This book brought Dante to life in a way for which I was unprepared. From the moment I saw Boticelli's depictions of the damned I was sure he must have had an "inside" look into what Dnate was writing about. A wonderful coffee-table book that will get your guests to talking.

As a former museum photographer, I can speak to the fine reproductions in this volume. The complexity of reproducing drawings of such fine detail in print is quite difficult if not impossible. One would expect to find this quality at a much greater price. This volume is not only a master work of techical ability, but the history revealed in the essays is astounding. I actually could not put it down. As a painter working with the subject matter, it provided an invaluable resource.

This is an extraordinary book. It's like finding a rare and beautiful volume in an antiquarian bookstore. The book consists of almost a hundred drawings by Botticelli, made around 1500 to illustrate Dante's Divine Comedy of 1300.

The drawings are marvelous. The devils and monsters are rather tame by modern standards but the thousands of individual characters are beautifully drawn and are easily recognizable as Botticelli's work even to the untrained eye. Botticelli illustrates each canto like a modern day story board or sequence of drawings in a cartoon strip. The action follows all of the events described in each canto. I pored over the drawings every evening for a month. I used a recent translation of the Inferno as my guide to this section. Opposite each drawing is a short but comprehensive summary of the canto together with a description of the drawing. The summary was sufficient to carry me through the Purgatorio and Paradiso sections and the descriptions were extremely helpful and never pedantic.

The book is superbly produced with informative essays and excellent photographs of paintings by Botticelli to illustrate his style. Even the dust cover is well-made and robust. It is illustrated with a scene of Dante and Virgil crossing a bridge over a pit of burning souls (the evil counselors). The hard cover of the book is embossed with the flames from the same scene, making it a very attractive volume.

Most of the drawings, which were intended to be colored, are unfinished, but this adds to the interest since it's possible to see how the artist worked. In some, the drawings are so dense and complex that you might need a magnifying glass to see them. On each such occasion the producers of the book have provided an enlargement of the drawing on the following page, anticipating the reader's needs. A particularly fine example of the complex drawing is the illustration for canto X of the Purgatorio. The scene shows marble reliefs on the walls of the mountain terrace illustrating example of humility. There are three tableaux of such detail and intensity that each could represent a sketch for a fresco on the wall of a cathedral and yet the complete drawing is on a piece of sheepskin parchment measuring about 14 x 16 inches.

I was disappointed in this book. A lot of good information was written by Judge Fuchs. However after 1935 he was no longer the owner. This book doesn't explain why and how he lost the team. In one sentence it said he lost Babe Ruth and the Braves. How? Why? Does the author not want us to know the truth or the facts?
Another Baseball fluff book that does not give you the hard facts. Spend your money on a better ending not this one

If you have a passion for baseball history, or even a passing-interest in the subject, this is a must-read book. In 1999, most baseball teams are owned by media companies, or the mega-wealthy. This book recalls a time when an individual of modest wealth could own and operate a team. More importantly, it recounts the behind-the scenes discussions that resulted in important baseball decisions. The faithful description of what actually transpired when Judge Fuchs acquired the Braves, and when the Babe made the decision to return to Boston, transports the reader back in time. Most of all, this book describes a time when owners cared more about baseball than their own amitions. Be sure to pick up this book! Herb Crehan

"Judge Emil Fuchs purchased the underachieving Boston Braves late in 1922, primarily to bring his ailing friend, Christy Mattewson, back into baseball as the club president. Although Fuchs was a fan at heart, he did manage the Braves for one season and gave Boston a competitive team climaxed by the Brave's dramatic pennant race with the New York Giants in 1933. The Great Depression weakened Fuchs' financial position and he was forced to sell the Braves in 1935. Fuchs' son, Robert S. Fuchs, with the aid of his father's unpublished memoirs and his own Braves scrapbooks, writes an engaging portrait of his father, and the Boston Braves. Judge Fuchs was a former semipro catcher and respected New York attorney. Although the Braves never won a pennant during his 13 years as owner, Fuchs contributed greatly to the game, bringing Sunday baseball (which caused quite a flap in Boston), Ladies Day, radio broadcasts and the "Knot Hole Game" to the Braves Field. Among his first decisions was to increase players' salaries. The team payroll increased in his first year as owner from $80,000 to $200,000. Fuchs announced, "The older players are to receive a raise of $1,000 to $2,000, the first year men from the minor leagues a boost of 25 to 50 percent." He began a profit- sharing plan in which the players shared in profits "without any responsibility in losses. Author Robert Fuchs, now an attorney, also had his "day" in baseball. When he was made the president of the Braves' farm team in Harrisburgh in 1934, after serving two years as club business manager, he was asked what changed with the new position. He replied, "I get to drive the team bus." " Judge Fuchs and the Boston Braves, 1923-1935. Robert S. Fuchs and Wayne Soini, MacFarland & Co., 1998, original trade paperback, 157 pages, black-and-white photos, appendices, index, $23.50.