For nearly 30 years I have carried this book with me virtually everywhere. No, it's not "an easy read" - but it is worth buying (owning)and treasuring - if only for the FOURTH LETTER (to a German Friend)- it is the most moving argument/declaration for humanity and choosing it that I have ever seen anywhere.

Some (like Sartre?) might call it a "rationalization". But even those who have resigned themselves to the religions of cynicism and despair - could find a remnant of fight and even "goodness" (yikes!) inside themselves. Camus' words remind us that resignation and the inevitable indifference and inhumanity that follow are the ultimate betrayals of life.

While there is nothing "cheerful" or even optimistic about these writings - you'd have to be cold-blooded, heartless and completely beyond repair or redemption not to be inspired by the wistful aspirations that Camus exudes from his admittedly battered heart and soul.

I disagree with the reviewer (who did praise this precious book) Sartre is smart - but so is Camus - and Camus exudes the humanity that Sartre can't even see or imagine.

Sartre would tell us that we always have the freedom to at least rattle our chains (at least theoretically) - but Camus has the power to inspire us to want to.

"I step onto the podium only when forced to by the pressure of circumstances and by my conception of my function as a writer." (p. 132) From the circumstances of Fascist Spain and Nazi occupied France, to the circumstances of the Hungarian and Algerian struggles for freedom, Camus' essays demand involvement, require action in the face of hopelessness. He never offers a moment's peace for couch-potato complacency. "Freedom is not made up principally of privileges; it is made up especially of duties." (p. 96)

To read these essays is to step into the world of a man who said to Christians "I share with you the same revulsion from evil. But I do not share your hope, and I continue to struggle against this universe in which children suffer and die." (p. 71) And "Perhaps we cannot prevent this world from being a world in which children are tortured. But we can reduce the number of tortured children." (p. 73)

Camus is recalled to the podium, in a day when children are tortured and die in Chiapas while most turn a blind eye and complain that sitcoms just aren't what they used to be. These essays, possibly his most accessible work, demand an active response from the modern reader. Our struggle today, although not against Nazi minions, still must echo his "There are means that cannot be excused. I should like to be able to love my country and still love justice." (p. 5) [See Jamal's Live from Death Row and Peltier's Prison Writings, elsewhere on Amazon.]

Camus is outspoken about capital punishment, too. "It is obviously no less repulsive than the crime, and this new murder, far from making amends for the harm done to the social body, adds a new blot to the first one." (p. 176) His "Reflections on the Guillotine" is the longest essay in book. He views capital punishment, even in "free" societies, as an act of totalitarianism.

Camus proclaims the call to justice and the struggle for freedom found in the Old Testament, especially in the minor prophets. But he does so in a modern context, where God is silent and man is the maker of his own destiny. Although he sees no messianic age, he proclims the hope that by continuous effort evil can be diminished and freedom and justice may become more prevalent.

Five stars for courage, five stars for clarity, five stars for consistency. After the abortion of democracy on December 9, 2000, every freedom and justice seeking American needs to read this book.

(If you would like to respond to this review, click on the "about me" link above & send me email. Thanks!)

Camus' essays are obviously more difficult to read than hisstories, and quite possibly more difficult to read than his philosophical investigations as well. Should they be read? Of course. In them, he speaks of similar topics (i.e. what to do in the face of absurditiy, human moral dilemmas, etc.) as he does in the other books, though in a more precise, more direct fashion. His views on the death penalty shaped my own almost completely.

What you get in this book are coherent arguments by a coherent, nuainced thinker. Is Sartre smarter than Camus? Camus knew enough to fear most -isms and -ologies where Sartre did not... (not that I recommend ignoring Sartre either! )

This geomentally challenging journey into pure estivation is so abstractually written, it cries of the Socratic method. This read promises a ravenous hunger for more.

Chilling, confrontational and exposing of the geomentallity. This geomentally challenging journey into pure estivation is so abstractually written, it cries of the Socratic method. This read promises a ravenous hunger for more.

This book was amazing! It captured his personal side, tempered and loony along with the side that everyone was supposed to see, perfect, superior, Napoleon! Albert Marrin had EVERYTHING. This was the best book I have read in a long time....... It went through his ups and downs, his birth to his death. Napoleon was such a exiting political figure anything ABOUT him has to be exiting, but this was a VERY, VERY good book. I would give it 100,000 stars if it was possible!

The book is a shockingly detailed account of the Napoleon as a person and as a conqueror. It is fairly presented and allows the reader to form an unbiased opinion about Napoleon during one of the most confusing and frightening periods in history.

Herbert Lottman is the most loving and I believe the most authoritative of all students of Albert Camus. This short book is a treasure for anyone who cares about Camus' literature. If you are serious about Camus, you should read this book as well as Lottman's excellent biography of Camus, which was the groundbreaking work in all Camus scholarship and remains the best Camus biography.

Lottman's work on Camus has not been as well received as one might hope, and that is a great shame. Ironically, I think his reception by Camus scholars mirrors the incivility which the French elite reserved for Camus himself. I think the treatment both men received from the literati is explained by the fact that they are both outsiders. Neither man was a French native (Camus was an Algerian of French-Spanish descent and Lottman is an American expatriate living in Paris) and neither was a professional academic (Camus was a newspaper editor, a novelist, and a man of the theater, while Lottman is a journalist). It seems that the elite are simply never willing to admit any reason to listen to an outsider, no matter how worthy that person might be. That is so at least in retrospect, anyway; I think that as time passes the elite will recognize Lottman's greatness, just as, with time, they recognized the greatness of Camus.

Anyway, this book is a touching, very readable glimpse into the life of a fascinating man, by an author who himself clearly loves Camus and has taken great pains to paint him truthfully.

Edited and translated from the French by Steven E. G. Melamed, Sr., The African Sermons is a collection of sermons delivered by Albert Schweitzer (1875-1965) on Sundays in Lambarene, Gabon, from 1913 to 1935. Words of wisdom which reveal the relevance of biblical stories to the daily realities of African life, The African Sermons is an enduring testimonial that transcends the decades, brimming with both faith and practical understanding. Very highly recommended reading for Christians of all walks of life, The African Sermons provide an indispensable insight into the character of one of history's most selfless men of genius.

After 5 years...an Asterix! One full of surprises, what with Asterix and Obelix's parents suddenly making their appearance (apparently they had been living in Condatum all along). Definitely the best of the Uderzo-only efforts, and some of the Goscinny-Uderzo magic is back. Some good punning, though I dont know how he missed an obvious opportunity in the scene where Latraviata is presented an award for acting (Oh it looks just like my uncle oscarus!). There's no point in my recommending this book - you dont buy Asterix unless you grew up with it, and if you grew up with Asterix, you'd buy this anyway no matter what I say! That apart, a thoroughly enjoyable read. Keep 'em coming, Uderzo!

I am sad to see no other reviews of this book on Amazon. This is a well written book full of essays written by Albert Camus for the french resistance paper Combat. Like the title suggests Albert Camus is faced 'Between Hell And Reason' with what he and the world was faced against. Much like Orwell's "Homage To Catalonia" we see the writer in his early age before his written his major works and going off into the abyss of war. We see them mold ideas which mostly are more radical and less complicated which they would use later to write "masterpieces".

The essays start with the liberation of Paris. The topics throughout the book go from self critique of the paper to responses of major figures in the war. My favorite essays were the ones that pointed out how false and fake the press were during the war. Camus however doesn't just criticize other figures and press, he self-critques his own paper Combat. Camus is very honest and isn't just filled with meaningless words. He really means what he says and doesn't say it if it's not true. Mostly when I read political essays and other works of the same nature, I mostly feel alienated and disagree but with "Between Hell And Reason" I could understand and really believe what Camus said. Very few political pieces do that to me.

This edition of "Between Hell And Reason" has a big introduction with translator's notes and footnotes for the essays. Anyone who wants to really study Albert Camus could use a lot from this edition of "Between Hell And Reason."

This is a beautiful book. Albert Cohen writes a long love letter to his late mother. Like in his other books, death is an obsession or rather the discontinuity between life that is everything and death that is nothing. It is a moving masterpiece.

Here, Deleuze and Parnet give very illuminating and interesting form to many of the ideas that will later be expressed w/Guattari in A Thousand Plateaus. Excellently translated and insightful-- as though one were listening to Deleuze with an acquaintance speaking of the direction of his theory in the 80's. Highly recommended.

The Truth of Racism Speaks Out Billy, by Albert French Racism is seen everyday and is avoided. Not many people take action in racism. If most people heard a racism comment, they would ignore it like nothing happen. Albert French goes straight to the point and tackles the problem in the great novel Billy. French joins the elite writers and stabs racism in the back with Billy. French draws up a masterpiece in Billy with his plot, characters and setting. This book shows the reality of racism, and it is a book that everyone should read and learn about the tragedies of the past. No one will walk away after reading this book and not be disturbed. That's how powerful this novel is. "May be the best novel by a black author since Toni Morrison's The Bluest Eye." For the price of $9.95, it is a true steal. Billy takes place in Banes County, Mississippi, in 1937. Billy, who is 10, and Gumpy, who is 12, are the main characters and live in the shacks of a small town. Racism is a common occurrence in this town. The blacks live in small shacks and are separated from the whites. One day, Billy and Gumpy pass the forsaken line, that splits the blacks from the whites. No black person is suppose to pass this line. Billy and Gumpy are looking for turtles in the nearby pond. Two angry white girls come and beat and chase the boys off. Billy takes out a knife and stabs one of the girls, and the girl shortly dies later from the stab wound. The whole town hears about this and "all hell brakes lose". The newspaper hits the town, with articles saying, "Two Niger boys killed a young innocent white girl". Billy and Gumpy get caught by the local Sheriff and are placed in jail for later trial. This outrageous event affects the entire community. The white townspeople burn Gumpy's house. The white people just increased their racism ways. It's amazing how this event changes the whole town. Billy is found guilty of first- degree murder and is sentenced to death by the electric chair, but Gumpy is place in an all boys camp until he is an adult. It's amazing how much trouble, two boys get for just using self-defense. It is real disturbing. French picks the perfect setting for this story. It's hard to find a place with more racism than deep in the South, in a state like Mississippi. French chooses a small town located in the central Mississippi. The United States has a lot of racism in 1937 and has not yet healed this problem. It is a perfect setting for a great disturbing racism novel. The characters are just well written. Billy, a ten year old, is a young innocent black child living in a white's world, who looks and acts too innocent to do anything wrong. Billy never realizes what he has done or what he is going to get until the very end. Billy keeps on thinking that he is going home during the whole time he is held in jail, "Mama when do we gits to go home. I wanna to go home, Mama". Gumpy, is a perfect angel that never does anything wrong. He is always paranoid that he will get in trouble, "Come on Billy lets go home, I don't want to git in any trouble." Gumpy mixes in with Billy, which is the wrong crowd for him. Gumpy never takes any blame for any of his actions, because he never admits he did anything wrong and blames the whole thing on Billy. "Billy, I never did the killen, you did the whole thing, I'm a good boy". The plot is just well written and keeps you in the edge of your chair for the entire story. It is a definite "page turner". "Billy's strength is not strictly as a novel; it lives as theater. It is a folk opera that moves with unfaltering pace to its shattering climax". The writing style fits the story perfectly like a true masterpiece. Albert French uses the South accents in dialog during his novel. Even though during the middle of the story it tends to drag on a little bit, French's novel truly over comes this problem with great writing style. In conclusion, French wrote a masterpiece. "Although you only know Billy Lee Turner for an all too brief 214 pages, you will mourn his death for the rest of your life. That's how powerfully and dramatically written this book is". This book is a definite buy and is a crime if you do not. It teaches the truth and sadness of racism of the early 1900's. "A work of art, Billy never lets up, not for a minute. The images rush straight to your brain". Billy is relentless, powerful, and should not be missed. This author deserves congratulations for this masterpiece.

Billy is a must read! It tells a heart tugging story about a young boy on death row. This book is well written and will leave you thinking about Billy long after the last page is turned. I highly recommend this book. This would be a great choice as a book club selection.

I felt every breath of emotion that Albert French's characters experienced. Mr. French has crafted an incredibly powerful story with a precision of language and structure. Every scene builds on the one before it. Characters and their situations evolve into a heart wrenching crescendo of emotional devastation. The screams of Billy's mother still resonate -- echo in my mind and spirit... three years after initially reading this story. Also, Mr. French brings the ignorance and prejudice of the time period alive. He masterfully bludgeons us with the brutality of it through desciption and dialogue. The reader must grapple with his/her own perspective of racism and its history. There is no easy way out. I highly recommend reading this book aloud. Many of my high school students from years past, still talk about this one book, read aloud to them in class. Like Toni Morrison's Beloved, Zora Neale Hurston's Their Eyes Were Watching God, and Ernest Gaines The Autobiography of Miss Jane Pittman, Albert French's Billy becomes a part of the way you view the world.