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I have the impression that George has started writing with TV/movies in mind -- hence the cyber-sex (which goes no place) and the lesbian lovers. There are any number of minor story lines which seem to have been badly edited -- they should have been more fully developed or dropped (Pitchley's family, for instance). Perhaps most of these started as red herrings, but they ended up as distracting detours. We all know how well the BBC does minor characters, and I suspect some of these folks were just stuck in for their character-actor potential.
The book could have done with a REALLY good editor -- it shouldn't have been more than 500 pages and Gideon's journal (albeit very interesting) isn't in a consistent style (roaming back and forth between an informal-1st-person style and an omniscient author style). I found this disconcerting.
I'm very bored with the Haver/Lynley/Helen/Simon/Deborah cast of 2-dimensional characters, so I was pleased that they're more in the background. As a "technique" they're fine, but they can't stand on their own.
The story itself is fascinating and and most of the characters are interesting too. I found the ending inspired. I was grateful that George didn't tie everything up in a neat little package -- I took it as a compliment that she trusted me to make inferences and grasp implications.
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