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not a get rich quick scheme concerning gold, but more like a modern history of gold. It explains where Au comes from, how it's sold, who buys/controls it, why, etc.,etc. Interesting.
MIGUEL GĂ“MEZ-MOLINA graduate gemologist (G.I.A.)U.S.A.-(I.G.E.)SPAIN-GERMAN GEMOLOGICAL INSTITUTE. Watch and Jewellery counsellor by C.F.H.Instute Laussanne (Switzerland) Member of the spanish board of the A.I.H.H.(Switzerland)
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"Other Voices" is essentially a reprint of a book entitled "The Saucers Speak," by George Hunt Williamson and Alfred Bailey. Originally published in the 1950s, it still has a great deal of relevance to today's UFO scene. Much of what the authors prophesy has indeed come to pass, and the warning the aliens send about nuclear war and environmental doom is still as urgent as it ever was in spite of the thawing process that the Cold War has undergone in recent years.
Williamson and Bailey, according to Timothy Green Beckley's new and updated introduction, "were ham radio operators who claimed contact with extraterrestrial beings who were continually broadcasting messages to them from spaceships circling in the Earth's uppermost atmosphere. At the time, these authors came under fairly heavy verbal attack as the mere idea that aliens were setting foot on our world seemed a much more remote concept than it might now be considered in this day and age."
Times may not have changed as much as Beckley would hope. Ridicule continues to be the norm for witnesses who come forward with tales of contact with aliens. Even further, Williamson and Bailey are clearly examples of what was called in the 1950s "contactees," a term that today is shunned by even the mainstream UFO community and is understood to mean people on the outer edges of the lunatic fringe.
But "Other Voices" still manages to reach impressive levels of credulity. The authors at one point say that the aliens instruct them to project their own thoughts onto the message to a lesser degree, implying that the human mind tends to cloud the transmission. That looks very much like a telltale realistic detail that separates alien intent from the "psycho-babble" of mere mortals.
At another juncture, the authors say that the young people of their time are beginning to be schooled in the true doctrines of the aliens, receiving a message about peace, love and brotherhood. That statement, first made in the early 1950s, seems uncanny when one recalls the blossoming of the Flower Children in the next decade, armed with their message of pacifism that could conceivably really have come from outer space because it was so alien to the mindset of America's youth prior to those times.
Beckley's introduction also recounts numerous other instances of radios and televisions being jammed with strange voices speaking messages about impending doom, so it is apparent that the phenomenon continues unabated to the present day. While "Other Voices" serves on one level as a refreshing bit of 1950s contactee nostalgia, it also stands the test of time and continues to breathe life into the idea that radio and television voice contact with the Space Brothers may one day be the method by which their existence is finally proven and the deliverance they promise is actually realized.
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This 382 page book is very readable and probably appropriate in depth for a college textbook, although in this space cannot go as deep as, say, LaSor, Hubbard and Bush (Old Testament Survey). It is written from a conservative perspective but critical scholarship is presented in abbreviated form. For example, the standard dates for Second and Third Isaiah are presented in a paragraph. There is a general failure to engage such critical issues and the authors present "scholarly opinion" alongside "conservative evangelical" scholarship without always committing to a particular view. So on the authorship of Isaiah they write "There is no unanimous opinion on this issue among conservative evangelical scholars. Some prefer the multiple authorship view. Others view the entire book as the work of Isaiah of the eighth century B.C." (p 293).
Much of the content of the book summarizes the biblical content. New Testament interpretation is mentioned in theological sidebars where relevant and the reader is encouraged to apply theological insights to personal faith.
The majority of the book was written by Alex Varughese who also edited the work as a whole. Varughese and the other three authors are department heads of Christian liberal arts colleges (I do not know who Robert L. Lewis is [named in the ...description]. He is not listed on my copy).
This book will prove a colourful and readable introduction to the Old Testament, especially in terms of biblical content and life application. The numerous illustrations allow the reader to visualise Israel and modern Judaism.
This review is based on a galley proof.
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The personal stories that illustrate the book's strategies help you connect more deeply with the material. You may even get a chuckle or two from some of these.
What I get from the book is that we all have inner resources that we've hidden from ourselves, and that we can learn to tap these resources with a bit of work and AWARENESS.
This book could actually help in lots of areas besides making music. If you like motivational books, such as those by Tony Robbins, or books on NLP, this book might actually seem tame in comparison, but still relevant.
Well, these principles are not limited to the game of tennis, but wholly applicable to any challenge in life, from playing music to forming good relationships to whatever. Along comes a musician who recognizes this, teams up with the original author and writes a miraculous book for the musicians of the world. I doubt if there are many musicians who could not benefit from the information in this book.
Why should you improve your inner game? The book gives a great example... think of something that is easy for you to play, something you can play well every time. Now picture yourself thrust down onto the stage of Carnegie Hall in front of a packed house that expects you to play something brilliant. Do you think your nerves might get in the way of playing this simple little piece to your potential? If so, then you probably need this book. If not, you are a master already and I wonder why you are wasting your time reading this!
Remember that your skills, no matter what level, are considered part of your "outer game." These skills are particular to you, your physical limitations, your instrument, and your instrument's limitations. This book focuses on the inner game, which is universal. By universal, I mean the inner game is not even specific to music, but applies to any challenge. By using language, stories, and metaphors that are familiar to musicians, the book can help you improve your musical inner game, but there's no reason it should stop there.
The Inner Game of Music does an ingenious job of simplifying the psychology and spirituality of playing music into something practical by putting aside debatable beliefs about ego, id, subconscious, conscious, etc, and focusing simply on whether you are playing your inner game or losing it.
An example from my life... I have been studying with a master jazz guitarist for a couple of years. At times when I practice, I find myself playing a good inner game, very relaxed, playing from the heart, amazed at the notes I hear. I find that when you play a good inner game, you feel more like an observer than a participant. Well, when I sit down with my teacher, I become aware of his mastery. My own nervousness and desire to play well for him quite often cause enough interference to make me play well below my ability. Since reading this book, I have found that more often I can really relax with him, stretch out and really play to the best of my ability, often surprising us both. I find myself coming further in my limited practice time and playing better in unfamiliar situations. It is all about the inner game!
If you ever get the chance visit his web site www.innergameofmusic.com or attend one of his blockbuster workshops.
I CAN"T WAIT TO READ HIS NEXT BOOK!!!!