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While the President is a movie with an aide, someone tries to assassinate him, but kills a police officer instead. The First lady theorizes that the killer ran away when he heard voices in her husband's bedroom, not realizing that the sound came from the movie. Obviously, White House security is lax and anyone who knows the layout of the place can easily enter and leave without detection. Eleanor, DC police Lieutenant Edward Kennelly, and the White House police join forces to ferret out the identity of the perpetrators.
MURDER AT THE PRESIDENT'S DOOR is the latest Eleanor Roosevelt mystery in this long running series that provides a fascinating look at the 1930s White House. In this age of terrorism and Pennsylvania Avenue cordoned off it is difficult to fathom the Presidential home lacking security measures, and containing broken down furniture and torn curtains. Though the who-done-it is short on action, history buffs will enjoy the late Elliot Roosevelt's latest homage to his parents early years in the White House.
Harriet Klausner
While the murder is of course the main point, I was more fascinated with the interactions between all of the historical figures. Joseph Kennedy and his current consort Gloria Swanson; General Douglas MacArthur and his current consort; J. Edgar Hoover and his longtime consort Clyde Tolson; Eleanor's close friends as well as Franklin's longtime companions all play roles in the story. There are also interactions with the current crop of mobsters as well as brief appearances by Harry Truman, Harry Hopkins, John L. Lewis and other figures of significant importance at that time. This lends a backdrop to the story that thrilled my historical roots.
As a murder mystery, this is not an edge-of-your-seat thriller. However, as a story placed in an accurate historical context, there is none better. This is one of the best murder stories that I have ever read.
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Chapter 1 tells of the Central Park Jogger attacked in April 1989. Page 9 tells that if a suspect denies being at the scene of the crime, he has something to hide. Perhaps there's another reason for not getting involved? Detective McKenna got a confession that resulted in a conviction. But in 2003 the DNA evidence caused their release from jail, and exoneration. "There was no physical evidence". Is there a lesson to be learned? Should anyone be convicted on a disputed confession when there is no other evidence? But it happens.
When crimes occur, Detectives show up after to gather the statements of eyewitnesses, and begin their investigation. Sometimes they get information from people who were not there. After spending hours and days the facts emerge to point to the suspects. They are tracked down, arrested, then convicted. Detective McKenna emphasizes that "police work is all teamwork". Many of the crimes just happen by opportunity; there are few masterminds in street crime. One exception is on page 40. After you read this book you can turn to the classic Hammett and Chandler short stories with a new viewpoint.
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Chapter 1 tells of the Central Park Jogger attacked in April 1989. Page 9 tells that if a suspect denies being at the scene of the crime, he has something to hide. Perhaps there's another reason for not getting involved? Detective McKenna got a confession that resulted in a conviction. But in 2003 the DNA evidence caused their release from jail, and exoneration. "There was no physical evidence" (p.13). Is there a lesson to be learned? Should anyone be convicted on a disputed confession when there is no other evidence? But it happens.
When crimes occur, Detectives show up after to gather the statements of eyewitnesses, and begin their investigation. Sometimes they get information from people who were not there. After spending hours and days the facts emerge to point to the suspects. They are tracked down, arrested, then convicted. Detective McKenna emphasizes that "police work is all teamwork" (p.77). Many of the crimes just happen by opportunity; there are few masterminds in street crime. One exception is on page 40. After you read this book you can turn to the classic Hammett and Chandler short stories with a new viewpoint.
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There are two things that are very impressive about this book. First, the compiler manages to introduce very adult themes about power,loyalty, etc., as well as the vocabulary of 400 years ago,even a brief explaination of iambic pentameter in a tone so chatty that you hardly realize you are learning. Second, the rich pictures impart a thirst for MORE Shakespeare. You'll hear, "Can we hear more? What's the rest of this story?" often!
Any publication that presents the Bard as accessable and enjoyable deserves a place in every school or public library, and certainly every home. Add this to Charles and Mary Lamb's "Tales of Shakespeare" as a new classic.