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Leckey's book ("Strong Men Armed") doesn't dwell on personal experiences, but gives the vast panorama of the Navy/Marine Corps island hopping campaign, and helps to put Sledge's personal memoir into the context of the whole war in the Pacific.
Manchester's book ("Goodbye Darkness") reads something like the out-loud ruminations of a mental patient working through unresolved issues on the psychiatrist's couch.
Leckey is a noted military historian who has written a number of very good books on the subject. Manchester is a noted author, and of the three has the most recognizable name. Sledge, however, although not a professional writer, is the First Division alumnus who has written the best book on the Pacific War. (Leckey runs a close second and Manchester a distant third).
As I have been a close personal friend of Dr. Sledge for over 30 years, I have heard many times in his own words the accounts of the battles fought on Peleliu and Okinawa. However, Dr. Sledge, in the words he writes is able to bring the battles to life, and involve the reader as if they were there. His story is so much like the man he is, strong, well prepared, confident, a believer in God, and willing to go to war for his country and "kill japs".
Anyone who wishes to gain insight into the nature of the war with the Japanese, and of war in general, needs to read this book.
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There is also a lot of character development in this book. We see how much Taran, Eilonwy, and Fflewddur have matured since the last book, and we see new characters grow from what they were in the beginning of the book. For example, Ellidyr grows tremendously from the first few pages to the last.
Lloyd Alexander also made this book much darker than its predecessor. He kills more and you never will know who's really evil and who's really good.
We also travel much more to the other parts of the land of Prydain. We meet new rivers, The Marshes of Morva, and more villages. We also go near Annuvin, the home of Arawn and his army of Huntsmen, Cauldron- Born, and gwythaints.
So, "The Black Cauldron" was a fabulous book indeed. We see more action, darkness, character growth, and other things among the novel. For me, the most enjoyable part of the story was the character development. This book may seem a wee bit slow at times, but just keep going. You may enjoy this book more if you have read "The Book of Three," but you can still enjoy it on its own. I can't wait to read the rest of the "Chronicles of Prydain."
Happy Reading!
_The Black Cauldron_ is definitely superior to its predecessor, which was a very fine book in its own right. Its superiority comes from the greater depth of characterization. Taran is no longer a callow boy; he is struggling with harder issues that will resonate with many of his readers. Other characters face similar dilemmas--again and again, Lloyd Alexander shows that the answer to "What is a hero?" is a very difficult one. The plot moves quickly; it has adventure, danger, and emotional excitement to please anyone. Alexander's writing is clean and direct, and he is able to inject his trademarkj dry humor at regular intervals. Perhaps best of all, the reader has the consolation of knowing there are three more books about Taran and Prydain after this one.
I highly recommend this book to middle readers who enjoy fantasy and adventure. Alexander excels at creating strong female characters, so this should appeal to boys and girls alike. And if you enjoyed this, finish the series. It's a classic, award-winning series for a reason. And if you're looking for something to read after it, try Alexander's Westmark trilogy.
The Black Cauldron is the darkest of the Prydain Chronicles, and it tells the story of Taran and his companions as they head to Arawn Death-Lord's domain to recover the Black Cochran, which creates soldiers out of the dead. The book explores the price and sacrifice that true heroism demands. The memorable cast of characters include Adaon, a unique bard, and three interchangeable witches who are reminiscent of the Three Norns, or the Fates.
A haunting and beautiful tale that I highly recommend (along with all the Prydain Chronicles).
I suspect this book will rank right up there with the all-time classics like Reminisces of a Stock Operator and the Intelligent Investor, and I highly recommend it to everyone! Don't let the word trading in the title scare you away if you consider yourself an investor, because this book will help make you a better investor or trader.
With the release of Dr Elder's latest book I guess I now have to change my description to something resembling the Old Testament while his second offering becomes the New Testament. I don't mean to be flippant to either the Bible or to Dr Elder's books. All are beautifully written masterpieces.
Come Into My Trading Room took three years to write and essentially takes over from where Trading For a Living ended. Dr Elder uses research from many sources and feedback from his very popular Trader's Camps to research this book. He has the rare insight to really understand why traders lose money and what they need to do to start taking money out of the world's financial markets.
Dr Elder has identified three requirements that are paramount to successful trading¯Mind, Method, and Money¯the 3 M's. Mind means 'developing psychological rules that will keep you calm amidst the noise of the markets', Method 'is a system of analyzing prices and developing a decision-making tree', and lastly, 'Money refers to money management, which means risking only a small part of your trading capital on any trade'.
After explaining these and many more concepts Dr Elder succinctly describes to the reader how to become a master trader. Yes, he gives instructions and explanations in how to use indicators; how to manage your money; build a trading plan; document trades and build a money management system. But be aware. This is no novel, it will test your intellect and you will have to read it over and over again. This is a book you will read once and then seriously study for many months¯even years if you purchase the accompanying study guide. A must for any serious trader or investor.
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The format of the book is effective in that it allows one to follow the connections between various design rules/patterns that might otherwise not be obvious. The use of these "links" within the book could have been a source of inspiration for web designers. This book will appeal just as much to the lay person as it does to the legions of architectural professionals who use it as a guide on a frequent basis.
(Also take a look at Hildebrand's THE WRIGHT SPACE for another great look at "what makes a building feel good")
Alexander and his co-authors present us with over two hundred (roughly 250) "patterns" that they believe must be present in order for an environment to be pleasing, comfortable, or in their words, "alive." The patterns start at the most general level -- the first pattern, "Independent Regions," describes the ideal political entity, while another of my favorite patterns, "Mosaic of Subcultures," described the proper distribution of different groups within a city. The patterns gradually become more specific -- you'll read arguments about how universities should relate to the community, the proper placement of parks, the role of cafes in a city's life. If you wonder about the best design for a home, the authors will describe everything from how roofs and walls should be built, down to how light should fall within the home, where your windows should be placed, and even the most pleasant variety of chairs in the home. An underlying theme of all the patterns is that architecture, at its best, can be used to foster meaningful human interaction, and the authors urge us to be aware of how the houses we build can help us balance needs for intimacy and privacy.
They admit that they are uncertain about some of the patterns -- they indicate their degree of certainty using a code of asterisks placed before the pattern. For each pattern, the authors summarize the pattern in a brief statement printed in boldface, and then describe it at length, drawing upon a variety of sources to give us a full sense of what they mean: these "supporting sources" include an excerpt from a Samuel Beckett novel, papers in scholarly journals, newspaper clippings, etc. Most patterns are accompanied by a photograph (many of them beautiful and fascinating in their own right) and all are illustrated by small, casual hand-drawings. Taken together, "A Pattern Language" is an extraordinarily rich text, visually and conceptually.
As I said in the header of this review, "A Pattern Language" has changed the way I look at buildings and neighborhoods -- I feel like this book has made me attuned to what works, and what doesn't work, in the human environment. I'm constantly realizing things about buildings and streets that this book helped me see -- things that make people feel at home, or feel "alive," in their surroundings, or conversely, things that make people uncomfortable. And the book makes me think differently about life because it showed me how our well-being depends so much upon the way our buildings fit, or don't fit, us as UNIQUE INDIVIDUALS.
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Meredith and Matthew were star-crossed lovers if there ever was a pair. Meredith Bancroft, the late-blooming daughter of a department store dynasty, meets and marries (for that oh, so timeless reason of being pregnant) Matthew Farrell, a young man from the wrong side of the tracks determined to conquer the business world. Due to circumstances beyond their control, the two divorce, with bitter feelings on both sides of the aisle.
Fast forward eleven years... Meredith is next in line to take over the family business and Matthew is swimming in billions. Unfortunately, with all that money, he can't find another city in the world to live it than Chicago, Meredith's hometown. After being thrown back into the societal soup together, Meredith discovers she and Matt are not legally divorced. Uh oh...
Matt and Meredith are McNaught's second most exciting couple, behing Whitney and Clayton. There was so much drama in this novel, toward the end I wasn't even sure the two would end up together. I should never have feared. McNaught, in a singularly brilliant plot-twist, brings the two back together, where you know they belong.
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Lloyd Alexander writes with a refreshing and unpretentious stye, neither speaking down to kids nor falling into any of the cliched storylines or dialogue of many writers of fantasy literature. Indeed, I believe many authors of modern adult fantasy would greatly benefit from studying Mr. Alexanders writing style.
I credit this series for the beginning of my 25+ years of affection for Celtic, Gaelic, and Welsh mythology and would strongly recommend this series for any lover, young and old, of fantasy and mythology.
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Like other great men, Solzhenitsyn's early life gave little indication of the monumental importance he would one day achieve. But one day, while serving as an officer in the Soviet army during WWII, something happened to our author that happened to so many others under the Soviet regime: Solzhenitsyn was arrested for insubordination, sentenced to eight years, and thrown into the gaping maw of the Gulag prison system. Unfortunately for the memory of the 'Great Father' (read Joey Stalin), this obscure army officer lived to tell the tale of all he saw and heard during his imprisonment. The result is the voluminous three volume series presented here in translation. 'The Gulag Archipelago' serves as both an indictment of the evil Soviet regime and as a memorial for the untold millions who died in the camps.
The overarching theme of this book is the process, from start to finish, of internment in the Gulag system. Starting with the dreaded 'knock in the middle of the night,' the author traces the nightmare of incarceration through the interrogation, the sentencing, the transportation to the prison camps, the grinding work conditions of the camps, and the eventual release into eternal exile or tentative freedom. Solzhenitsyn repeatedly delves into historical analysis, biography, journalism, philosophical musings, and literature to present his account. What emerges is page after page of heartrending suffering that is nearly incomprehensible to any sane human mind. The endless accounts of cruelty sicken the soul and should strike anyone who thinks communism is a great system of government deaf and dumb.
Volume one begins the harrowing odyssey into madness, outlining Solzhenitsyn's own arrest, the endless waves of people that fed the prison system, the interrogation procedures used to elicit false confessions to meaningless crimes, the dreaded Soviet criminal code containing the notorious 'Article 58' under which millions went to jail as political prisoners, the disintegration of the Soviet legal system to what basically amounted to a rubber stamp type of sentencing, and the transportation of prisoners via train to the eastern reaches of the Soviet empire.
Volume two deals mainly with camp life, with all of the trials and travails a person faced and how people struggled to survive. It is here we learn about Stalin's canal building projects and the thousands who died to fulfill the sick dreams of a ruthless sociopath. We see the horrible rations prisoners were forced to survive upon while having their ears filled with disgusting propaganda about how their work was important in helping to create the worker's paradise. The second volume also contains a history about how the gulag system emerged and how it spread, a discussion about loyal communists who so internalized the party belief system that they refused to believe Stalin sold them out, and chapters about the different types of people confined to the gulag (trusties, thieves, kids, women, and politicals).
Volume three focuses mostly on prisoner defiance of the terrible conditions in the prisons, discussing escape attempts (especially Georgi Tenno, a hero to the human race and indefatigable in his disobedience of the Soviet authorities), and outright prison revolts where the entire population of a prison banded together against the common evil. We then see Solzhenitsyn's release into exile and his ultimate 'rehabilitation' after the death of Stalin and the rise of Khrushchev and his 'moderate' reforms. The series ends with a call for more investigations into Soviet atrocities committed in the gulags.
No summary could completely outline the scope of this book; so enormous is the amount of detail held in these pages. The reader is tirelessly assailed with the names of those butchered under the hammer and sickle. Predictably, most of the blame for these murders falls on Comrade Stalin, author of the kulakization pogroms, the endless political purges, and the continuous sufferings inflicted on the various peoples under his control. Always referring to this beast in the most insolent and sarcastic tones imaginable, Solzhenitsyn rightly calls Stalin 'Satan.' Hitler was a mere schoolboy when held up to the unholy terror of the 'great' Dzhugashvili.
Still, one gets the sense of the majesty and power of the great Russian people in these accounts. Nothing will keep these people down for long. Everything the camps threw at these many of these wondrous creatures failed to break their spirit. They figured out how to lessen the back breaking labor of the camps, learned how to stay alive on rations barely fit for a dog, struggled to escape the chains that bound them to the death camps. Although the author laments the docility of those serving sentences, there are enough tales of bravery and defiance to warm the most cynical heart.
I highly recommend reading the unabridged version of 'The Gulag Archipelago.' There used to be an abridged version of some 900 pages floating around, but only the 2000-page edition brings home the full scope of the evils of communism. Accessibility is a problem, but stare into the eyes of Yelizaveta Yevgenyevna Anichkova on page 488 in the first volume and tell me her memory does not deserve an effort on your part to read every page of one of the most important books ever written.
Solzhenitsyn is a true hero of the 20th century. A military officer of the Soviet Union during WWII, he was imprisoned for writing a letter that included a joke about Stalin. During his time in prison he met numerous others who had been in different camps - different places and different types - and started piecing together in his mind the full scale of the vast Gulag enterprise which eventually consumed more of his contrymen than the total count of those of all countries who died in WWII. That the size and scope of this mass internment was kept virtually a secret to most of the world (and to most Russians)for so long is only part of the horror to which Solzhenitzyn is responding.
From his first book, A Day In The Life of Ivan Denisovitch, a small volumn about a single day in the life of a typical Gulag prisoner - smuggled out of Russia and published in the West - he has devoted his life to various tellings of his country's recent history. Most of it to do with the Gulag. This isn't pleasant stuff. It isn't tight fiction like Darkness At Noon. This is the real stuff with no prettifying. He feels that someone had to tell the truth. We owe it to him to listen.
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The tragic story of Bagoas' youth will hook you from the start, and he develops into an extremely interesting character... a classic Persian beauty, mutilated in his youth, bedmate to the King of Persia, who wants nothing more than love -- which he has never had. He has been used by many, but loved by none.
Enter Alexander the Great, at the head of a Greek army which vanquishes the Persians. Bagoas is sent to Alexander as a gift, and...
Enjoy the story. I will say no more. One of the best novels ever written -- Mary Renault was a genius.
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Although this novel is usually thought of as a story of revenge, it has an even deeper meaning than that. This story not only warns people who betray others, but it also promotes love, friendship, and most of all hope. When the Count of Monte Cristo comes back and seeks revenge, he also meets some friends on the way that move his heart. Some of his friends become poor and have a sad life because of his imprisonment long ago, but they still hope that he will return and they wait for him day by day. The count rewards them in a secret way, and shows how important it is to have hope in one's life even when there looks like no hope. So when you read this book, keep in mind that there is more to it than just vengeance.
This book is very pleasant and I finished it in a couple of sittings. It will definitely put you on the edge of your chair and you will hardly be able to put the book down. This book is for all kinds of people, but it is especially for people that think life is hopeless, because as this book will point out, nothing in life is ever hopeless.
More important than the plot of the story is that the reader will learn to love Edmond Dantes, the main character. They will admire his strength, his wits, his arrogance, and the way he learnes from his mistakes.
The reader will also learn to completely hate Danglars, Villefort, and Fernand. Every single horrible thing that happens to them, the reader will truly believe is justly deserved, even when Edmond believes it's too much.
The writing is also wonderful. The reader will practically be transported to France as they read this novel. The word choice is so magnificent and the sentences flow so well that the reader will feel every emotion that the characters do, and will probably even taste the sweet Parisian air in their mouths.
I first read the Signet Classic abridged version, and I thought this novel was great, but then I picked up the unabridged Modern Library version and enjoyed it even more. This book will change your life and I would highly suggest that everyone in the world read this book. Move over Shakespeare because you have just been dethrowned.
Any reader who enjoys tales of adventure and has a taste for historical novels will love this book. I thought the recent movie version was excellent too, but I highly recommend reading the book first.
Upon reporting to boot camp in San Diego, Sledge was introduced to his Drill Instructor with this eye-opening greeting: "If any of you idiots think you don't need to follow my orders, just step right out here and I'll beat your @ss right now. Your soul may belong to Jesus, but your @ss belongs to the Marines. You people are recruits. You're not Marines. You may not have what it takes to be Marines."
Fortunately, Sledge did indeed have what it took to be a Marine, and he has written WITH THE OLD BREED: AT PELELIU AND OKINAWA, an engaging personal chronicle of the horror of war as seen through the eyes of a young Marine grunt. Though this book is a personal account of historical events, it reads like a novel. Sledge is able to transform the course language of a salty Marine and the brutality of war into unembellished passages whose honesty have a lyrical beauty all their own:
"The situation was bad enough, but when the enemy artillery shells exploded in the area, the eruptions of soil and mud uncovered previously buried Japanese dead and scattered chunks of corpses. Like the area around our gun pits, the ridge was a stinking compost pile.
If a Marine slipped and slid down the back slope of the muddy ridge, he was apt to reach the bottom vomiting. I saw more than one man lose his footing and slip and slide all the way to the bottom only to stand up horror-stricken as he watched in disbelief while fat maggots tumbled out of his muddy dungaree pockets, cartridge belt, legging lacings, and the like. Then he and a buddy would shake or scrape them away with a piece of ammo box or a knife blade.
We didn't talk about such things. They were too horrible and obscene for even hardened veterans. The conditions taxed the toughest I knew almost to the point of screaming. Nor do authors normally write about such vileness; unless they have seen it with their own eyes, it is too preposterous to think that men could actually live and fight for days and nights under such terrible conditions and not be driven insane. But I saw much of it there on Okinawa and to the me the war was insanity."
WITH THE OLD BREED does not concern itself with a the strategic and tactical campaign of the Pacific Island hopping campaign. Rather, it is a a fascinating portrait of an sensitive young man's baptism under fire -- a first hand narrative of an ordinary young man's extraordinary bravery on a few remote Islands in the Pacific Ocean. No W.W.II library is complete without this book. Highly recommended.