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It is possible today, through Ron's writing and his public appearances, to meet an incarnation of Socrates living in the modern world. This is what Ron's new book, Socrates' Way does. It brings Socrates into the modern world, making his work approachable and relevant to our lives.
Socrates' Way sets the stage for you to examine your life. It was Socrates who said that the unexamined life is not worth living. If nothing else, this book at least sets the tone for you to examine your own life, to look at all things with a questioning eye, and to not take things for granted. In a world where we are overloaded with information, much of which is questionable, if not outright mythological, it is particularly important to be able to analyze what we hear and see and to sift between truth and artifice.
This is a highly readable book which I recommend for anyone who is on the path of self-improvement.

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In addition, he comes up with some of the most fascinating ideas for a story. The title piece, 'The Elephants of Posnan', is one example. Although there is no doubt that Card wasn't suggesting that the premise of this story is truth, it still left me mulling the entire piece over and over again. He makes such a moving and brilliant case for something entirely bizarre, and insightfully comments on the nature of man in the process. 'The Elephants of Posnan' was positively spellbinding, beginning to end.
I love this collection. Orson Scott Card is a true master of his craft.

The various storys are a joy to listen to and range from science fiction to fantasy, from psychological thriller to love story.
Whether you're a die hard Ender Series fan, a general fan of Card's, or a first time listener to the whole audiobook genre, there's something here you'll cherish.

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Card's short fiction has always exceeded in power, beauty, and universalism the long fiction which he produces at such a prolific rate. This is mainly due to his tendency to explain nuances of his characters in his longer works literally, rather than allowing the reader to understand them through diligent observation. In his short fiction, however, he routinely abandons this "lowest common denominator" method, much to the empowerment of his prose.
The appeal of Card's work is similar to that of film wunderkind Steven Spielberg. At his worst, he is unflinchingly manipulative, such as in the story "Lost Boys," the original source for his later popular novel (cf. "The Color Purple"); at his best, his narration remains remote enough not to overpower with sentimentalism, as in "Unaccompanied Sonata" (cf. "Schindler's List"). A few works seem to be unnecessary literary exercises taken to extremes ("Damn Fine Novel") but, as is Card's trademark, a constant theme of sin/redemption runs through most of the stories. While drawing upon the Mormon experience, Card is unafraid to avoid simple moral chiaroscuro in favor of the gray areas for which good fantastic fiction is so well tailored.
The perfection of some of these tales lies in the simplicity of the telling. Card seems to have adhered to the ethic that informs Native American and Far Eastern oral traditions, wherein the narrator becomes only an instrument for the audience, and never intrudes as either arbitrator or alibi. It is in their peculiar mixture of triumph and tragedy that Card's stories delight, whether described through whimsy or dread.
The book's five segments, roughly described respectively as horror, science fiction, fantasies, parables, and miscellanea, comprise most of the author's published (and some unpublished) works up from 1977-1990. Particularly recommended: "Unaccompanied Sonata," "Quietus," "The Porcelain Salamander," A Plague of Butterflies," "Gert Fram."

The book is divided into sections, each with a unifying theme: horror, classic science fiction, fantasy, parables, religion & ethics, and a mix of miscellaneous works. "The Changed Man," "Flux," "Maps in a Mirror," "Monkey Sonatas," and "Cruel Miracles" were also published as individual paperbacks, but "Lost Songs," which contains, among other things, the original short version of "Ender's Game," is only available in the comprehensive hardcover edition.
Every facet of OSC's brilliance is displayed in this collection. His longer works, while also brilliant, have an unfortunate tendency to lag at points, but in short form he shines. Though not all the stories are of equal quality (hey, everyone has bad days), none are bad, and many are things of beauty and power. My personal favorites include "A Thousand Deaths," "Freeway Games," "Saving Grace," "Kingsmeat," "The Porcelain Salamander," "The Best Day," "I Think Mom and Dad Are Going Crazy, Jerry," and, of course, "Unaccompanied Sonata."
Be aware: some of these stories contain graphic and disturbing images. They also contain disturbing ideas. But no one writes speculative literature better than OSC at his best, and this book has a lot of his best.

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I'm glad that Mr Card managed to write the story with a different POV, and yet it wasn't as boorish as I thought it would be. Same conversations are brought up again, yes, but Bean, Bean with his ingenious mind contemplates every aspect of the conversation which somehow fascinates us. Just by reading these two books I can compare and contrast Ender and Bean-- Bean is certainly smarter, and I delight in him when he shocks Graff/Dimak/any adult by his intelligence. But Ender has so much more of a leadership quality, and yet he is still secluded in the way that he is burdened with guilt.
I definitely got to know minor characters better-- and knowing that Petra and Bean are going to fall in love in the future (sorry if I spoiled it ^_^;;), I was glad that Card kept it to a minimum, but that he didn't completely disregard it. But I STILL can't get over the fact that Bean is approximately 6 years younger than Petra (egads!).
Perhaps some of you are annoyed at the exaggerated intelligence that is inserted into the Battle School characters, but for me, it excited me and made me even more drawn in! Of course I do envy them, and wish I had been smart enough to know how to square root 2+'n', but *sigh* I shall have to be content.

The character Bean seems to be a lot like Lovelock. His very intellectual, but often guilt-full view of the events are a nice contrast to Ender's, Peter's, and Val's views.
The first 50 pages are incredible. After that, the book is rather slow and philosophical until he meets Ender. A lot of his time with Ender is the exact same scenes as are in Ender's Game. After that, the book really picks up again.
Even with those flaws, it's one of the best books I've read in a long time. I'm eagerly awaiting any future sequels.
BTW, is it just me, or does it seem like one of OSC's main points in this book was to make Ender look bad? This might not be a good book for someone who considers Ender a role model.

If you have read Ender's Game, this is a MUST READ! Ender's Shadow compliments Ender's game. It fills you in on some of the details missed in Ender's Game. The characters have depth, the writing is magnificent, and trust me. You will not want to put this book down.
If you have not yet read Orson Scott Card's Ender's Game, Ender's Shadow is still a good book. Or so I have heard. Most people have already read Ender's Game before Ender's Shadow. If you are not sure, read Ender's Game first. I promise. You will not regret reading Ender's Game or Ender's Shadow. Card has taken a very difficult(in my humble opinion) topic, writing the award winning Ender's Game in the perspective of another key character, Bean. If you have already read Ender's Game, when Bean meets Ender, the reading slows a bit, but Card has made it interesting by filling details missed in Ender's Game.
I strongly suggest you buy this book. If you still aren't sure, then by all means wait until it's paperback, but either way. Trust me on this. You will not be disappointed. Well, I hope not anyways.