Being of Irish descent, I am very particular about hearing Irish stories in recorded form. There are some really good editions out nowadays. But this one is the best. I knew I was in the presence of greatness when I beheld the wonderful packaging, and it just got better the longer I listened to these truly wonderful stories. My favorite is one I've read many times, by Joyce, entitlled "The Boarding House." Here it is transformed into something that is difficult to describe and thrilling to experience. The narrator, who must be Irish, has perfectly deciphered Joyce's intent. He has also given us some of the very finest renditions of Irish stories I have ever encountered. "The Weaver's Grave" comes to life as if by magic. There is wonderful music here and very lifelike sound effects that are very skillfully and gently woven into the fabric of these great works. It is such a pleasure to listen to these recordings, you will be listening over and over again, as I have.

Perhaps I'm being too cruel. This was a "Nice" book. Ms Goldsmith has thoughtfuly considered the activity which gives her the most joy in life: emotionally, philisophically and even technically (from a layman's point-of-view). I felt as if I was reading her diary...that the diary had been written with me peering over her shoulder. I was very uncomfortable with that--as if she was waiting for my acknowlegement or approval.
The subtitle speaks of 'Music and the Passionate Life', but Ms Goldsmith's writing implies that she's seeking little more than comfort in life. Ho-hum.
Exploration of human experience or gooey sentiment? I prefer mine dry, I suppose. Make me laugh, make me cry, just don't expect for me to sit still when you rattle on....

I believe I have found a kindred spirit in Joan and in this book. Each chapter is dedicated to an aspect of music that she then relates to "life." My favorite chapter was the chapter about friends. She writes about the everchanging relationships that we have with people we call "friends." I appreciated this chapter because, having just graduated from college, keeping in touch with all my college friends seems a bit daunting. I feel like Joan affirmed my various feelings towards my friends (who I want to stay in touch with, who I think will stay in touch with me) and made me realize that it is ok to let go and not be as close as you once were. I, too, appreciated her advice on mistakes, relating it to wrong notes. It helped me put aside my first big "mistake" from my current job. Her book has given me great ideas of how I can live my life to its fullest, and I intend on doing so!

My typical reaction in situations when I didn't succeed, when I made mistakes, was to run away. I would stop doing the activity (change jobs, refuse to play softball again, etc.) Thus, I used to hide and pretend that I knew what I was doing in choir rehersal. But I came to realize that I couldn't sing out if I was afraid of making a mistake. And the best way to do that is to not hide my mistakes, but to try to learn from them, asking questions. That the point about rehersing is to practice - and that making mistakes is part of that (and part of life). Joan Oliver Goldsmith has been there, and has learned to learn from her mistakes. Reading her book helped me learn from mine.

I have to read She Stoops to Conquer for school and it is absolutly terrible. For a play that is supposed to be funny and one of the most comical plays of its time, I find it completly boring. I am not discriminating against the "classics", as I have read many which I have highly enjoyed, but reading this play is a waste of time.

This play is a rollicking satire on the British caste system of that era, seen through the mischief, mayhem, and mistaken identities of this work. Almost a must-read!

This play is a delightful satire about mischief, mishaps, and mistaken identities that throws a quirky but revealing light upon the British caste system of that era. This is a great work, and almost a must-read.

The Vicar of Wakefield is a good book that shows how a family overcomes one harship after another. It is funny and at times very witty. Even though the language is a bit old fashioned, the book is still fun to read.

In the Bible, Job is a wealthy and happy man who is put to test by God, in order to settle a bet with the Devil. Primrose, the vicar of Wakefield, seems to suffer the same fate: first, he loses all his money; then, a man seduces his daughter and all manners of trouble set upon he and his family. But the man will never surrender. His undestructible good humor and wit, his reliance on philosophy and religion, allow him to endure all kinds of calamities, until the happy end. This is not a moralizaing book: it is pure, intelligent fun, with a message not lectured to us, but insinuated. This novel deserves to be put out of the infamous "classic" shelf (the one that condemns masterpieces of art to become "boring" for lazy readers) and into the public. It's very much worth it.

Oliver Goldsmith's 1766 novel, "The Vicar of Wakefield" offers the trials and tribulations of Primrose, an ecclesiastic living in the English countryside. Primrose is content in his life, with a faithful wife, and lovely, if somewhat distracted children. Hearing that his banker has gotten into trouble and fled the country, Primrose and his family begin a series of adventures which test the strength of Primrose's convictions.

Among the issues which Goldsmith addresses in the novel are social ambition in a rigid class system, the drawbacks and benefits of a relatively liberal household, and the admittedly imperfect nature of the British legal system. Sprinkled throughout the novel are various discourses on the notion of liberty, the primacy of the monarchy, and a wealth of interesting references to British imperialism and colonial slavery.

Regarding the class system, Primrose seems throughout the novel, to eschew the idea that social or economic mobility is possible, or even desirable. He posits, in a way that follows Aristotle and Edmund Burke, that people are fit for certain stations by their very nature; and that such social partitioning is right and should be maintained. Primrose also appears as a latter day Horace, championing the virtues of simple, rustic life. This pastoral life is directly associated in the novel with the laboring classes, who, not without faults themselves, manage to avoid the intrigues and excesses of the consistently vilified city folk.

Goldsmith's writing style is fast-paced, with clear, direct language, wonderfully rendered characters, and a surprising number of plot twists for so short a work. Primrose and his eldest son George are the two finest characters in the novel. Both exhibit a picaresque tendency to wander and interact - Primrose with the intellectual/philosophical elements, and George with the material/experiential elements in the world. This is altogether a wonderful, spirited novel, and Stephen Coote's introduction to this Penguin edition is excellent in its explication of the novel's major themes and concerns.

This book is an indispensable resource for anyone reading Goldsmith's "The Traveler". It explains in full detail the structure of the poem, including explanations about the meter, lines, meaning, and a full analysis. It's great!

The book was filled with an up-to-date plot. The story didn't move too fast or too slow. I enjoyed it though, it's a "must buy"!

I bought this book 2 years ago and I have not read the whole thing yet. The story is bland and uninteresting at best. It is a not buy.