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Main characters: There were 6 hedgehogs: 1. Rosie was a mother of four whose leg was run over by a car. 2. Scout explored, and wandered, and was eaten by a badger. 3. Spike was the heaviest guy. Spike was named for his tail. It always went up like a spike. 4. Tiggy named for her clumsiness and size. 5. Speedy named for his incredible speed. He was the loudest of the lot. He helped Guy. 6. Guy was first found in a net farmer used for potting beans and plants. He was blind and was helped by Speedy. There were 3 children: 1. Mandy, a girl adopted by vets, has an interest in animals. She wanted to help the animals. She got all her knowledge from her parents. 2. James was Mandy's best friend. James' father, Mr. Hunter, was the very first to find Rosie and her babies and he almost put a pitchfork through her. 3. Claire found Guy, a blind hedgehog. Her father, a doctor, ran over Rosie's leg with his silver car. He turned his front yard into a hedgehogs' hotel.
Summary of the book: Rosie, a mother of four, was run over by a car. Her babies had to be nursed as well because if they were abandoned, they could be eaten by badgers and foxes. Then Guy was found. He was helped by Speedy, who followed him around, helping him, being his eyes, because Guy was blind. They were nursed by Mandy Hope, James Hunter and Claire McKay. There were four baby hedgehogs, but only three survived because Scout was eaten by a badger.
My personal reaction to the book: I think this book is sad, enjoyable and very well-written. It makes you really want to read on and on until you finish. But when you finish, you have this empty, hollow feeling. You got the hollow feeling because you've enjoyed the book so much. You really want to read on and on forever, but it always have an end. When it does end, you want more to read. I always like hedgehogs. I really like the hedgehogs in this story. I wish it wasn't so sad. It would be good if Scout wasn't killed. He was just wounded and he had to be nursed.
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I recommend it without reservation for those interested in this genre.
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The last twenty per cent of the book is a disappointment, filled as it is with percentages of wages, expenses and other numdane matters. It is not that the book is too long, it is that the writer apparently ran out of steam or information. He failed to capture the excitement that the new way of governing created and the innovations which the late Mayor Whalen inspired. Having attended the 18th First Night celebration last week, I have a deep appreciation of the revitalization of Albany that Mayor Whalen accomplished. Albany is alive and vibrant thanks to his initiatives, many of which go unrecognized in this effort.
"Take City Hall: Mayor Tom Whalen and the Transformation of New York's Capital to an 'All-American City'" deals with the vision and leadership of one man, Tom Whalen. His courageous and determined quest to transform Albany, the Capital of the Empire State, from the iron-fisted ways of a late-19th-Century political machine to the progressive "All-American City" of the 21st Century is presentated in a readable and enlightening manner.
Dan Button has accurately and without bias documented for all time the living accomplishments of Tom Whalen and his administration.
"Take City Hall" is a must read for all the citizens of America's Great Democracy.
The plague (H.F. writes) arrives by way of carriers from the European mainland and spreads quickly through the unsanitary, crowded city despite official preventive measures; the symptoms being black bruises, or "tokens," on the victims' bodies, resulting in fever, delirium, and usually death in a matter of days. The public effects of the plague are readily imaginable: dead-carts, mass burial pits, the stench of corpses not yet collected, enforced quarantines, efforts to escape to the countryside, paranoia and superstitions, quacks selling fake cures, etc. Through all these observations, H.F. remains a calm voice of reason in a city overtaken by panic and bedlam. By the time the plague has passed, purged partly by its own self-limiting behavior and partly by the Great Fire of the following year, the (notoriously inaccurate) Bills of Mortality indicate the total death toll to be about 68,000, but the actual number is probably more like 100,000 -- about a fifth of London's population.
Like Defoe's famous survivalist sketch "Robinson Crusoe," the book's palpable moralism is adequately camouflaged by the conviction of its narrative and the humanity of its narrator, a man who, like Crusoe, trusts God's providence to lead him through the hardships, come what may. What I like about this "Journal" is that its theme is more relevant than its narrow, dated subject matter suggests: levelheadedness in the face of catastrophe and the emergence of a stronger and wiser society.