Leave this book where your guests can pick it up and plop down on the sofa while you fix drinks, snacks or whatever. Its written in non-technical language for ages 10 to 100. Every person I've encountered gets pulled right into it in about 30 seconds. It is a universal interest grabber.

Three pages into the book, there's the Contents page listing 31 essays on the whole spectrum of NORMAL human behavior. The essays are 4 to 10 pages long with evocative color pictures of normal people being, well... human.

The full spectrum of human behavior is covered. Who could resist essays like, 4. Using Body Language; 8. Making Eye Contact; 16. Why Relationships Matter; 25. Finding a Partner; 28. Enjoying a Sexual Relationship; and 30. Breaking Up.

There's an Appendix titled How Psychology Works: two pages of fascinating reading on how the scientific method is applied to understanding human behavior. This is followed by references to Further Reading for each of the essays. And, of course, an Index.

Highly recommended for any human being who expects to encounter other human beings.

This is a very good book. It makes extensive use of pictures to explain the non-verbal communication of people. It is also a cross cultural refrence, though most of the emphisis is on the English people.

Eye to Eye is about how humans interact, replete with excellent glossy photos and an engaging text. Its one of those books you can open on any page and just start reading...

Despite the criticisms levelled at Trollope for his "authorial intrusions" (see Henry James for example) this novel is always a pleasure to read. The characters take precedence over the plot, as in any Trollopian fiction and this is what makes a novel like BARCHESTER more palatable to the modern reader, as compared to any of Dickens's. Some readers may find the ecclesiastical terms confusing at first but with a little help (see the Penguin introduction for example), all becomes clear. What is important, however, is the interaction between the all-too-human characters and in this novel there are plenty of situations to keep you, the reader, amused.

Do yourself a favour and take a trip back into Nineteenth century where technology is just a blink in everyone's eye. What you will discover, however, is that human beings have not really changed, just the conventions have.

I rushed home every day after work to read a little more of this Trollope comedy. The book starts out with the death of a bishop during a change in political power. The new bishop is a puppet to his wife Mrs. Proudie and her protégé Mr. Slope. Along the way we meet outrageous clergymen, a seductive invalid from Italy, and a whole host of delightfully ridiculous characters. Trollope has designed most of these characters to be "over the top". I kept wondering what a film version starring the Monty Python characters would look like. He wrote an equivalent of a soap opera, only it doesn't take place at the "hospital", it takes place with the bishops. Some of the characters you love, some of the characters you hate, and then there are those you love to hate. Trollope speaks to the reader throughout the novel using the mimetic voice, so we feel like we are at a cocktail party and these 19th century characters are our friends (or at least the people we're avoiding at the party!). The themes and characters are timeless. The book deals with power, especially power struggles between the sexes. We encounter greed, love, desperation, seductive sirens, and generosity. Like many books of this time period however, the modern reader has to give it a chance. No one is murdered on the first page, and it takes quite a few chapters for the action to pick up. But pick up it does by page 70, and accelerates into a raucously funny novel from there. Although I didn't read the Warden, I didn't feel lost and I'm curious to read the rest of this series after finishing this book. Enjoy!

This is the second of the six Barsetshire novels, and the first great novel in that series. THE WARDEN, while pleasant, primarily serves as a prequel to this novel. To be honest, if Trollope had not gone on to write BARCHESTER TOWERS, there would not be any real reason to read THE WARDEN. But because it introduces us to characters and situations that are crucial to BARCHESTER TOWERS, one really ought to have read THE WARDEN before reading this novel.

Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.

So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.

There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.

Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.

First of all, I too am a student forced to read this book for a Freshman Honors English class, and I fail to see how many people can call this book a waste of time. Sure, I know the language is a bit of a challenge, but that's what a dictionary is for!

Anyway, I haven't yet finished the book (I still have a long way to go,) for I'm only on chapter 13, but I had to chime in and counterattack what all of the rest of the whiney students have said. So far, the way Dickens portrays his characters (by means of language, description, and dialogue) seems ultimately realistic (it should be, considering it was written in the 1830's) and there are many things throughout the book one has to come to love: Pip's almighty guilty conscience, the friendship bond between Pip and Joe, etc.

I can't sum up everything, for as I've said, I'm not finished yet, but for those of you who are being forced to read it, read it with an open mind. One of the reasons why I understand this book and find it a good read may be due to the fact that our class discusses the book as a whole, AND we have vocab sets weekly to help enrich what we read.

What can I say that hasn't been said already? "Great Expectations" is a tremendous novel from the introductory paragraph to the final sentences. The plot is deep and intricate, and there's even a surprising plot revelation occuring late in the book about the origin of Pip's wealth and opportunity in life. The characters are all well-defined and inherently interesting, and such major characters as Pip, Estella, Joe, Miss Havisham, and others vividly live in the mind. Even minor characters such as Mrs. Joe and the Aged Person are memorable and amusing. The novel's storyline, beginning with Pip's early childhood and ending in his late middle age, is epic in breadth. "Great Expectations" treats the reader to a delightful plot and scene for all of its five hundred pages.

Even better, however, is the brilliant prose Dickens gives us in the novel. It is humorous, moving, touching, witty, clever, and always perfectly phrased. Never for a single second does the reader feel bored. Like many great works of literature, there are plenty of moments where the writing is almost awe-inspiring in its beauty and language. With a talent as great as Dickens, one could write about almost anything and it would be tremendous reading. When paired with the brilliant plot of "Great Expectations," it feels almost heaven-sent.

Many readers see the term "classic" on a novel and feel that it becomes a type of chore, and add it to a laundry list of literature that somebody felt would be good for them. "Great Expectations" is a classic, but it's not at all the literary equivalent of medicine. It's a delightful treat, and a quick read despite its length. I can't imagine reading this and not treasuring it. It is, quite simply, fantastic.

I've never read any Dickens of my own free will. I was forced to read "A Tale of Two Cities" in high school and I thought that was enough for me. However, one day, on a whim, I bought a copy of Great Expectations. I'm not sure what I expected, but I certainly didn't expect to love it as much as I did.

Dickens is not a writer to read at a swift pace. Indeed, this novel was written in weekly episodes from December 1860 to August 1861 and, as it was created to be a serial, each installment is full of varied characters, great descriptions and a lot of action which moves the plot along and leaves the reader yearning for more. Therefore, unlike some books which are easily forgotten if I put them down for a few days, Great Expectations seemed to stick around, absorbing my thoughts in a way that I looked forward to picking it up again. It took me more than a month to read and I savored every morsel.

Basically the story is of the self-development of Pip, an orphan boy being raised by his sister and her blacksmith husband in the marshlands of England in 1820.

Every one of the characters were so deeply developed that I felt I was personally acquainted with each one of them. There was Pip's roommate, Herbert Pocket, the lawyer, Mr. Jaggers, and his clerk, Mr. Wemmick. And then there was the wicked Orlick. The dialogues were wonderful. The characters often didn't actually say what they meant but spoke in a way that even though the words might be obtuse, there was no mistaking their meaning. I found myself smiling at all these verbal contortions.

Dickens' work is richly detailed and he explores the nuances of human behavior. I enjoyed wallowing in the long sentences and letting myself travel backwards in time to a different world. However, even with the footnotes, I found myself sometimes confused by the British slang of 150 years ago, and there were several passages I had to read over several times in order to get the true meaning. Of course I was not in a particular rush. I didn't have to make a report to a class or take a exam about the book. This is certainly a pleasure.

I heartily recommend this book to anyone who enjoys a good read.ting from the secret wealth of Magwitch, who made a fortune in Australia after being transported. Moreover, Magwitch's unlawful return to England puts him and Pip in danger. Meanwhile, Estella has married another, a horrible man who Pip despises. Eventually, with Magwitch's recapture and death in prison and with his fortune gone, Pip ends up in debtors prison, but Joe redeems his debts and brings him home. Pip realizes that Magwitch was a more devoted friend to him than he ever was to Joe and with this realization Pip becomes, finally, a whole and decent human being.

Originally, Dickens wrote a conclusion that made it clear that Pip and Estella will never be together, that Estella is finally too devoid of heart to love. But at the urging of others, he changed the ending and left it more open ended, with the possibility that Estella too has learned and grown from her experiences and her wretched marriages.

This is the work of a mature novelist at the height of his powers. It has everything you could ask for in a novel: central characters who actually change and grow over the course of the story, becoming better people in the end; a plot laden with mystery and irony; amusing secondary characters; you name it, it's in here. I would rank it with A Tale of Two Cities, Oliver Twist and David Copperfield among the very best novels of the worlds greatest novelist.

GRADE: A+

This is the first book in Trollope's 6 part Barchester series. While the subject matter, the intrigues surrounding clerical life in a fictional English cathedral town, might put you off, don't let it. Trollope wrote fantastic characters. While it's sequel, Barchester Towers, is even better, this is an excellent short introduction both to the series and to Trollope's writing as a whole. (Incidentally, the BBC TV series `Barchester Chronicles' is a really good adaptation of both `The Warden' and `Barchester Towers'.)

This is a simple, short novel dealing with the ethical dilemma of a virtuous man. The Reverend Harding is the warden of a small home providing quarters for 12 retired, indigent workers. The facility is provided for by a trust set up by its founder over two hundred years ago. Income off the land provides revenue for the maintenance of the home and a living for the warden.. The warden has traditionally been the benefactor of this income which has increased over the years. The Rev. Harding is a gentle, honest man who has never given thought to his 800 pound annual revenue until a young reformer files suit, claiming the intent of the will is being violated. Harding thinks about the matter and is inclined to resign. The Bishop and Archdeacon argue that he is entitled to the income.

This book certainly would be a good one for a book club read and discussion. The reformer, the lawyers, the church hierarchy and Reverend Harding all have their views on the matter. Author Trollope does not really pass final judgment on his characters; none of them are cast in black and white terms. In fact Trollope makes the unusual move of bringing a criticism of both the press and Charles Dickens into the novel. The press makes strident value judgments about issues without bothering itself with all the facts or considering the effect their articles will have on the people involved; Charles Dickens treats people as being all good or all bad. Indeed, I found myself arguing with myself for several days after reading The Warden. What should the Rev. Harding done? Was the issue shrouded in shades of gray, or was it clear cut one way or the other?

Many critics consider this to be one of Trollope's lesser works, yet to me it is a very interesting, valuable presentation of an ethical dilemma. And for readers who are reluctant to pick up Victorian novels because of their common 700+ page lengths, this is a little gem at less than 300 pages. Criticism? Well I did a bit of eye-rolling during some of the melodramatic passages. All and all, though, this is an excellent read. From an historical standpoint there was considerable attention being paid to clergy income during this period in England. Trollope's tale was very timely in this regard.

One final note. There are many outstanding Victorian novels that I would give a five star rating to. This book doesn't quite fit into that hall of fame so I have given it just 4 stars, which shouldn't be interpreted as a slight to Mr. Trollope or The Warden.

I first read Anthony Trollope's book "The Warden" in 1995 at the age of 54; three years later I had finished all forty-seven Trollope novels, his autobiography, and most of his short stories. "The Warden" provides a necessary introduction to the Barsetshire Novels, which, in turn, provide a marvelous introduction to rural Victorian society, and its religious, political, and social underpinnings. However, "The Warden" is a small literary masterpiece of its own, even though the more popular "Barchester Towers" tends to obscure it. "The Warden" moves slowly, of course, but so did Victorian England; soon the reader is enveloped in a rich world of brilliantly created characters: in the moral dilemma of a charming and innocent man, Reverend Septimus Harding, who is probably the most beloved of all Trollope's characters; in the connivings of Archdeacon Grantly, who will become a significant force in the later Barsetshire novels; in Eleanor, an example of the perfect Victorian woman, a type that appears in many of Trollope's subsequent novels; and in the sanctimonious meddling of John Bold, whose crusade for fairness throws the town into turmoil. In modern terminology, "The Warden" is a "good read" for those readers with patience, a love of 19th century England, and an appreciation of literary style. Trollope's sentences have a truly musical cadence. "The Warden" was Trollope's fourth novel and his first truly successful one. It provides a strong introduction to the other five novels of the Barsetshire series, where the reader will meet a group of fascinating characters, including the Mrs. Proudie (one of Trollope's finest creations), the Reverend Obadiah Slope, and the Grantly family. The reader will soon find that Trollope's well-developed characters soon become "friends," and that the small cathedral town of Barchester becomes a very familiar and fascinating world in itself. It is a wonderful trip through these six novels. (I read all six in about three weeks.) But one must begin with "The Warden." Brew a cup of tea, toast a scone on a quiet evening, and begin the wonderful voyage through Trollope's charming Barchester. When you have finished the six novels, you may, like me, want to commence reading the Palliser series (another six novels) and follow Plantagenet and Glencora Palliser through their triumphs and travails! However, that remains another story.