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The contrast between self-reliance and welfarism is the key insight of the book. Frum points out that negative behaviors like divorce, single parenthood, promiscuity, drug abuse, and chronic unemployment are now subsidized by the state and therefore have ballooned to nearly unmanageable proportions.
He realizes that actual budget and program cuts carry a heavy political price. Regardless, he believes conservatives should pay the price of unpopularity and speak the truth in hopes of someday winning a real victory, rather than a pyrrhic one where office is held, but nothing can be done.
In an interesting sideline, Frum takes time to survey the thinking of isolationist "paleoconservatives" who resent the current influence of the liberal-turned-conservative internationist "neo-cons" who changed allegiance during the Cold War. The intramural dispute is very interesting and extremely current with today's events.
Frum is one of the few writers who combines statistical analysis with insider history of the movement to create a dazzling policy book. This is one analysis that doesn't read like a stale pamphlet full of bullet points you've heard a million times. Besides that, Frum is probably the most talented conservative writing today. Pick up "Dead Right" and "How We Got Here: The Seventies" to see for yourself.
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Frum is also good on select cultural trends--such as the rise of pornography and the increasingly overt sexuality in more mainstream outlets (such as romance novels). He devotes much attention to the decline of mainline Protestant denominations and the striking rise of divorce statistics. In so doing, he makes a persuasive case that it was the Seventies, more than the Sixties, that really changed American society "for better or worse" (and there can be no doubt that Frum would say the latter).
Despite these promising comments on culture, there isn't anything like an attempt at an overview of American popular culture during this fascinating period. Frum has surprisingly little to say about movies or television, popular music (even disco), sports or any number of other significant barometers of the culture.
A writer as talented as Frum might have had some important (or at least amusing) insights about, say, Roots, All in the Family, Charlie's Angels, Jaws, Billy Jack, K.C. and the Sunshine Band, or dozens of other memorable pop culture events from the decade. But for the most part, other than the occasional reference to Studio 54, the Godfather movies, or the Village People, Frum leaves this area to other writers.
His polemical style occasionally goes over the top, notably in his discussion of gay liberation, where his visceral loathing for gay men becomes obvious. Frum trots out a few sensational anecdotes, involving the more extreme behavior in sex clubs, and leaves it at that, as if that small slice of commercialized subculture were the only part of the story worth telling. His discussion of affirmative action is so one-sided that it lacks credibility.
Predictably enough, some of the reviewers above are conservatives who are delighted with Frum's attacks on liberalism and cultural excesses in this book, as they love Frum's polemical pieces in The Weekly Standard. It's too bad that this is likely to be the book's primary appeal. It could have been much more.
I got the impression that Frum had a more ambitious plan for this book and ended up finishing it ahead of its time. There are so many things he doesn't address, and the quality of his analysis is so uneven. And the appalling number of typographical errors, incomplete sentences and other word-processor-related mistakes (and the apparent lack of proofreading or even spell-checking) suggests an accelerated publication schedule.
One doesn't have to agree with Frum's conservative ideology to enjoy his writing or perspective, as I have in his earlier books. And in places, this book sparkles. Frum began to write a major conservative interpretation of the 70s, and with regard to public policy issues he succeeded. It's too bad that he pulled up short of crafting a more complete and satisfying study of American society during the period.
Frum writes in a very accessible, easygoing style, but his exploration of the 70s lacks any sense of nostalgia. (For instance, you'll read little of leisure suits, disco music, or Pet Rocks.) Rather, he presents a careful (but not really unbiased) analysis of how social institutions changed during the decade. He points out that much of our present distrust of government does not stem directly from Vietnam and Watergate (as it is usually assumed) but developed gradually throughout the years preceding them. He accurately diagnoses the causes and effects of the decline of "mainline" Protestantism in the 70s. Frum also points out how the sexual revolution happened not during the so-called "Summer of Love" but developed in the early 70s.
(I would *love* to see Frum take on the 80s, another greatly misunderstood decade.)
All in all, this book is fascinating and highly quotable. I'd recommend it to anyone who wants to learn more about this strange and powerful period in American history--or anybody who's just looking for a good read.
But I've got one quibble, and it's a big one: the proofreading in this book is *atrocious*. I've never seen a book reach the market with more spelling and grammatical errors. Unfortunately, there are factual errors as well: Frum states that , during the winter of 1977-78, "[t]emperatures plunged to minus 100 in Minnesota." That's simply wrong, and it casts doubt on some of the other unsubstantiated statements Frum makes.
I don't think this is serious enough to discredit the entire book. Frum provides sources for many of his factual claims; this book would simply benefit from more thorough and careful editing. But read it anyway!
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On the jacket, the book talks about Frum's "honest admiration" for George W. Bush. This might set alarm bells off for some potential readers. It shouldn't. It is easy to perceive Frum's surprise (and he does tell us outright) at feeling this admiration after his doubts during the 2000 campaign.
The book is insightful and intimate. The focus is personal, but you can directly compare this profile with those of Nixon, Ford, Reagan, and Clinton in Mr. Gergen's book. The observations are of a similar vein. More than that, it is an opportunity to get to know a president who, as Frum admits, is pretty insular. I hope you enjoy it as much as I did.
Politics aside, The Right Man is a clear and well written book; it is easy to read, thoughtfully meshing public knowledge with behind-the-scenes details only a White House insider can provide. It is truly a fascinating look at our current President and his administration. I recommend this book to everyone who questions the current leadership of this great country. Regardless of your political orientation (unless you're completely closed-minded or a closet sociopath), you are guaranteed to learn something new.
God Bless America!
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