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I greatly appreciated the way in which Lucy described what it felt like during chemo treatments and surgeries, because her interpretation is not glossed over. There is no real way to describe the experience except to go through it for yourself to really understand it, but Lucy's words came very close! One day, I wish to write my own novel describing my struggle with cancer as an adolescent.
I'd also love to talk with Lucy, one survivor to another, if possible.
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This book has two parts. The first is the story of Monty's life, and it's a simply amazing one. He takes us through his childhood as a rodeo star, to his work as a trainer, and his ongoing search to learn to communicate more effectively with horses (and other animals.) The techniques he has developed are ground-breaking, and if for no other reason than to learn how to Join Up with your own horse, I'd advise you to buy this book. But the stories are fascinating, moving, and inspiring, and the book could sell with even without the Join Up technique.
All in all this is a book that every horse owner should read, at least once. And using the Join Up technique with your horse will forever change the way you relate to horses. Try it, you'll be amazed at the results!
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I've read many books of essay's where the authors' own interest in the subject(s) at hand, extends further than the readers attention is willing to give. This isn't the case with Grealy's book.
I found her musings, and meanderings, engaging throughout.
Her essays take on daytime talkshows, playing with pets, the nature of twins, lost brothers- and ultimately her own struggles to make some sort of sense, or nonsense of things. Her prose talks with you- not at you, and asks you, without any finger wagging, to join in the conversations she is having with the page.
I loved it.
One complaint: to the designer and art director: please wake up! Yo can barely tell the title is "As Seen on TV," and the running heads which just repeat the book title over and over again (as opposed to using the essay titles) are completely uninformative. However, these design flaws don't spoil this very enjoyable read.
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Even the title shows how Grealy has identified herself with her face above all else. The autobiography of Lucy Grealy has become the autobiography of her face because for a great part of her life Ms. Grealy was nothing more than a face, or at least it seemed so. Doctors, fellow students, family members, and complete strangers see not a woman with a disfigured face; they see a disfigured face.
Grealy shows how she also falls under the spell of her disability, allowing it to control her life and dictate her future to a greater extent than it otherwise would. Yes, having a disability means that sometimes you have to say "I'm disabled, therefore I can't....", but as Grealy finally learns, it also means sometimes saying "I'm disabled, but I can!".
All in all this is an inspiring book, one I'm glad I read and one I would highly recommend, especially to other disabled readers.