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Anyone who has not read this book is missing out on making a new friend -- Emily seems so much like a "real" person, and is explained so well, that you will feel like you have made a new buddy in the process of reading this book. By the author of Anne of Green Gables.
Emily of New Moon has all the elements of a well-written novel. It has tragic scenes that aren't overly dramatic: the quiet death of her father makes me cry no matter how many times I've read it. It's inspiring: even as a young girl, she struggles with ambition. It's endearing: who could forget the happy, childish adventures of Emily and Ilse? Most of all, it has a sense of humor! (Though, I must point out, LMM's funniest scene ever is in Emily's Quest, where she reads the reviews of her first novel.)
People love Anne because of her sweetness. Emily isn't sweet--she's real. As the narrator writes (I'm paraphrasing) "Many people liked her, many disliked her; no one was ever wholly indifferent to her." My very favorite book.
The Emily series( New Moon, Emily Climbs, Emily's Quest) trace Emily Starr's voyage through adolescence to early adulthood.
It's probably best for older readers as it contains references to sexuality and the supernatural that may be inappropriate for kids or just not appreciated by the younger reader.
I've read almost everything by Montgomery that's published(except for two books), and this is, in my opinion, the best series. Anne of Green Gables is a tour de force of a book, but the series as a whole isn't that great. The Emily series is a sheer masterpiece that's not to be missed, especially for older readers. I read it when I was twelve and read the entire series every year.. it's better every time. Don't skip this one... trust me.
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Nope.
Truly Grim Tales are simply not a lot of fun to read, though (or perhaps because) they certainly live up to the title. The emphasis seems to be purely on making the tales grim, rather than adding new perspectives. I found the resulting stories to be leaden and often revolting, rather than fascinating. Unless you enjoy grimness for the sake of grimness, I would advise skipping these tales in favor of Patricia C. Wrede's remarkably clever and creepy retelling of an old ballad, "Cruel Sisters" (in The Book of Enchantments) or Vivian Vande Velde's equally clever Rapunzel retelling, "Straw into Gold" (in Tales from the Brothers Grimm and Sisters Weird). For dark novel length retellings, Donna Jo Napoli's Zel (Rapunzel) and The Magic Circle (Hansel and Gretel) are a must.
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Atalanta is a fascinating figure in Greek mythology because she is caught in a conflict of will between goddesses. On the one hand she has pledged Artemis never to marry, a vow that keeps her both pure and strong. But in doing so she refusal to love inspires Aphrodite to help Melanion to win Atalanta as his bride. Galloway gets into what Artemis thought about Atalanta's change of heart. For me this has always been something of a tragic tale because in all of Greek mythology it seems the least objectionable characters are usually the virgin goddesses (Athena, Artemis and Hestia), although certainly they have their moments. Atalanta is their mortal representative and it is perhaps inevitable that she should be brought down by stories that were, after all, written by men. The stylized artwork by Normand Cousineau manages to be quite modern while giving a sense of the ancient art we have seen on urns and temples.