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Banks loves to play around with the ideas of truth vs fact, insanity vs sanity, private life vs public scrutiny, and more than anything else, the relationship between father and son. His recreation of the mythical John Brown seems almost too real for comfort, and the imaginative birth of the historically allusive Owen Brown is likewise worthy of praise.
Cloudsplitter is a book of biblical proportions, existing on multiple levels and asking a reader to do, what in today's standards is virtually unheard of, stick with him through the short of 800 page novel. Not many today have what it takes to embark such a monumental effort as Banks has, and his merits are his rewards. This book belongs on your shelves, next to Steinbeck's "The Grapes of Wrath" and snuggled up beside James's "The American" for this truly is American Fiction at its most prolific best. It is one for the ages, and Banks can sleep soundly at night, he has done no injustice to John Brown nor the world for bringing such a wonderfully spun tale to life.
Nearly everything about this book hits the mark. It is well-researched (although if you want to know the true history of these stories, you should look elsewhere, since Banks at times diverges from the record). The language Banks uses is appropriate to the subject, as is the epic length and scope of the work. The issues of racism are handled in their unresolved complexity, making the novel eminently useful for those living in the US today. The novel integrates broad, important ideas about spirituality, identity, and power with the emotional and psychological eruptions of all-too human beings in a way that will perhaps make it a classic statement about the human condition.