I own a copy of both the vocal score and the complete libretto and I should say it is worth owning both. The vocal score when played on piano gives lively music to make anyone dance to the beat. It never loses its Broadway touch. The notes when played by a skilled pianist would make it sound more like the orchestra accompaniment. I would highly recommend those of you who love Sondhei'm style to own one of these. This would definitely be a smash hit for your school or community theater.

I love Sondheim, and this show is the best of his works in my opinion. Full of challenging songs, and complex arrangements, it will surely please the pianist or singer who is looking for something a little outside the realm of Roger's and Hammerstein to sing. Go into your nest audition with "another Hundred People", or "Getting Married Today" and blow your director away! This book contains a lot of material that is not readily available in other volumes and it is definately worth the investment. songs of note "Being Alive" "Company", "Barcelona", "the little things you do togrther" and the immortal "Ladies Who Lunch"

When Mr. Sondheim and and Mr. Furth wrote the show they wanted to have something that would make the audience laugh all night and then stay awake the rest of the night thinking about it. And that is EXACTLY what they did! Mr. Furth developes his characters so well as does Sondheim. To fully get the show one might consider getting the cd (original cast album is the best and can be found here on Amazon.com as well) This is seriously the best libretto I own.. and I own MANY.

This is a very good, well-made play. A social commentary in one sense, and Sondheim's stab at the seven deadly sins. It is very funny to read all of the bitchy quips being tossed back and forth by each of the patients. A dark atmosphere, keeping you on the edge of your seat, and you are always kept guessing. Finding out who the killer is at the end of the first act is a very daring device, and you are left to wonder what would possibly happen in the second act. It is hard for me to say anything more that the other reviewers haven't said, so I just suggest that all intellectuals out there buy this book and prepare to enjoy yourself. (You might even need a cigarette when you're done with this book, if you know what I mean . . . )

"Getting Away With Murder" is great, I enjoyed reading it very much. Not only for the mystery, but the plot, the thrill, the way it was written. I'm not big on Murder mystery's, although I do enjoy reading some. When I read the script I thought, WoW! This is really a great story. I would have loved to have watched it on Broadway. I adore it, the storyline is great from begining to end. For those who haven't read the book, read it! For those who have read it, read it again!

I picked up a copy of "Getting Away With Murder" because I enjoy theatrical works that Terrence Mann has been in,and I figured this would be yet another that I liked. I'm really glad that I decided to get it.

Besides being a theatre fan,I love a good mystery. I couldn't put it down once I picked it up. Sondheim and Furth do such a wonderful job of establishing the setting and characters that I could vividly imagine what the staging of the play may have looked like. Each character clearly has dimension,and you really feel like you understand their motives and convictions.

"GAWM" is also filled with little plot quirks and devices that enhance the story. While it has a dark mood,there are some light comedic moments and caustic remarks that loosen things up. It is also interesting to see the slight difference in the alternate ending.

All in all,I recommend it. I'm not overly familiar with Sondheim's work,but I've found that his cerebral approach is a nice escape. As a closing note,I suggest paying attention to the names of the characters - you might learn something about them!

Furth and Sondheim have done it again! This play combines the delightfulness of youth and dreams and the harshness of reality. It runs backwards to keep your spirits high at the end. Also, to show that the path you choose isn't always the one that leaves you with everything you imagined. Sondheim beautifully captures the true emotions present throughout this show. He does not create a false emotion, but brings each piece to an aesthetic that surges with a true felt emotion. Truly, this play will leave you laughing, crying, and breathless.