Seeing the Dark Knight in black and white is what made me give this book 5 stars. The black and white artwork was awesome! I must admitt that the short stories were just average, however the artwork saved the short medicore stories.

Well worth the discounted price I paid for it from Bud Plant Comic Art. A solid 5 star read.

This hardcover collects the excellent 4-issue miniseries from DC Comics. Contains short stories (some serious, some not) by some of the best writers and artists around, plus covers, sketches, gallery, tipped-in plate by Jim Steranko, and a cover image by Jeff Jones. The covers are on art board stock, giving it a very unique appearance. Also includes work by Corben, Simonson, McKeever, Timm, Kristiansen, Toth, Windsor-Smith, Ross, Stelfreeze... that should be enough to get your attention! The only problem I had with it was the brief appearance of Lobo in the Gaiman/Bisley story - can't stand that character.

To read The Apache Diaries by Grenville (1907-40) and son Neil Goodwin is to enter a portal to another dimension. Through a dialogue of contemporary and historic diaries and related photographs, a vivid landscape haunted by blood, pain, fear, suffering, passion, and ancient enmities emerges. In this world all tales are entwined by tones of sorrow, loss, and a relentless quest for the understanding and peace of the dead. There is also fascination, pride, and great heroism. The plight of the Sierra Madre Apaches intrigues the youthful Grennie, destined to become a singular if short-lived ethnographer who partially chronicles their ambiguous fate. That unfinished life task is taken up by his son Neil in the research and writing of The Apache Diaries. In an effort to reach out and perhaps even touch the father who died when he was only two months old, the author recreates the journeys made by his father when he wrote the original diary entries in the 1930's. The Apache Diaries is, as intended, a dialogue built between Neil and Grennie in an exploration of the dual enigmas of the nature of the man himself and the mysterious fate of the Sierra Madre Apaches he studied. It is as though Neil, the son, hopes to uncover a mirror experience of both the true life essence of his father and the inconclusive, mysterious fate of the "wild" Sierra Madre Apaches. It is fitting that he is joined in his quest by his wife, son and his son's future wife. The Apache Diaries is a classic quest riddle, filled with real unquenchable anguish and courage mixed with evil and cowardice. It is bitterly poignant. True to life, it never resolves completely; but there is a partial lifting of the veil. The key to experiencing this strangely compelling, haunted world of the blood- feuding Mexicans' and Apaches' history is, perhaps, acceptance of the pain and wrong, the incredible wrenching anguish that is called forth again and again. But there is a second step that is as yet unfinished. One quickly learns to guess at an outline of forgiveness, perhaps ? a future resolution that still may loom yet several generations away. The deaths and the kidnappings are so brutal and vivid. Though Grenville Goodwin was a respected ethnographer and Neil Goodwin is an accomplished film-maker of Native American documentaries, the reader does not need to be fluent in either medium to appreciate the depth and complexity of The Apache Diaries. It resonates in the heart. It breaks the heart. Perhaps it remakes the heart, or the heart's vision. This is a profoundly moving book. Perhaps the book reflects the spirit of the crown dance of the Chiricahua, a holy ritual Neil witnesses in 1987 when he accompanies two grandsons of one of Geronimo's warriors on a commemorative visit to the location of Geronimo's near surrender to General Crook:

Later during that trip the Chiricahuas conducted their holiest of rituals, the spellbinding crown dance. It begins with an immense leaping bonfire. There is a line of drummers and chanters. Shockingly, out of the darkness, come the dancers. They circle the fire wearing masks with high, antlerlike crowns, short kilts, painted bodies, a thousand tiny bells, a sword in each hand - they reel, hover, sway, and as they do, they become the mountain gods. The assembled Apaches are witnessing the first crown dance held in these mountains for a very long time. It is at long last a dance for the peaceless dead, and it is overdue by a hundred years or more. (page 236)

Nancy Lorraine Reviewer

Birth of the Demon is possibly the greatest Ra's Al Ghul story of all time, and certainly the best post-crisis tale featuring him. Batman has discovered a way to use Ley lines to find out where Ra's will have to dig his Lazarus Pits, which are responsible for his prolonged life. This leads to an account of Al Ghul's history, his discovery of the Lazarus Pits, and how he became the man he is today. The inevitable confrontation between Ra's and Batman is spectacular. Denny O'Neil, one of our finest writers, agains demonstrates his complete mastery of the written word, and artist extraordinaire Norm Breyfogle provides the breathtaking painted art. This is a magnificent tale; if you're a Batman fan, it's required reading.

I looked up this book to judge Oneil's take on the Dark Knight & to read a rare team-up involving two of my favourite heroes, Batman & the Green Arrow. Both crusaders share the fact that they have no super powers but rely on wits & detective work to solve their mysteries...

The story respects that. The plot is coherent & the atmosphere is deadly serious & the characters are well drawn. You feel that Green Arrow has more to say to his dark friend but your desire for the stars to interact is left unfullfilled.

That was a good read, all in all, and could serve a primer for those two fine characters to meet up again & defy evil. Whether you get the full comraderie thing out of it is not certain...but the ending is dark & well deserved.

Here's for seeing them together again...