This is one of the better books about Oscar Hammerstein, that luckily enough, is now back in print. Hugh Fordin writes a wonderful book that looks at the personal and the professional side of America's pre-eminent lyricist.
While fans of Richard Rodgers may be more inclined to enjoy the cynical wit of Larry Hart's lyrics, after reading this book, you can't help but be made into a Hammerstein convert. Here's a man with a sunny disposition, who believed in happy endings, and the best in people. One of the most telling stories Fordin recounts is how Hammerstein wrote "The Last Time I Saw Paris" (a pre-Rodgers song) because he was devastated by the fall of France in 1940. He would later point to that as the worst day of his life... not finding out his first wife had been cheating on him. That's the sort of guy Oscar Hammerstein comes across as in this book.
You'll also explore his early high-water mark of "Show Boat" and its important role in American Theater, followed by his pre-Rodgers drought.
If you read this book, you'll be glad you've Gotten to Know Him.

A wonderful, warm, authoritative biogrphaphy. It is obvious the Hammerstein family cooperatied fully with the author. The author is meticulous in his research. I advise next reading the autobiography of Richard Rodgers, and then reading the suburb biography of Stephen Soundheim, to whit, "Stephen Sondheim : A Life" by Meryle Secrest. Ockie was a great man...a man who never in his life visited a whore house and yet tried to write lyrics for a musical that was about a prostitute (i.e., the unsuccessful musical "PipeDream"). It fascinating how this book reprints some of the correspondance where John Steinbeck argues, in vein, for Oscar to stop sanitizing PipeDream to the point where the audience never knew the woman character was a lady of the evening. The book tells the story of every musical Hamerstein wrote lyrics for. I found myself buying CD cast albums as I encountered the story of each in the biography. The book is interesting and never boring, not even once.

This is one of the best theatrical biographies I've ever read. Hugh Fordin does a wonderful job of bringing Hammerstein, his family, and his times to life. Imagine a life that begins with Oscar's legendary grandfather, includes Jerome Kern and Richard Rodgers, then ends with Oscar's befriending young Stephen Sondheim. It's the history of the 20th Century American theatre reflected in one amazing lifetime. Every page is rich with interesting detail. Its one thing for a biographer to get all the research right (which Fordin certainly has); what's even more important is getting to know something the soul of the subject. This is that kind of book. I've re-read it with delight several times, and I could not recommend it more highly.

This book is so wonderful! As a Kindermusik teacher and music therapist, I know the value and appeal this book has on children of all ages. Please consider re-printing it!

The illustrations for this classic song, help even the youngest little people sing along. It is our family favorite and I very much want to bring it to the hearts of all of my Kindermusik students as well. PLEASE PLEASE PLEASE consider reprinting this timeless book. I have been telling my classes about it and now..... THX!

It is a shame that this book is out of print; anyone who missed it really is unfortunate. The pictures are very vivid and expressive as well as pretty. The rhyming, familiar song will soon become a favorite of any person, young or old. Three years after seeing it, and I can't forget it. Please republish it so I can purchase several.

This is a wonderful children's version of "South Pacific". (Not the score of South Pacific as mentioned in the paperback reviews.) The illustrations in my first edition of 1992 are wonderful muted tones done in a charming old-fashioned style - not sepia as mentioned in the two professional reviews. A wonderful introduction to South Pacic, the literature of James Michner, or World War II history. Altogether highly recommended. (Refers to the Hardback version.)

If you're interested in this, then don't hesitate to get it! This Vocal Score contains all music from the show (from the Overture to bows and exit music).

Although "The Sound of Music" is their most popular collaboration, "South Pacific" is arguably Rodgers and Hamerstein's finest work. It is also the best scored. This is evidenced by the fact that when the film version was recorded, much of the scoring was kept as it was originally performed on Broadway. Unlike many conductor's scores, most of "South Pacific" is entirely playable on the piano. The occasional omission of a harp, woodwind, or string line from the reduction will not detract from rehearsal. For fans of musicals, conductors, arrangers, and singers, this is a "must-add" to your collection.

This is more than a collection of masterful song lyrics, the long introductions by Stephen Sondheim and Oscar Hammerstein make it something of a treatise on lyric-writing by two of the art's greatest practitioners.

Also recommended: "Pentatonic Scales for the Jazz Rock Keyboardist" by Jeff Burns.

This is my favorite R&H show! I own all of the Vocal Scores, and love this one a little bit more than the others. All music from the show is contained in this Vocal Score, from the Overture to bows and exit music. This is the music from the original broadway production, and from the version that is released from the Rodgers and Hammerstein Music Theatre Library. (...)

I'm basing this review on the hardcover edition of this book.

This could have just been a coffee-table book with beautiful photos but a negligible text. Fortunately, someone had the excellent idea of asking Ethan Mordden to write the text.

The result is that a very informative, insightful, well-written text accompanies the beautiful photos.

If you love Rodgers and Hammerstein, you probably will get great pleasure from this book.

One tiny quibble, though: Mordden is wrong when he says that Hammerstein invented the lyric form used in "I Am Going to Like It Here."

Being a self-proclaimed R&H buff, I was always scouting for this book and that. I found _Some Enchanted Evenings_ in a used bookstore. Besides amazing detail on both of the men and their previous works (before each collaborated with the other), there are fantastic pictures that I'd never seen before. I was highly impressed. Best of luck to anyone looking for this book--it's a wonderful addition to anyone's collection.

This is a very good book. I suggest you buy it!

Frederick Nolan tells the story of Rodgers and Hammerstein both as a team and as separate people. Indeed there is a good deal of space allotted to their careers BEFORE they ever worked together. But after they team up the narrative becomes more lively and a real page turner, at least partly because Nolan's style is graceful and charming in itself. He seems to have read everything written about them, even going so far as to watch TV kinescopes of them from the 1950s, and he talked to many people who knew them, worked with them.

It's the backstage stories that make the book sing. Practically every page has a at least one fascinating anecdote. And he doesn't sugar-coat their personalities--Rodgers's curtness, even cruelty, and Hammerstein's insecurity, tendency to swallow his pride.

It's hard to read the book without singing to yourself. My God, what songs these two wrote! But more than that, what dramatists they were; they broke convention again and again and mostly successfully.

Pull out your recordings of Oklahoma!, Carousel, South Pacific and start reading!

I read this book many years ago and enjoyed so much that I have read everything I could find by Mr. Lee, and since then other Chinese American authors.

It is a shame that for so many years the book was rejected by young Asian Americans as being "too white face" or "Uncle Tom" as it is not so at all. C.Y. Lee was a Chinese immigrant and wrote of the society as he saw it at that time, which is not the way the younger generation, who did not live through the immigrant experience, want to see it. This is not unusual, many well schooled, well fed sucessful Americans do not want to know that their grandparents arrived in steerage with their belongings tied up in kit bag, unable to speak the language, and worked 18 hours a day in menial jobs so that their children could get ahead.

This is a poignant story of Chinese immigrant families in Southern California during the days of the Chinese Exclusion Act, and the difficulty the young American-raised men had in finding a wife. They were not allowed to bring women in from China, and they were not permitted to marry non Asians. Because of the Communist takeover, many Chinese who had dreamed of returning home to China when they retired after working all their lives were unable to do so. The situtation created an artifically stressed society. The book has tragedy and sadness, as well as hope and joy.

My only criticism of the novel, and a mild one at that, is that it frequently reads like a play script, especially in the last chapter, where there is a lot of dialogue, followed by descriptions of the action which read like stage directions. It is possible that the novel was orignally intended to be a play.

Warning, possible spoiler:

The musical version of the book which was also filmed was very loosely based on the novel, in fact one of the major characters was created for the musical. Apparently this has been done again with the new version playing on Broadway. Readers expecting to find a printed version of the musical may be disappointed.

As a child, I saw the film "Flower Drum Song" and fell in love with the film. Though at the time, it was considered a no-no amongst the Chinese community. But none of those who scorn the film had even read either the book or seen the film. It was a beautiful made film that featured Asian actors who sing, dance, performed to a melodic score by one of the most creative song writing team. Therefore, I am so glad that this book is finally come to light and to be re-embraced into literary culture. Perhaps it will hopefully quail those critics who are as narrow-minded as those who thought we are just busboys and Charlie Chans. Be enlightened, and read this great piece of story-telling of a familial saga that we can all relate--regardless if we are Chinese or not. Enjoy, read and be enchanted. As well check out the film--it might change one's opinion.

Originally published in 1957, this poignant and charming novel tells of a young man's struggle to fit in. Love, family and all the ups and downs that go with them are told with bittersweet humor. Its re-release is a wonderful companion to David Henry Hwang's new theatrical book which revives the Rodgers and Hammerstein musical on Broadway this year. Hurrah!