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Book reviews for "Garcia_Lorca,_Federico_c." sorted by average review score:
Psyche and Symbol in the Theater of Federico Garcia Lorca: Perlimplin, Yerma, Blood Wedding
Published in Hardcover by Univ of Texas Press (1974)
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Can't Get Much Better Than This
Not to be outdone by the likes of Carl Jung, this author delves into the deep unconscious -- and gets to the roots of a powerful set of symbols that guide the creative output of one of the giants of the Spanish language world. (His writing is prettyy great stuff in translation too!)
Blood Wedding
Published in Paperback by Hodder & Stoughton Educational Division (01 September, 1989)
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Blood Wedding
This is going to short, but I found the play below standards set by the author. There is weak imagery combined by poor, ineffective dialogue, yet there are nice character settings. There is a nice story line combining fire and passion in Leonardo's case with love for the bride, yet it is let down by the poor use of language. It is good for reading before bed, but other than that, I'd say "NO", like the "Just Say NO" drug ads.
Sex, Violence, and Horses
Lorca is often called the 20th century's greatest Spanish dramatist, and his skill with poetry in images of knives, sex, love, blood, horses and the moon illuminates this English translation. While my knowledge of Spanish is limited, the conflict of a Bride longing for but yet resisting another man who has already fathered a child by his Wife is poignantly portrayed in this version. The other man (Leonardo) rides a horse nearly to death, and rides like mad to see his about-to-be-married love beyond the peering eyes of others. His driven horse stands "down there stretched out, with his eyeballs bulging, heaving as if he'd just come back from the end of the world." The conflicts of love and the Bridegroom's Mother, who has lost her husband and her other son to violence, and the building passion, hate, love and the continual imagery of the wild horse--representing Leonardo himself?--build in poetic images and language that begins in the real and subtly transforms to surrealistic images of the moon who exposes the hidden shadows, then returns to the poetically real. In some aspects, the images of horse and rider hint at the Four Horsemen of the Apocalypse, but a knowledge of them is unnecessary to experience the passion of this play written by a friend of the then young Salvador Dali. The play is worth reading for its visual imagery alone, but it also encompasses a powerful story of passion, betrayal, hate, violence and love.
Chose to perform
This will be a very brief review, but basically we have chosen this book to perform for or theatre studies cat. It is a really good play, and I recomend it to anyone who likes reading plays.
Audience and Authority in the Modernist Theater of Federico Garcia Lorca
Published in Hardcover by Univ of Alabama Pr (Txt) (1996)
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Cuando Yo Me Muera: Essays in Memory of Federico Garcia Lorca
Published in Hardcover by University Press of America (1988)
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Federico Garcia Lorca and Sean O'Casey "Powerful Voices in the Wilderness" (Salzburg Studies: Poetic Drama and Poetic Theory)
Published in Paperback by The Edwin Mellen Press Ltd (1978)
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Federico Garcia Lorca: A Biography
Published in Paperback by Faber and Faber Ltd (18 June, 1990)
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Romancero Gitano (Spanish Texts)
Published in Hardcover by Manchester University Press (31 December, 1988)
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Son of Andalusia: The Lyrical Landscapes of Federico Garcia Lora
Published in Hardcover by Vanderbilt Univ Pr (1997)
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The Symbolic World of Federico Garc±Ia Lorca,
Published in Hardcover by University of New Mexico Press (1972)
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"Yerma" and "The Love of Don Perlimplin for Belisa in the Garden"
Published in Paperback by Hodder & Stoughton Educational Division (01 November, 1990)
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