Of all the tales that needed to be told is the discovery of the famous saddlebags lost by the Villista forces during the Columbus Raid in March 1916, which raid triggered the Punitive Expedition commanded by John J. Pershing and indirectly led to Pershing's eventual field command in France of the American Expeditionary Force.
Later in June 1916 the entire National Guard of the United States was called up for border service. Thus again contributing to the US successful intervention in WW I. And the Army gained experience in motor transport and management. All of this has led to a current appreciation that Pancho Villa, in a moment of desperation, indirectly had a major impact on the defeat of the Central Powers.
The other major revelation herein, and the only story included which made the national papers, particularly USA Today, is the discussion of the carrying off of Pancho Villa's skull in the mid 20s, and the supposed deposition of that object in the clubhouse of the famous Yale University Skull and Bones secret society. (Some of the most prominent members of the society have been the George Bushes, father and son.) But the secret of Villa's cranium has yet to be confirmed.:) After all, that is the purpose of a secret society -- to keep secrets. So, if you have a scholarly interest or just a curiousity about the more obscure aspects of the border running days, this book is your meat. A husky meal of research and well written as well.
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Oxford's Companion encompasses the traditional genres of poetry, fiction and drama but goes beyond them. It gives the same analysis to special genres such as Slave Narratives, Oratory, Folk Literature, etc. that you don't normally find in reference works of this kind. These special features and others give this book a unique spot in reference works of literature.
From the moment I got this volume in my hands, I couldn't put it down. Its numerous essays, brief biographies and analysis of the various hues of African American Literature was overwhelming and enjoyable. A referance guide such as this should be in every home. It is user friendly, informative and entertaining. Most of all it will give you a deeper appreciation of the vast types of African American literature produced throughout the years.
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Shows Tiffany's wide range of versatility: enamels, jewelry, bronzes,ceramics, mosaics and paintings. A very good overview.
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Or, does it capture Washington through the eyes of a number of characters. Maybe it captures politics both local and federal through the eyes of this nations capital city.
Maybe what it really does is capture relationships in as many variations as described above. Friends, co-workers, lovers, confused social climbers, some straight, some gay all are here to be discovered by the reader.
The backdrop is the Washington of 1996, but sometimes, the city insists on taking over and becoming the main character.
I don't think it is possible to get tired of one character in this story since the variations on the theme - you can decide what the theme is - keep the pages turning
One can't write something about this book without mentioning the politics that play a role in the lives of these sometimes likable, sometimes not, intelligent, and all so human characters.
At times it seems the author's sole intention is to write something which can only be described as a polemic view - of course, that description may only apply to the reader if they disagree with it. And then, just when this reader felt some of the views which the characters were discussing were as polemic as some of the 1980's Japan bashing novels, the writer insists on showing us other viewpoints through our very fun characters
The title does say it all. The story follows a musical cadence. Variatons - like the ones so present in my life. So, I suggest you put on a nice piece of music and sit down for a fun read.
So, where does the star field title of this review come from? In thinking about the book I was struck by how many points there were in the bood (points being the city, the many characters, the 38 variations, and more). I then thought of our galaxy (don't ask how I made that jump). Looking up from earth we know that what we see is a 3 dimensional image, yet from here, our eyes are hard pressed to see the difference in distance between the many stars. But enter the star field and we can see that we are surrounded by these points of light. We can draw many lines from one star to many other stars. This book is somewhat like that. If I plot out the story lines, the characters, the politics, the city, and the relationships I come up with a star field. And there is nothing boring about something that offers me so many ways to experience something. Enjoy.
Maybe what it really does is capture relationships in as many variations as described above. Friends, co-workers, lovers, confused social climbers, some straight, some gay all are here to be discovered by the reader. The backdrop is the Washington of 1996, but sometimes, the city insists on taking over and becoming the main character.
I don't think it is possible to get tired of one character in this story since the variations on the theme - you can decide what the theme is - keep the pages turning.
One can't write something about this book without mentioning the politics that play a role in the lives of these sometimes likable, sometimes not, intelligent, and all so human characters. At times it seems the author's sole intention is to write something which can only be described as a polemic view - of course, that description may only apply to the reader if they disagree with it. And then, just when this reader felt some of the views which the characters were discussing were as polemic as some of the 1980's Japan bashing novels, the writer insists on showing us other viewpoints through our very fun characters.
The title does say it all. The story follows a musical cadence. Variatons - like the ones so present in my life. So, I suggest you put on a nice piece of music and sit down for a fun read.
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In their search for terrorists, the Federal Bureau of Investigation inadvertently taped the actual killing. Zein Isa and his wife were sentenced to death.
The book reveals much about the village life in the West Bank, where most families, according to Maria Zein, belong to radical military groups whose ultimate goal is to destroy Israel. Many West Bank residents are actually "refugees from other countries." According Maria Zein's account, her husband knew "men from Syria, Libya, Kuwait, Saudi." Maria Zein told the author that her husband had traveled from the West Bank village of Beitin, to Jordan, Syria, Libya and Bolivia. He lived undetected for years in the US, and also claimed to have lived in Europe.
The book reveals twisted morals, which condone murder for the sake of family honor. It unmasks intense hatred that evolved into conspiracies to slaughter Jews, blow up the Israeli embassy in Washington and to murder Tina because she posed a threat to these plans.
It also exposes the frighteningly broad inroads that the Abu Nidal terrorists have made into American cities and life. Alyssa A. Lappen
The author describes the irony of Tina Isa's life: to any otherAmerican family she would have been cherished as a charming, friendly, hard-working teen...
The author also describes the network of Palestinian terrorist groups living in the U.S. and the role they might have played... This story is gripping and very informative because the author did a lot of research and provides so much background information about the Palestinian culture, the lives of generations of the Isa family, the Abu Nidal terrorist organization and more.
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The story is one of want and envy. Although it ends happily, the narrator comes perilously close to living eternally with the devil--all for his envy. There is poetry in this prose, love, and of course magic.
The tale opens as Keawe the Great--a poor, brave, mariner, a reader and writer, shipped on a vessel to San Francisco where he saw a house "smaller than some others, but all finished and beautified like a toy." Its steps shone like silver, the borders of its gardens bloomed like garlands and the windows shone like diamonds. Keawe could see the man who lived there "like a fish in a pool upon the reef."
Of course the owner's life was perfect in every respect, except that he owned a magic bottle which must be sold for less than he bought it, or else in death he would be condemned to hell. He was ill, and therefore desperate to sell the bottle. Keawe bought it.
Small children may not appreciate this story, which seems best suited for independent or sophisticated readers of 11 and up.
But the tale (beautifully illustrated) is as much a treasure as Stevenson's most famous classic, Treasure Island. Alyssa A. Lappen