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Although this book is unfortuantely out of print now, if you love the Disney parks, this is the book for you.
The book (in true Disney fashion) is overwhelmingly positive, but it doesn't leave out interesting stories from the formative early years. For example, you can read about the opening day disaster (fondly remembered as "Black Sunday"), when twice the projected number of people got in. Or how, one day shortly after the park opened, a gas leak threatened to blow up Sleeping Beauty castle while reporters watched.
Most importantly, the book takes great care to introduce to us the people that were instrumental in designing the park. Practically, all of the attractions, new and those that are long gone are described, and fondly remembered.
Lastly, this book is simply the best collection of archival photographs that I have.
Good Luck in finding a copy.
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-Ken G.
Having laid that foundation, the development of Disney theme parks is presented with amazing attention to detail. David Mumford and Randy Webster have taken in-depth research and image selection to new heights. Every graphic and illustration makes a strong contribution in documenting the role of Walt Disney Imagineering in expanding Disney's reach to the far corners of the globe.
I was just in awe at the book, I expected many pages of text, but I can't remember a full page of text in this huge book. It's full of illustrations and pictures that really make you feel like you're one of the Imagineers checking out ideas for the parks.
For anyone who likes Disney, or really anyone who enjoys design, art, architecture, etc.; or just needs a good coffee table book, this book is stupendous, and you get a deal here on Amazon. ...
I hope they come out with another book.
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Since he maintains Disney Archives, Dave Smith could have done a litle better, like he did with Disney's Encyclopedia.
I appreciated the organization of the book. The book is arranged chronologically, which helped me to understand the flow of events better. This book has a very upbeat, positive tone and paints a very bright and exciting future for the Disney Company.
This book does not contain nearly as much information about Walt Disney as some of the biographies that I have read, but I don't think that was the goal of this book. This book does a very nice job of chronicling the art and the work of this great American icon and then continues the chronology with the work of the Disney Company in the post Walt era.
This book starts with very early Disney and takes the reader all the way through to Fantasia 2000. This is an excellent coffee table book. I highly recommended it to anyone that loves Walt, his work and the continuing work of the Disney Company.
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So why is Disney flat-lining? Well, this is off the book, but if Michael and the gang are listening- in a word it is "Saturation". In Disney's effort to "be everywhere" the magic wears off. Disney stores in the mall, all over radio and TV, and in many ways becoming omnipresent, they are going to pull a "Planet Hollywood". They need to keep a healthy distance- not chasing people everywhere for fear the competition vying for their time and attention will somehow win out. Just keep doing the basics well and let the customers come and find you.
I read a couple of outstanding books by Disney-outsiders ("Built to Last" by Jim Collins and Jerry Porras, and "The Disney Way" by Bill Capodagli and Lynn Jackson) about how and why they were so impressed with Disney. I wanted to read a book about a Disney-insider's perspectives on what Disney does to impress everyone and exceed all expectations. This book showed me the "what" of Disney's practical magic of customer service: a full-time business of shared values, enforced standards, focused work, self-discipline, and attention to detail that is virtually transparent to all Disney guests. I got all that I wanted and more from this outstanding book.
After I finished reading this book, I read through my highlights and realized that the following paragraph from the introduction perfectly previewed the book:
"In this book, we take you behind the scenes to discover Disney best practices and philosophies in action. We provide you with an insider's glimpse of quality service principles in action both at Walt Disney World, as told from the perspectives of cast members [Disney-speak for "employees"], and in other organizations, as told by executives who have participated in Disney Institute programs. Walt Disney's fundamentals for success still ring true. You build the best product you can. You give people effective training to support the delivery of exceptional service. You learn from your experiences. And you celebrate success. You never stop growing. You never stop believing."
Sharing the secrets behind Disney's 'practical magic' in this book is yet another example of Disney's commitment to exceptional guest [Disney-speak for "customer"] service. Read this book and enjoy being Disney's guest.
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Mentioned herein are many, but not all, of the bright and driven executives who comprise Michael's well known "Dream Team", those brilliant businessmen and women who increased the company's market value from $2 billion to $75 billion in a scant 15 years. While many attempts have been made recently to explain the magic of Disney management (wouldn't everyone like to succeed this well), Eisner's book reveals a great chunk of the truth: As strategic planner Peter Murphy phrases it at one point, "We are a compulsive culture".
As important as smiling employees and customer satisfaction are, Disney management tests its own mettle on a daily basis, working incredibly long and hard upon every operations detail, research task, acquisition project and growth enterprise that captures its attention. No one can expect to duplicate Disney's success without emulating this crucial aspect of its management work ethic -- its people work tirelessly, passionately and often single-mindedly, and find immense joy and personal satisfaction in achieving the desired results.
This is a fine book and highly recommended for any executive who wishes deeper practical insights into how a brilliant but prudent Disney management team transformed the company's future.
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So how did such a flawed leader turn a Two Billion Dollar company into a Sixty Billion Dollar juggernaut of American industry? Frank Well's summed up the situation best when shortly after the Eisner/Wells team ascended to the leadership of Disney, Well's noted "Every time I open a door at this company, there's money behind it."
What is glossed over and unappreciated in Kim Master's book is the fact that when Walt Disney died in 1966 he left the Disney organization without a well groomed leader. From 1966 to 1984 Walt literally ruled Disney from the grave and no one in the incestuous leadership of the company dared peek into the cupboard or look behind any door.
The two to sixty billion dollar story, weaved by Kim Masters leaves the reader with the clear impression that it was Michael Eisner's luck rather than his talent which was at the core of this success. Michael's early failure to appreciate the value of animation, his obsession with paying the minimum for talent, the lost movie opportunities, the personal vendetta against Jeffrey Katzenberg, the hiring and firing of Michael Ovitz, the yet to pay off acquisition of ABC/CapitalCities are all fascinating vignette's in a passion play which could easily be called "As the Mouse Turns."
Despite the negative tone of the book in general, Master's paints a flattering picture of Frank Well's insightful decision making and tactful backroom smoothing of feathers, leaving the reader to conclude that it was perhaps Well's talents and not Eisner's that were in fact were the real Keys to the Kingdom.
With fewer doors to look behind and all the cupboards bare, it is interesting to note that since Well's death in 1994 Disney stock has grown only at about the same rate as the S&P 500.
While insisting that most talent work for the minimum, we are told that Eisner in 1996 signed a long term employment contract with Disney which provided in addition to a $750,000 base salary, annual bonus participation and options for an additional 24,000,000 shares of Disney stock.
In fairness to Michael Eisner the shareholders of Disney have profited handsomely during his tenure at the Company. Nevertheless even as Eisner himself might say "Yes, but could we have made the deal without giving up so much money?"
I appreciated the way that Kim Masters brought a different perspective to the events leading up to Eisner's taking the helm at Disney as well as the time since Eisner took over. There certainly were many things that Masters discussed that Eisner did not cover very well or at all in his book. I think it is important to get more of the total picture on events such as these and not just one point of view. I felt that Masters presented a point of view that was much more broad than the view presented by Eisner.
Now for some of the things I did not like about this book. There is many times in this book that Masters' tone seemed almost gossipy which is something I do not like. Also, Masters seemed to dwell on the negative aspects of Eisner as well as other people that held or continue to hold power in the entertainment industry. She seemed very critical of anyone holding that power and said very little positive about them. There is (hopefully) good and bad in everyone, I would have liked to get a more balanced story from an author with Master's talent.
Overall, I recommend this book. It is a good source of information that I have not found elsewhere. However, I too felt this book left me unconvinced that Eisner has "Lost His Grip."
While the book has an authentic feel, its sensibilities are modern. Brother Lucas attempts to exorcise a knight of the cross, Francisco de Montcada. The exorcism seems much more like a modern therapy session than a medieval religious rite. Lucas's note from the sessions, which are the main body of the novel, read like a modern confession. I read, always waiting for that horrible act that would make the pieces come together.
Eisner creates a believable 13th century. The castles, monasteries, and churches present the feeling of mystery that is so fun about books on this period. The ease with which the reader moves through these places, never feeling lost, is the make of excellent writing.
The battle scenes are great, easy to follow, and not too hard on those of us readers who don't generally read war novels.
If the book has a shortcoming, it is that the Arabs have no voice. Eisner seems content to let them be infidels and monsters, rather than people.
The Crusader is a good start for Eisner. I hope he will write more.
The novel unfolds with the fascinating story of Francisco. Not wanting to give too much away, let me just say that The Crusader has everything going for it: beautifully drawn characters, and a suspenseful - and never predictable - plot. The book cuts a wide emotional swath that takes you from scenes of intense ardor between Francisco and his beautiful cousin, Isabel, to the atrocities of the battlefront. As Brother Lucas is driven to understand the "map" of Francisco's soul, the novel seems driven by a journey to understand how one can reconstruct one's life after all reason to live seems to be taken away.
Eisner creates vivid scenes of life-altering moments that jump off the page - a haunting dream in which Francisco is visited by a ghost, a prophetic deer hunt in the snowy mountains of Spain with Isabel and her family. He weaves in colorfully drawn details of medieval life which enrich the novel and the characters, but never feel overtly "historical" or forced. You will finish this book feeling that you have borne witness to the unfolding of a great story. And you will be hard pressed to shake the dramatic scenes and masterfully drawn characters of The Crusader from your mind. Highly recommended!
Similar to "Gates," "The Crusader" is narrated through the eyes of another. A Cistercian monk is tasked with the exorcism of Francisco Montcada, a knight from the Spanish order Calatrava returning from his crusade "haunted by demons." As Francisco's confessor, the monk is taken on this adventure that begins with a detailed look at the training proferred by 'Uncle Ramon,' the leader of the Knights of Calatrava. Once trained, Francisco and 140 Knights of Calatrava embark on their journey to the Holy Land. Eisner takes us graphically through two major engagements, one a success, the other a dismal failure. Francisco ends up in The Citadel, the infamous Muslim prison you may remember from the opening scene in Kevin Costner's "Robin Hood." Ransomed, Francisco returns to Spain a broken man.
The timeliness of "The Crusader" has an uncomfortable sense about it. As I journeyed with Francisco on his mission to recover the Holy Land from the infidels, the US mission in Afghanistan continued to surface in my mind. I perceived similarities between the Crusades and America's war on terror. Eisner writes often of the Muslim mentality, and it was too close for comfort.
I cannot speak for the historical accuracy of "The Crusader." I have a strong sense that Eisner did his homework. With that conviction, I finished the novel (in short order as it was extremely difficult to put down) and felt that I had received a layman's education in an area of history and with events that I was previously only vaguely familiar with.
Right or wrong, I often base my recommendations on whether or not I could see this novel unfold on the big screen. Frankly, as I wait for Michael Mann and George Clooney to pick up their pace with "Gates of Fire," I am anxious for someone to move forward with this novel and bring it to life.
"The Crusader" was extremely interesting and fast-paced. Eisner does a fine job with his character development. Many I loved, others I hated. In the final analysis, if you, like I am, are a fan of historical fiction, you must read "The Crusader."
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I am amazed with Grover's inablilty to communicate a coherent thought. It's as if he wrote each chapter in a vaccuum, repeatedly and painstakingly reminding us of the background of each player in the Disney story. For example, at some point one would think he would give the reader enough credit to remember who Richard Rainwater is without repeating his full name and telling us who he is everytime he's mentioned.
This ranks right at the top as one of the worst books I have ever TRIED to read. The best thing about it is the picture on the front. A 4th grader could write better than this. Do yourself a favor and don't make the same mistake I made by buying this garbage. There has to be something better on the Disney story out there...somewhere...even if you just read a review of Mulan.
To those books I would however add a fourth one that was recently published and that comes to the top of my list and is in a way the fourth of the three mouseketeers:
Watts, Steven: The Magic Kingdom, Walt Disney and the American Way of Life published by Houghton-Miflin; 1998.
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The story is carefuly told and documented with many photographs of the park from its earliest concpetion to the finished product. Take a journy into the imagination of The Disney Organizaion and see how they created an true american icon.
This book is rare and hard to come by but it is well worth the read.