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The author, Bernard Gotfryd, shows himself to be a keen observer of people, as well as of the small, humble details of everyday life. He has the gift of being able to illuminate those details, so that they take on a transcendant beauty. We see a world--one which others might find dull and ordinary--through the consciousness of a mind which is itself radiant. Thus, the stories do not only address the horrors of the nazi occupation and the camps; those horrors are set against a backdrop of everyday life and people, the memories of which are interspersed throughout the book. This gives it a chiaroscuro quality which I find to be rare in literature, and through the play of light and shadow the author creates an ambiguous, complex world. This ambiguity is another way in which the book differs from much Holocaust literature. Many of the characters themselves are ambiguous, and after reading about them we find ourselves asking, "Was he good, or bad?" The answer is yes.....
This book indirectly leads the reader to ponder the issues of suffering and healing. Despite the optimistic teachings of the growth psychology movement, there are wounds which are too traumatic to fully heal. Growth psychology would have us believe that without integration, and psychological "functionality," we cannot realize our full potential. It posits a future goal that we can attain through work on ourselves. However, Gotfryd shows us, through the power of his words, that we are most fully human when we can really open our eyes and see the world in its complexity and irrationality, as well as its simplicity and beauty, right now.
I, however, was born years after the Holocaust ended. I did not write this book of short stories with my father, I only provided the foreward. "Anton" is by Bernard Gotfryd, NOT Howard Gotfryd.
Thank you. Howard Gotfryd