell, is a cipher, easily interchangeable with any other character.
It is easy to see why this story makes such fertile ground for a movie. The plot is astonishing, and the complete absence of any true personality leaves the filmmakers free to make up any character they want. Roger Bushell didn't escape from Sagan, Richard Attenborough did. So did Steve McQueen and Charles Bronson.
I don't want to seem as if I am making light of the situation. THE GREAT ESCAPE was a shining example of what humanity can achieve under the most strenuous circumstances. But Brickhill doesn't provide us with any reason to care. The story unfolds with all the excitement and tension of someone telling of their day at work. Simplicity in storytelling can be a fine thing, but not where the story demands so much more.