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Because of my interest in the mythology that developed around the cowboy, I found the chapters on Frederic Remington, Charley Russell, and Buffalo Bill Cody especially absorbing. Magazine illustrators who further developed imagery of the "wild west" are represented here in discussions of N. C. Wyeth and Maynard Dixon.
On a parallel track, the authors give a chapter to the early silent Westerns, highlighting the careers and contributions of Tom Mix and William S. Hart (a precursor of Clint Eastwood). Another chapter is devoted to the Hollywood Western during the sound era noting similarities between Remington's imagery and that of director John Ford. There's also a discussion of the evolution of western movie themes from "The Virginian" (1929) to "The Ballad of Cable Hogue" (1969).
This book is a rewarding study of the American West as its visual artists inspired the imaginations of people around the world. Definitely worth having.
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Sam Camberlain was a 16 year old private from Boston who served in the elite 1st US Dragoons in Mexico and gives vivid descriptions and paintings of Saltillo, Monterrey, and Northern Mexico. For those interested the Mexican War, this is a "must read" book and has been used by historians as a primary source for years, but his paintings are also a treat for the scholar as photography was in its infancy during this period and lithographs were often made using the artist's imagination. Camberlain captures many scenes which have escaped photographers and those who made lithographs, including the massacre of Mexican civilians by Arkansas troops in a cave in Northern Mexico. Although he was not at the savage fighting during the capture of Monterrey, his flavorful paintings of aspects of the fighting were based on accounts he said he heard from those who were there.
Truth or Tall Tale? Read this book and you be the judge.
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