Focuses on the romance and idealism of the artist and his art rather than just functioning as a clinical review of his work... as of this review date, new hardcover copies are still available from the Metropolitan Museum of Art's Online Store. I've purchased two.

This book is gorgeous--fabulous photography, lots of detailed shots (I love the way they concentrate on the dresses and don't feel obliged to get the manniquin's head in every shot)--glorious! Get this book now!

This is a portrait album of a sampling of Christian Dior's masterpieces shown in the 1996 New York Metropolitain Museum of Art's retrospective. Every garment is beautifully captured. The detail photographs are exceptional.
But this is more than just a picture book about the 11 years Dior designed under his own name. The text offers a balance of historical costume references that Dior used in his creations against the social and economic era he designed in. It is both interesting and informative--two words that usually don't co-exist in most fashion references.
As a coffee-table book, this is a must-have for fashion afficianados. For those who can visualize and appreciate the complexity of drape and construction in some of the garments, there is no excuse not to own this book

Not being Lutheran, I welcome the opportunity to study the man who came in third place in the "Person of the Millennium" poll.

This slim book contains his discourse on "Christian Liberty," that is, the relationship to faith and works. All the hearsay finally dies with this book, since you hear Luther's own words on the matter.

He asserts that Christian Liberty is paradoxical, that the Christian is a perfectly free lord to all, but also a perfectly dutiful servant, subject to all. This paradox comes because of man dual nature: spirit and element. His main point is that by the Atonement, we all become free, but because of the atonement, we have an obligation to serve other people in chaity.

I like this edition. The translation is actually a translation, and Mr. Grimm block the text into paragraphs for easier reading. Moreover, he provides the scriptural references that Luther merely alludes to. Thus, the book becomes lecture notes for our review and pondering.

The cover illustration is eye-catching. It shows Luther taking his stand before some potentate. It reflects the energy that you feel in the words, the drive that empowered a man to shake all of Europe. It shows the energy that drove this man to liberty.

Not being Lutheran, I welcome the opportunity to study the man who came in third place in the "Person of the Millennium" poll.

This slim book contains his discourse on "Christian Liberty," that is, the relationship to faith and works. All the hearsay finally dies with this book, since you hear Luther's own words on the matter.

He asserts that Christian Liberty is paradoxical, that the Christian is a perfectly free lord to all, but also a perfectly dutiful servant, subject to all. This paradox comes because of man dual nature: spirit and element. His main point is that by the Atonement, we all become free, but because of the atonement, we have an obligation to serve other people in chaity.

I like this edition. The translation is actually a translation, and Mr. Grimm block the text into paragraphs for easier reading. Moreover, he provides the scriptural references that Luther merely alludes to. Thus, the book becomes lecture notes for our review and pondering.

The cover illustration is eye-catching. It shows Luther taking his stand before some potentate. It reflects the energy that you feel in the words, the drive that empowered a man to shake all of Europe. It shows the energy that drove this man to liberty.

Concise and easy to read. This is one of Luther's best efforts at explaining the nature of the Christian life. I'm not Lutheran, but I enjoyed reading it.

Thanks to Harold Werner for retelling these events from his deathbed. I read the book in an evening and could not put it down. I am very proud to know that people such as Mr. Werner fought back no matter what the odds. Not only does he write about battles and suffering, but he also writes of the community he grew up with, the people he loved, how people made their living, and how they related to their neighbors.

This true story takes place in Poland during the late 1930s thru 1946.The main character is a young man named Harold.The trials he experiences prior to WW2 are nothing compaired to the radical changes his life undergoes during the Nazi occupation.There were several things that I enjoyed most about this book.It is scary to realise how treacherous people can be to each other but it is encouraging to see how the human spirit rises to such adverse circumstances.You will follow his life from living in the city to hiding in the forests of Poland while being hunted by villagers and Nazis.Fear and hunger were common among this group of partsians.I found this story easy to read and relate to. This story can parallel any group of people who are oppressed.

Tina Chow was not only a celebrity of her time, but a wise investor in vintage Haute Couture. Before her untimely death, she amassed a collection of some of the finest clothes ever made. Tina was a model and great beauty, but she was also a person with a family and friends and her legacy as a socialite and fashion maven should not die with her. I hope that her family someday writes the biography of Tina.

I'm not a fashion fanatic but I do wish I could own this book! After borrowing this book twice (and maybe more in the future), I've come to the conclusion that I'm drawn more to the photography of the clothes in this book, rather than the clothe itself:| Anyways, the book is first presented with an innocent Preface by Tina Chow, then a seemingly detailed Introduction with unique photos of Ms. Chow at work or wearing her collection. I like how this book is easily divided by designers of the clothes Tina Chow has collected. Each part has a detailed and sometimes historic description of the dresses. Some have patterns and sketches drawn out. The combination of intricate lighting, angles, and closeups on the fashion makes the photos stunning. But one must marvel at Ms. Chow's beauty when posing in some of her collections. She adds much sparkle and longetivity to these rather out of date and sometimes "tacky" dresses that I can never find myself in. Well, except in the "cheongsam" that Ms. Chow is seen posing in with parasols seemingly floating around her.. Since Ms. Chow's passing, I can see this book as a reference for admirers of her collection. Or rather, as a surprise since there are cameos by those closest to her. Sorry, no Warhol..but you'll see. :-)

Harold H. Martin, continuing the work of Franklin Garrett, offers a wonderful survey of Atlanta from 1940 to the mid-1970s. Martin selects anecdotes to beautifully evoke each period he discusses--Margaret Mitchell rallying recruits for World War II; youth reading comics in the basement of a church-sponsored hangout; gawkers driving to a hippie enclave in the late-sixties and early-seventies. Martin draws heavily, but not exclusively, from contemporary newspaper accounts to create a richly-textured chronicle. This is a vivid depiction of an era and a city.

Up till the publication of 'C-46 Commando in Action' by Squadron/Signal this book was the only publication about the Curtiss Commando, but the five stars are merited by the thorough investigation by these enthousiasts. It is only lacking a color art section to make it a real all-time classic, but there is hardly anything that could be better (information-wise) in this nice book by Air Britain. Though the book is published in Britain, the writers all hail from the USA -as does Curtiss Aircraft- and these gentlemen give you the history of each and every 'Commando' ever built and a lot of black-and-white photographs of this plane. The 146 pages of this book are printed in a rather small typewriter font, so there is more information than you should judge just by mere size of this book.

The thesis of the historical mode is always worth re-visiting, although it was addressing that moment at the perilous close of the 1980s, when fashion's excesses had peaked - or, more accurately, piqued.
A sweet and pretty book, with splendid Josef Astor photos and iconic fashion runway shots of the nascent John Galliano and resplendent Romeo Gigli and Karl Lagerfeld. A worthy and timeless text dealing with worth and time in fashion.

This book is of real interest to someone interested in tube radios and their beginnings. Has great pictures and copies of sales brochures Just wish the authors would have gone clear through the 1930s.

Mary E. Cochran presents the story of Harold S. Jones, who in 1921 became the first American Indian bishop of the Episcopal Church. While much of Jones's narrative is in the third person, whenever possible editor Cochran allowed Jones to present his story "in his own words." Raymond A. Bucko and Martin Brokenleg's introduction does a good job of contextualizing Jones's story. The volume sheds considerable light on missionary activities among American Indians in the 20th century and offers welcome documentation of the complex interactions between Christian missionaries and Native peoples of the Plains. Choice, vol 28, no. 7 (March 2001).

What a find this book is!!! Having spent time this summer working on the Pine Ridge Reservation among the Lakota, I was thrilled to read a book containing not only historical facts, but "real life" detail. The joy, humor, sorrow, endurance, and faithfulness of this man of God (and those whose lives entwined with his) truly touched me. This book may be sucessfully used for historical, theological, sociological, or devotional purposes. Make sure to read and reread Fr. Deloria's (Tipi Sapa) testimony concerning Jesus, several times. It is the most compelling witness I have ever heard. It is no wonder that the little one, who listened to this wise man speak, grew up to be a Bishop.

I could not agree more with the review by "Reader from Spain". I buy a LOT of costume/fashion books and hardly ever review them, but felt moved to do so for this book because the text is so dreadful. The photographs are stunning, as are the garments pictured, but the words are really quite atrocious (to steal a line from Chitty Chitty Bang Bang!). The text is utterly pretentious and so badly written that I (an editor) checked several times to see whether it had been translated from a language other than English - it is that stilted. Obviously a book like this is bought mostly for the pictures, but the text is so disappointing.

Another gorgeous book--I love the photography and the details you are shown. I love the fact that they cover the era from the 1890's right up to today and don't favor one era over another. An equally fabulous book by Richard Martin and Harold Koda is "Dior". They are both among my favorites.

It contains beautiful color photos of the couture garments design by the following houses: Balenciaga, Chanell, Dior, Jacques Fath, Gianfranco Fere, Hubert de Givenchy, Aliz Gres, Jacques Griffe, Christian Lacroix, Carl Lagerfeld, Jeanne Lanvin, Patou, Poiret, Saint Laurent, Schiaparelli, Ungaro, Versace, Madeleine Vionnet & the House of Worth.

The table of contents lists "History, Atelier, Dressmaking, Tailoring, Technique, Embroidery, Lace and Tulle and Featherwork.

I strongly recommend this book because it contains the works of many designers, and the photos of these beautiful creations are taken "up close".