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If you love pearls (or are in the process of knowing about them), this book is definitely a must have. It has it all: scientific facts, pearl oyster biology and history. Incredibly well written.
Since this book was written in 1906, the values of pearls are outdated, and the pre-metric measurements used are confusing.
This is the best and most useful resource on pearls that I have discovered.
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Frederick Douglass was a slave on the Eastern Shore of Maryland, not too far from Baltimore where I live. His accounts of the treatment of slaves is indeed frightening. It is very important to note that when Frederick was young he was sent to live in Fells Point Maryland as a house slave. The wife of his owner thought it good to teach Frederick the alphabet. After Frederick learned the alphabet the woman showed her husband. He was furious with his wife, and told her that it you teach these 'niggers' to read they will want to know how to write. If they know how to wright, they might start thinking they are equal with white folks. He then ordered her to stop teaching Frederick anything 'that could interfere with his chores'. Unfortunately the damage was already done. Frederick became obsessed with reading and taught himself to read by studying newspapers in the streets and paying white kids to teach him. Slowly we see Frederick, through his own religion convictions, developing a liberation philosophy through education. Knowledge was his key to freedom, and it eventually led to his escape to the North.
One of the key points of this narration is that the slave owners used methods of controlling slaves which are very similar to the tactics employed by the propaganda machine. For instance, Frederick noticed that the slave masters made the slaves drink on holidays and observed them strictly to make certain that all of them spent their 'free' time drunk. They were always on the look-out for slaves that exhibited critical thinking attempting to hold conversations with their fellow slaves about their condition. Reminiscent of the fabled or not Willie Lynch manual on how to make and break a slave, these slave masters certainly knew what they were doing. The institution of slavery was highly developed, almost a science unto itself. Escaping this was the main theme in the first half of Frederick Douglass's autobiography. The second part deals with his efforts to bring slavery to an end all together by raising peoples consciousness to the inhumanities of the practice. I am indebted to Frederick Douglass for bringing me closer to the reality which African Americans live through day in and day out not only in this country, but also in apartheid South Africa. While I believe that the scolding I got was somewhat well deserved, I do believe that consensual integration is part of a God's work. Overall one finds it very difficult to account for all of valuable contributions this work can bring to the human heart. This is one of those books which makes you want to cry, then laugh, then explore new methods of pluralism and equality. Ironically I married an African American sister who teaches at Frederick Douglass Middle School in Baltimore City. She often tells me how the text books are over fifteen years old, and the computer lab even older. Most of the students see no benefit in the public indoctrination system anyway, but when they do go they are met with ancient resources and apathetic teachers. Another clear indication that we have a lot of work to do on this 'American' notion of equality.
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Her life with a married man created a Victorian scandal, yet by the time of her death in 1880 she was England's most celebrated author visited even by Queen Victoria's daughters.
This biography is a thorough, accessible and engrossing book. Author Karl is a fan of Eliot's yet hides none of her blemishes. While he generally refuses to speculate on a lot of Victorian gossip regarding her life, he at times annoys the reader with some unwarranted attempts to psychoanalyze her (I do get tired of the injection of Freud into literature). The slowest parts of the book deal with her frequent trips to Europe. We learn what she did on Tuesday in Berlin, and then her activities in Hamburg on Wednesday. While I realize that the recording of such information is important in providing a fairly complete detail of her life, I tend to nod a bit at the lengthy reports of her travels.
Historically we are blessed with a huge number of extant correspondence of Eliot. The author makes good use of these letters, yet the book does not turn into an epistolary work i.e. a book of nothing but verbatim letters.
One of my purely personal problems with the book was that I have not read all of Eliot's novels. Mr. Karl, of necessity perhaps, relates much of the plots of her books, and thus creates a real spoiler for the novels that I haven't read. That's my problem, of course, and not the author's.
It would seem that people today are probably unaware of this important author who was known throughout England during her writing lifetime. Her novels and her life are an important part of the literary canon. I heartily recommend this well crafted book
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'The Princess and the Goblin' features a heroine ' a princess called Irene ' and a hero ' a simple miner's son called Curdie. While working overtime in the mines to earn money to buy his mother a red petty-coat, Curdie chances upon the goblins who live in the mountain, and discovers that they are hatching an evil plot against the king and his palace. Meanwhile the princess makes a discovery of her own ' high in the castle she finds a wonderful old lady who is her great-great-grandmother. The problem is, nobody else knows of her grandmother, and nobody believes her. But the princess does believe, and it is by her faith in her grandmother and the magic thread that she receives from her, that she is able to rescue Curdie. Together they rescue the entire palace from disaster at the hands of the goblins.
In telling the story, MacDonald has an enchanting conversational style, wonderfully suitable for reading aloud to enraptured children ' an ability perfecting in telling stories to his own eleven children. But 'The Princess and the Goblin' is more than just a story. Before pursuing a literary career, MacDonald was a Congregationalist minister, and so integrates important underlying Christian themes. Believing in the great-great-grandmother despite the fact that many cannot see her, is a symbol of believing in God. MacDonald uses this to show how the Christian faith involves believing without seeing, and that not everyone has to 'see' something for it to be true. The grandmother's lamp and magic thread are the guides on which the princess must depend, much like the Word which is a lamp on our path. It may sound tacky, but it works.
Children are not likely to grasp the deeper underlying themes that MacDonald is working with. Nonetheless the story has a clear message for children. The clear conflict between the royal powers of light against the goblin powers of darkness is unmistakable. Moreover, the princess is presented as a model of virtue, and MacDonald frequently asserts the importance of moral virtues such as always telling the truth, keeping your word, and admitting your faults ' moral virtues that are equally important for princes and princesses of God's kingdom. Courage, honesty, grace, dignity and beauty are timeless ideals for children of all times to strive for. If you love Narnia, you're sure to like this one, and you'll find yourself quickly grabbing the sequel, 'The Princess and Curdie.' 'The Princess and the Goblin' was one of J.R.R. Tolkien's childhood favorites, highly regarded by C.S. Lewis, described by W.H. Auden as 'the only English children's book in the same class as the Alice books', and generally considered as a classic example of nineteenth century children's literary fairy tales. So if you haven't yet read this book, it's about time you did. With admirers such as Tolkien, Lewis and Auden, if you become a MacDonald's admirer you'll find yourself in good company!
Young Princess Irene is kept in ignorance of the ghastly goblins that live under the mountains--neither she nor any of the castle staff are allowed out after dark. But when she and her nurse Lootie accidently stay out too late, a hideous creature chases them and nearly catches them. Because of that, Irene meets the young miner boy, Curdie, who knows the weaknesses of the goblins.
After her narrow escape, Irene is drawn up into abandoned parts of the castle to where her great-great-grandmother lives, surviving on pigeon's eggs--also a wonderful character, somewhere between a guardian angel and a grandmother. Her shifting forms, subtle magic and enigmatic speech are mesmerizing. The enchanted bath scene is worth the book alone!
Irene and Curdie are human yet excellent role models for kids. Irene appears to be only seven or eight, but tries to carry herself as a princess at all times, with bravery and dignity (she doesn't always succeed, but it's never shown as being a GOOD thing). Curdie is also brave and dignified, a prince in the spirit with humble roots.
And the goblins? Well, I got nightmares when I was little from some of the descriptions, but if you can read, say, Harry Potter (not as good) without freaking then you should have no trouble.
This is probably the earliest fantasy, and one of the best.