Kafka has to be the one of the most influential writers of the century, not just for his ability to capture the alienation and unreality of much of modern life but because his vision, which is simultaneously totally bizarre and strangely moving, freed writers to try more and more daring ways of expressing themselves. After all, if one can write a moving story about a man who wakes one morning to discover that he has been turned into a huge cockroach, what can't the writer do?

The impression left by these stories is all the more interesting when one realizes that Kafka wasn't a starving, drug or drink demented artist, but a minor clerk in a German insurance firm. A dull and orderly life. Of course, if you've ever worked for an insurance company Kafka's sense of unreality and alienation might seem natural.

These are unique and wonderful concoctions. Anyone who wonders what 'Kafkaesque' really means should take a peek into his world. These stories are the best place to start. Then on to The Trial for the full, gruely experience. Wonderfully horrible.

Kafka can be a difficult figure to approach for some. His presence looms for some readers as foreboding as that strange unapproachable structure in The Castle looms for the character in that book. One way to get around this is to learn a little about Kafka's own life, especially his relationship with his father. And also to learn that his economical & concise way with language he learned as a student of law and his fascination to the point of paranoia with bureaucracies of various kinds he may have picked up in his career as an office worker in an insurance company. Kafka may never become all together human to some readers. To those who share his particular temperament, however, he will seem very human and become a favorite though a kind of quiet one that lurks in the fringes of your bookcase. These stories are a great introduction. Though they are all prose works in some cases they seem to possess qualities more often seen in parables than in twentieth-century prose ie: use of symbols & layers of possible meanings being more evocative(though sparse) than specific. His work is certainly pessimistic, his landscapes are oblique, and chances are you will have your own way of looking at Kafka the more you read(and there are a vast array of ways to interpret his work). One interesting reader, Jean Paul Sartre, characterized Kafka's work as "the impossibility of transcendence". His exaggerated worlds(Swift was one of his own favorite authors) do provide interesting glimpses into that very often written about terrain alienation but few have ever delved into it so deeply. After Kafka you may be lead down one of the more interesting paths in the history of literature which includes Nabokov, Borges, Cortazar, Calvino and many many others.

It's hard to fit a review of any of Kafka's work in such a short space, but especially a review of his short fiction (or rather parables, which is more what they are). He was a master of the short story, the likes of which we have seldom seen before or since. This volume contains most of his short stories, those that aren't included here are included elsewhere, where they are more fitting (such as "The Stoker" as the first chapter of Amerika). Kafka's short story "The Metamorphosis" is possibly the best short story ever written. It is certainly the most well known. But I'd like to draw your attention to a few other stories by him--examples of what makes Kafka great: "Before the Law", "In the Penal Colony", "A Country Doctor", "A Report to an Academy", "A Hunger Artist", "The Burrow", "Josephine the Singer, or the Mouse Folk", and "Jackals and Arabs." Read this book.