List price: $27.95 (that's 30% off!)
To put it another way, I have not met a piano salesperson or dealer who had anything really bad to say about any piece in his or her inventory. Tone quality is something you can distinguish after hearing a few good pianos, but the actual quality of the instrument and how it will hold up over time is known only by those who regulary service them in the field. This is good to know, especially with so many asian-made pianos of questionable quality floating around on the used market.
If you're looking for an entry-level practice piano or a full 9' concert grand, this book will help you cut through all the manufacturers' and dealer hype.
Fine's knowledge of the instrument is great.
To me, the most valuable part of Larry Fine's book is the information on new pianos (although he supplies lavish information on piano mechanics,used pianos, piano care, and piano shopping as well as the information on new pianos). His book is unique in its effort to describe and explain the different brands and what sets them apart from each other. While the first three editions were all packed with useful information, the fourth edition adds an informal (but enlightening) rating system that ranks the new piano brands. This new rating system represents an extraordinary effort at an unbiased review of the different new brands, and it provides an extremely useful comparison among brands.
The rating system breaks new pianos down into general categories, providing a basis for the reader to use in comparing pianos within categories as well as between categories. Within each broad category, the rating system ranks the various brands. While many of the brands end up with similar ratings, this highly useful fact in itself provides the reader with enough knowledge for an educated evaluation of claims made by dealers in rival brands. The dealers should note: as Larry Fine points out, it is poor selling technique to try to sell pianos by criticizing the competition! Larry Fine's rating system highlights the unwisdom of this critical approach.
Educated by Larry Fine, a piano shopper will have a much more enjoyable experience than he or she might otherwise have had. You may agree with what he says, or disagree with it. You may find an individual piano that transcends the category into which the average piano of that brand seems to fall, or one which does the opposite. But at least you will be in a position of greater knowledge when you shop. Moreover, the book is well written and fun to read. A truly remarkable collection of attributes!
Fickett does a superb job in giving us a biographical view of her life and a detailed analysis of her works. He does a thorough exploration of her work through a Christian lens. Through his meticulous care, Fickett brings out the symbolism, concept of Grace, redemption and salvation that is found throughout her work. He looks at her life and shows how her religious faith as a Catholic served as the impetus for her work.
O'Connor's mission was for readers to see the grotesque and ugly that we in our fallen state share. The ugliness of our human condition is not the final answer for through her work we are shown how God's grace permeates even the darkest hearts.
Douglas Gilbert's black and white pictures of the south and its relationship to O'Connor's work is a compliment to the text. You can feel the soul of the southerner. You can see the human and natural devastation of man through these moving pictures. The two men have done a splendid job in presenting a critique of O'Connor through a Christian perspective.
My only criticism of the work is that Fickett overstates his case of O'Connor's Christian vision. He sees Christian themes in every detail of her works to the point where you become lost in attempting to focus on the main theme that she is trying to get across.
This is an excellent book for Christian writers and readers who can gain a greater appreciation for O'Connor through the author's analysis and the photographer's pictures. It is also a good work to have in your library for those who have studied O'Connor's works but have failed to consider her Christian perspective.