Before I bought "Exploring Medical Language" I knew absolutely nothing, and I mean nothing about Medical Terminology.
And to tell you the truth, when I first opened this huge, intimidating, monster of a book, It scared... me... I mean, wouldn't "rhabdomyosarcoma" or "esophagogastroduodenoscopy"
frighten you (just a bit) I thought, nooooo way.

But I opened it, read it, did the cool excersises, listen the the audio tapes, played a bit with the CD-R.

She begins at the beginning.....Little baby steps.

All of a sudden... I was like, I get it! I really get it!
Not only that, but I was beginning to enjoy it.

The prefix, suffix, and word roots suddenely become beautiful, flowing words that make sense.
Myrna LaFleur Brooks made this book come alive, interesting, and allowed medical language to become a little bit like music.
Well, a little!!!! Thanx for the "A" Myrna!

I'm currently using this book as a supplemental text for my paramedic training. We've just finished cardiology, and I couldn't have done it without this text. I already owned Phalen, Dubin, and Huff; all are good, but the Huszar text is now the one I go to first when I have a question about ECG's. There are a multitude of practical illustrations, tables, and review questions. Best of all is the 200-and-some strips for practice in the appendix. Highly recommend!!

This concise book contains the "pearls" of power thoughts for those who believe in possibility thinking. A great gift for someone who needs a lift! A wonderfully done work!

Several times I was tempted to drop this book of poetry - the poems are well crafted and build on a dark, grimy side of the steel industry. Nothing about them set them apart from the general heap of grimy, lyrical, contemporary poetry. Nothing made them universal.

However, the last section of the book breaks forth with several excellent poems - the title poem "The Origins of Evening" is an exploration of death written for the author's uncle. "The Closet" is a delightful piece of letting one's life trap you ...

If your background resonates with the Pittsburgh steel mill environment, some of the earlier poems may speak to you. But most of the final poems should speak to any lover of contemporary poetry.

This book of poetry has a strong imagery and narrative, telling the stories of Pittsburgh and its depths. However, don't let Pittsburgh be misleading to the true themes: memory and darkness. The poems are honest, with a precise and not-too-wordy language that would block their strength. An example in "Home" from "A Connection to the Dark." "And in a voice hard as her fingers/ says 'Your dinner's in the oven/ getting cold.' Home is where/ Such scenes seemed to linger,/ Where you lost the first fears/ Of dying or being orphaned." I recommend this book to people who are starting to explore Contemporary American poetry, or people who are in the kingdom. I've read this book three times and from it at Open-Mic nights; it didn't win the National Poetry Series award for nothing (as the catch phrase goes). Its strengths go beyond their words and are as elusive as night.