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Let me explain why. Search engines have many weaknesses. They only check for certain key words, and they rank order the output in very long lists. For specific details on one page inside of a site, search engines are usually unable to help you. But perhaps the biggest weakness is that you have to think of the right things to search for.
As much as I love Star Trek, I would never spend hours using 20 different search engines and every word I could think of to try to find the best sites. Also, I wouldn't want to plow through a lot of lousy sites. I would simply give up, and not go further. That would be a mistake.
Star Trek is so popular that there are many more sites and types of sites than you can possibly imagine, and certainly many more than I ever imagined. For example, the book lays out all of the cast and characters of all the series and movies. It turns out that you have many sites to choose from (both in the U.S. and in other countries) for each character and performer.
Let me share a story with you. I was sitting at a table in a large meeting room a few years ago with an empty seat next to me. Dinner was about to be served. A nice-looking gentleman asked me if the seat was taken, and I asked him to please sit down. About 2 and a half seconds later, I realized that this was George Takei (Sulu to Trekkers). Well, I had a tremendously enjoyable three hours talking with him about his acting career, his interests, and current projects. Mr. Takei proved to be highly intelligent, gracious, and a real pleasure to be with in person. Now, I have to assume that my other favorite actors and actresses from Star Trek are not going to make themselves available to me in this way, but I can now use this book to visit Web sites and have experiences that will be somewhat like my wonderful dinner with Mr. Takei. I hope you will enjoy those visits as much as I did mine with Mr. Takei.
After you visit the sites for the cast and characters, you can always go to the film and television series sites. From there, you can find the best discussion sites for your interests. You can further visit the best multimedia sites.
I didn't realize that there was original Star Trek art on-line, and look forward to examining it. You can also acquire lots of Star Trek software (for cursors, fonts, icons, screensavers and wallpaper), plus directions for how to save and use them.
If you like to collect characters, there's help for you, as well.
If you are into Star Trek games, there are sites to help you "solve" whatever is stalling your progress.
But if you are like me, you will be fascinated by the section that begins on page 179 on how to build your own Star Trek site. And with a better sense of what is and is not available now, you can create a better, more intersting site.
We all know that some sites on any subject contain objectionable material. The listing of all the sites in this book tells you wish ones to avoid for this reason. Also, if you are screening sites for your youngsters, you can use this to avoid sites with adult material on them. So your young Voyager fanatic can trek safely in Cyberspace with your help.
After you realize what is available on-line about Star Trek, I suggest that you plan a regular schedule of voyages to help increase your enjoyment. As you do, be sure to pay attention to the chronology of Stardates in this book to help you keep what you are viewing in order.
Star Trek is all about the idea that the only limitations are the ones that we accept in ourselves. I hope you will use your Internet voyages to reaffirm your faith in that belief. Also, ask yourself where you are limiting yourself today. And then begin to eliminate those limits.
Be unbounded in your mission (except by the Prime Directive)!
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This quote from Thoreau aptly applies to the work of Flagstaff, AZ. artist James Turrell. Turrell has been fascinated all his life with the concept of light and its use in art and architecture. Add to this his notion that the individual should experience this art alone, embracing what the piece has, and does not have, to offer, and one has the basic mindset to take on his art.
To best experience Turrell, one needs to go to an exhibit and take the time necessary to participate IN his art. Like a good book or good music, art reqires a level of active participation to fully realize the piece's potential and to maximize its impact. A Turrell exhibit is a glorious thing- each person actively participates, taking in his color concepts, becoming one with them. Whether in one of his famed "skyspaces," where the participants sit in a consistently lighted room to look through an oval shaped hole in the roof at dusk to watch the changing lighting patterns- the light from the roof diminishes and the consistent railing lighting in the room dominates- or vice versa if one sees the exhibit at dawn, to his "dark rooms" where the viewer is in a 99.9% darkened room with the faint glimpse of an outline of light, allowing the mind and eyes of the viewer to re-conceive its surroundings and realities- not unlike an ink blot test, but in the dark, Turrell's pieces are challenging the concept of light and how each of us perceive it and use it in our lives.
What his art offers is vividly displayed in this book, a wonderfully in-depth one that showcases his growth and remarkable consistency brilliantly. His art is eclectic, ranging from the aforementioned "dark rooms," "Skyscapes," "blue rooms" (viewers in a room with a blue light dominating it, again, challenging perceptions and optics), to a recent "skyscape" that allowed perceived viewings of an eclipse, to his re-construction of a dormant crater (outside of Flagstaff, AZ) to allow unique views of the sky, light, the world. Each piece of art challenges the concept of optical illusion vs. reality- the light offers 3 dimenstional viewing in a 2 dimensional world based on angles of the light, the walls, etc- as well as the common perceptions of light in art.
Again, Turrell should be viewed in a proper exhibit, but this book offers a brilliant overview of his career. The text is in both German and English, but still offers precise pictures, diagrams,and Turrell's philosophies on art, light, and the world. It's a brilliant work by one of today's foremost artists.
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Ms. Yeoman's writing style is clear and a pleasure to read. She presents unique and interesting insight into the hero, Peter Pan in an easy to follow manner and hence facilitates an "deeper" understanding of the myth and how it relates to us all.
I highly recommend it!
I shall certainly never read PETER PAN the same way again -- forget Mary Martin or that Disney fraud. Forget Robin Williams too.
I wanted to read this book because Ann Yeoman is combining a career at New College, University of Toronto, where she is Dean of Students with teaching Jung and literature courses and a small practice as a Jungian analyst. What I hadn't expected was her brilliant concluding chapter, in which she compares Neverland and the Internet. She is certainly the first Jungian analyst I've found who is addressing the kinds of problems that have been concerning me for the past five years. So we may find out something about Peter Pan's dilemma from cyberspace -- I have certainly met lost boys (and lost girls) floating around, scarcely remembering where home is, and heard more than one ticking crocodile. There's more to come from this Peter Pan -- we have not heard the last word from him or from Ann Yeoman.
From the concluding chapter - "Peter Pan provides a metaphor for the unknown new - rootless consciousness is the dis-ease of contemporary society as it faces an uncertain future. The radical uncertainty of our future finds its own metaphor in our rapidly evolving electronic technology. In many ways, the elusive promise embodied in Peter Pan is the promise also of cyberspace. The new electronic era invites us to enter an indeterminate virtual realm where, it seems, everything and anything is possible, where we may create ourselves as we desire, where freedom and creativity know no bounds. Yet the very metaphors we use to describe this virtual zone are ambiguous. Netscape, Web, Internet, Windows, Paths -- images of boundless potential, but also metaphors for entrapment and delusion. On the one hand, Internet users access a seemingly unlimited network of information; on the other, the value and structure of that same information must be questioned, if one is not to run the risk of having one's mind made up for one, as an unwitting adherent of, to quote Derrick de Kerckhove, a 'collective, techno-cultural morality' which generates an 'average and averaging psychology.' Who are we when flying in the Neverland of cyberspace?" (pp. 175-6)
Sir James Barrie (who gave us both play and novel) and his creation Peter Pan are both a bit uncanny, unsettling. What message do they bring us today, as we fly toward the sill of the new Millennium?
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There is a boy named Peter Pan. He sprinkles fairy dust in Wendy and her two brothers. Then he shows them how to fly. He takes them to Neverland and shows them to the Lost Boys who live there. Wendy becomes their mother. She makes up rules, like any other mother would do. The boys have to follow these rules. Everything was fine until Captain Hook came with his crew to where the boys and Wendy were. While Wendy and the boys were at the lagoon, where they go every day after dinner, they see a girl named Tiger Lily, princess of her tribe. She was captured by Smee, one of Captain Hook's men. Then Peter saved her. A few days later Wendy and the boys were on their way to Wendy's house when they too were all captured by Captain Hook. Then Peter saves them. Then the lost boys, Wendy and her brothers go home. All except for Peter.
It is mostly about what the people in the book think is right with childhood. The kids in the book think that if you grow up it is bad, but in our case it is actually good.
Peter Pan is a violent book not really made for children under the age of 10 but people 10 and up can read it. It is violent because of the language that is spoken and the idea that killing could be fun. Also, the vocabulary is very difficult for children under 10 to understand. Even if you're older it is difficult to understand.
Overall, it is a good book but watch out for the violent ideas if you are reading it to little children.
It's difficult to know what to say about a book like this... everybody knows the story. But I guess that unless you've read this book (not just seen a movie or read a retelling), you don't really know the character Peter Pan, and without knowing the character, you don't really know the story. So read it.
By the way, if you enjoy this, you probably would also like "Sentimental Tommy" and its sequel "Tommy and Grizel", both by Barrie. There are differences (for one thing they're not fantasy), but there are also compelling similarities. Anybody who found Peter Pan a deep and slightly bittersweet book would be sure to enjoy them.
-Stephen