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Piper relates missions to the supremacy of God by insisting that missions is not the chief end of the church, worship is. Missions exists because worship doesn't. Worship therefore is the goal of missions. But even more than that, the impetus behind true missionary zeal is a heart that is satisfied in the glory of God above all things. Therefore, worship is also the fuel of missions.
Then Piper shows the key role that prayer plays in missionary effort. Prayer is a wartime walkie-talkie given by our Commander-in-Chief so that we can call Him for air cover when we are on the frontlines of the battle. The problem with most of us is that we have turned this wartime walkie-talkie into a domestic intercom by asking for more worldy comforts instead of help for Kingdom work.
A third chapter (in part one) shows the role that suffering plays in missions by expositing texts like Col. 1:24. This is a powerful and insightful section that will inspire and encourage you - as well as make you count the cost of following Jesus down the hard road of love.
The second part of the book deals with theological issues that are essential to a Biblical understanding of missions, such as the eternality of hell, the necessity of the atonement, and the necessity of faith in Christ for salvation. This book is a Calvinistic call to missions that exceeds anything I have ever read elsewhere! I recommend it heartily!
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The annecdotes & observations of the people who lived & worked with him that are found in this book show that he was able to do so much, physically, & emotionally with the characters he played.
You come away with a better sense of why you cheered, laughed, & cried under the spell of his performances. Whether you agreed or disagreed with the actions of his character, you still cared for him & cared about what happened to him
His friends, family, & co-workers loved & admired him & it shows very clearly in this wonderful book.
Sure, he drank, & smoked, & was a staunch anti-commie, but he was also a loyal, funny, kind & gentle family man who worked hard to perfect his craft & cared about his co-workers.
Read this book & understand.
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It's also well-worth the time for the use of political cartoons from throughout the years. Batchelor uses these wonderful treasures effectively, providing not only appropriate art but a study of the art of political cartooning and how it has changed over the past 150 years.
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The translation is goofy. No doubt jocular or slang terms for any manner of things sound just fine in the Russian, but using slang for the same word in English often sounds risible. Thus food is usually referred to as "grub," clothes as "duds," and so on.
Then there are the downright errors. Polish names for example are grossly misspelled; names of major streets in Warsaw are chewed up and spit out as names for non-existent neighborhoods.
Stalin and Beria were bad men and their purges were terrible events. That doesn't mean you've got to write bad books about them.
The interesting, but unrealistic, fact that the extended Gradov family was personally involved in every significant historical happening of this period will provide the casual reader with an insight into the times, but it merely whets the appetite of those desiring a complete picture. To cite examples: - father Dr. Boris resolves the well-known crisis of Stalin's "constipation"; - daughter Nina participates in pro-Trotsky, anti-Stalinist demonstrations when Stalin was consolidating his power (but, curiously, never is arrested for this); - son Kirill, the doctrinaire Marxist, is arrested and sent to the gulag during the Terror; - son Nikita rises in the military, is arrested during the purge of the military, and then is rehabilitated during World War II and rises to become a Marshall of the Army; - nephew Nuygar, a Georgian thug, becomes a Major General and right-hand man to Lavrenty Beria, the head of what has become the KGB; - son Kirill and daughter-in-law Celia first meet in rural Russia during the de-kulakization of the countryside; - adopted grandson Mitya is drafted into the Soviet Army, is captured by the Germans, and joins the Russian Army of Liberation to assist the Nazis in their attack on Russia; - daughter-in-law Veronika emigrates to the United States; - etc., etc., etc.
As such, then, there is no real plot as we would normally think of a fictional plot, but rather a set of seemingly unrelated vignettes revolving around the history of Russia which become related only because of the omipotent Gradov family and their incredible impact upon Russia's history.
Mr. Aksyonov periodically resorts to a "cutsy" technique of interjecting into the text parenthetical sentences to seque into the vignettes, such as "How did it happen that Mitya Sapunov, who in July 1943 had joined the Dnepr partisan detachment, again found himself in a group of "traitors to the Motherland".....? This technique appears to be necessary because the vignettes are rather unrelated, except for the family connections.
Mr. Aksyonov also periodically includes anthropomorphic "Intermissions" where various things such as the Gradov family dog, a squirrel, and an oak tree provide us with, so Mr. Aksyonov must believe, some intellectual insight into something. These Intermissions add nothing whatsoever to the novel. Perhaps, as another Amazon reviewer noted, these are a holdover from Mr. Aksynovov's attempts in the past to confuse the Russian censors who might actually read them and try to determine what is being said.
All-in-all, "Generations of Winter" left this reader interested in the Gradov family and wanting to read the follow-on novel "The Winter's Hero" depicting the end of the Stalinist era to see if anything really positive could happen to the family during that time. However, readers will be left with an empty feeling if they are looking for a sweeping view of Russia during the Stalinist period. Each of the vignettes of history depicted in this novel deserve a separate detailed study.
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