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"We stood our daughter up, so everyone would know what a fine child she was. Firelight danced in her dark eyes. It was a grave moment. She was about to lose her baby name forever and get the one she would carry into womanhood. Shyenna women did not collect and discard names like a Lakota brave. Many carried their adult name throughout their lives.
Raven recited Nothing's story....And what a story it was. Once I would have dismissed it as extravagant superstition - but if any of these women disbelieved it, they were polite enough to sit on their doubts. I stared at the little girl, thinking about that first day in the Center of the World when I had been enraged at her bare existence. Now I wanted to hug her. But it would have been disrespectful - too Wasichu. This was her moment, not mine...Raven announced, 'She shall be named for the mother who cared for her when she was sick, who cradled her when I could not, and who called for the Southern Herd to save her. From now on my daughter will be American Woman.'
I was as stunned as anyone. You could have heard a feather fall in the lodge.
Raven continued in her flat, cool way, 'Her mother does not need that name. She has the one given to her in the Spirit World. She is E-hyoph'sta, Light Haired Woman.' It was the first time any Lakota Eater had called me that. That triumph alone would have choked me - but it was trivial compared to seeing a little black-eyed girl standing straight in her white deerskin, beaming because she bore my cast-off name.
I pulled my blanket up over my face and cried. Through the tears and blanket I could hear women approving. It was wonderful, strange, and awesome. When I recovered, we ate until the lodge was littered with gnawed bones (pp. 312-313)."
Vivid and heartrending, American Woman tells a tale of blood by mixing bloods and perspectives. A new truth emerges, washed with the broken refractions of human tears.
Nancy Lorraine, Reviewer
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The title story is one of the most "Fantastic" of the historical stories included. "The Moon Maid" is an Amazon, one of an historical group of women warriors, located near the Don (or Amazon) River in what is now Russia. Her "tribe" honors lions, and when a nomad Hetman's son is killed by a lion, she must capture and destroy the animal, or risk having her whole tribe exterminated by the nomads. Her tracking of the lion is a mixture of realistic animal tracking, and rather wildly fantastic events, such as a meeting with Hercules, described in hilarious detail.
The place of women in historical societies is a recurring theme in these stories (and strong women characters occur in almost all the stories, including the futuristic ones). "The Other Magpie" features real historical figures at the Battle of Little Big Horn. The title character is a very independent Crow woman, mourning her brother's death at the hands of the Sioux. Partly as a result, she and her friend end up joining Custer's army. The Magpie and her friend are historical characters, though the specifics of the Magpie's dealings with her dead brother, and of her attempts to save Captain Reno from the coming disaster, are a bit more speculative. "Four Kings and an Ace", perhaps the best story here, features Boy Toy, a young Chinese girl, a Christian and the adopted daughter of missionaries, abandoned on the docks in San Francisco after her parents' deaths. She falls into the hands of a gang which tries to sell her into slavery, but is fortunate to encounter a clever lawyer, who sees a way to use her beauty in a battle against a crooked railroad man. The story climaxes with a suspenseful poker game, and a predictable ending which still surprises, in the best way.
Robertson is also a first-rate writer of science fiction adventure. "Cast on a Distant Shore", one of his earliest stories, is set on an ocean world, where economically marginalized humans live on floating islands and earn subsistence money by diving for seastones. This setup is rather old hat, and the plot is a bit familiar as well, involving a diver in desperate straits who agrees to help an alien scientist fish for a particularly dangerous sea animal, but the story is very engagingly told, with a nice twist or two, and the main characters are interesting people. "Gone to Glory" is also set on an alien planet, this one in the middle of terraformation. The dirty work of preparing the new planet for human colonization is being done by "retrobred" Neanderthals, and the daughter of a highly-placed human has been lost, apparently captured or killed by a tribe of escaped Neanderthals. The story is very exciting, with a colorful balloon flight across the half-terraformed planet, and a serious, believable, ecological motivation behind things.
The other stories are also fine. The most compelling feature of these stories is that they are just that: stories. Indeed, as the title of this collection reads, "Fantastic Adventures". Rife with color, full of action and romance, every story included is pure fun to read. (And Robertson has a real knack of knowing when a story ends.) Indeed, if I had a gripe, it might be that serious thematic concerns are left in the dust as the action races by. (Though it should be noted, even as his protagonists strive and (usually) succeed, the background details are often darker: slavery in late-19th Century San Francisco, ecological disaster on an alien planet, the sometimes bloody history of Christianity, are all displayed here.)
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