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So, what did I learn from the book?
From the very start, people desired to control nature in order to gain better control over their lives - for prosperity and happiness.
However, knowledge about nature was too skimpy for that goal to be achieved. People observed the sequences of natural events, and assumed that in every sequential pair of events the former is the cause of the latter. We know now that that does not have to be true, and the sequence itself heavily depends on what the observer sees as sequential events.
Based on this more often than not erroneous causal relationship, people established a wide variety of rituals to influence natural events. When after the ritual the desired event did happen people repeated the ritual every time they desired the event. When after the ritual the desired event failed to happen people dropped the ritual or blamed the failure on less than perfect performance of the ritual.
These futile attempts to control nature lasted for many centuries. In order to dramatize the ritual people included in it sacrifices of other people, often the most beloved members of their families or the most valuable people of the community. Those rituals look to us as senseless murder. Even when there was no murder, people assumed that Nature, in order to comply, demands sacrifices in shape of self-denial of pleasure and infliction of pain and injury. People ended up being more than enslaved in a web of rituals. I say "more", because the slave master was the Man himself.
One could see as logical, if people were gradually gaining more factual knowledge about nature, by developing scientific methods and logic, and would replace the futile rituals with activities more similar to the ones we use now to utilize natural phenomena in our favour. Were that the course of Man's mental development, the whole phenomenon of religion could have been skipped.
However, that was not the course.
Frustrated by the inconsistency of the rituals' outcomes, people gave up and started delegating decisions to different gods. Instead of trying to control Nature by rituals, they started to worship gods to get favors from them. Eventually people united those many gods into one God. Then God's sons came along, each worshipped by different populations.
For many centuries religion diverted Man from collecting and systematizing factual knowledge about Nature, and by doing so mightily slowed down human progress toward a more rewarding life.
I can only guess what initiated Man's return to study of Nature. My guess is - the written word. The written word allowed for wider exchange of observations and thought between people removed from each other in space and time, and thereby allowed for the creation of a critical mass of thought that is strong enough to move the knowledge of Nature forward.
This book describes the beginnings of the torturous path of Man in quest to control Nature.
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Apollodorus is not of course simply 'mythology'. It is much more a set of memories about the intelect of prehistoric Europe.
More specific, It offers the european version of the Hebrew old testament. Exactly as middle east culture was different from the european (ie Greek) so is this set of books different from the 'old testament'. Fist it has no religious content. Gods are portrayed after the patriarchical (?) prehistoric families and their relations perhaps gives us a glimpse of the life in these families.
In addition, there is an 'explanation' for the universe, the earth ,the civilization, the various people and their genealogies. (this is Pre-philosophical thinking).
One can also find a conception of the usefull and great man (the hero), info about male-female relations, about the worries and hopes of the prehistoric man.
Read these books, not only you will be educated but also entertained (this book does this very difficult combination to come almost natural!).
Finally, if Plato, Aristotle, Euclid etc are the 'mind' of Europe these books is definitely its SOUL.
What could keep this monument from receiving five stars will be fairly obvious to any reader: the prejudices of his time. It is actually hard to look at what he says objectively in that context; before him I doubt anyone put two and two together to come up with what he did during a time when his racism and trivialization of non-Euopean peoples, and for more than the past fifty plus years after him, anyone who has read his work has had that tempered by the embarrasing revalations of Nietsche and Freud. That, along with the egocentrism of Victorian Europe that he projects onto ancient and prehistoric man, serves to keep the book from being perfect (and are sometimes annoying), but do not serve to really take away its importance and incredible effect.
If you are a Joseph Cambell fan, you will be powerfully challenged by this book. Frazer was not attempting to come up with the same conclusions for myth and ritual that Campbell, though influenced by him, was. But you will love it, and respect it highly because of it. In a way, where Campbell seems to say "this is what it all means," Frazer says "this is what it all IS," letting the wonder of unexpected knowledge allow you to come to your own conclusions. This book will start you on a great spiritual journey if you never read anything of its kind before, and this edition is a very good one to have.
A short example of his writing style follows:
"On Midsummer Eve people in Sweden
"make divining-rods of mistletoe or of four different
"kinds of wood, one of which must be mistletoe. The
"treasure-seeker places the rod on the ground after sundown,
"and when it rests directly over treasure, the rod
"begins to move as if it were alive...."
(pp 367, with reference notes at the bottom of the page.)
This particular edition is the only unabridged, and illustrated re-printing of the classic, and while some modern scholars refute some of his conclusions, it is a Must Have for any student of folk-lore and magick.
I notice that many readers are immediately offended by Frazer's apparent disdain for the 'uncivilzed savagery' of non-European cultures. However, this is a superficial conclusion to bring from this masterpiece. A little mulling over of The Golden Bough will show us that the savage's culture that Frazer so often refers to is none other than our own western culture. Frazer reveals to us our own social, cultural, and religious blindfold, which is none other than a pretty rendering of the ancient magics and superstitions explored in The Golden Bough.
to de-bunk Frazer's claims, must be seriously flawed. Frazer did not see himself as an 'iconoclast,' he merely wished to point out that archetypally - the Christian'mythos' of the 'god-man' being sacrificed upon a tree - was not a new event, symbolically, however unique the Christian 'mythos' may be to its followers - it had its antecedents. Taken in a Jungian sense, this need not be seen as a weakening of the Christian mythos, but may even strengthen it, insofar as it confirms the existence of archetypal patterns and determinants in consciousness - transcending dogmatic claims made in the name of any one determinant, just as they transcend rationalistic endeavours to reduce them to a 'nothing but.' Christianity grew out of - and was built upon classical antiquity. It is in many ways determined by it, as for instance, in celebrating the birth of Christ at the winter solstice (the shortest day of the year) symbolically, when light triumphs over darkness - in the life of nature. The true nativity of Jesus was located somewhere in January,and the Church Fathers used their wisdom, shifting it to coincide with the Saturnalia. 'Christmas' time is thoroughly pervaded with 'Pagan' symbolism, (viz. the Yule' celebrations etc.) and it is small minded and a denial of history to claim otherwise. Frazer faked nothing, which had not in a sense, already been 'faked' by the Church, because in their wisdom, the Church Fathers felt obliged to recognise the power of pre-Christian myths. Robert Graves explored the 'tree god' theme all over again with his 'King Jesus.'But anyway, why blow this single aspect of Frazer's work out of proportion. Frazer's discussion of the sacrifice of the 'tree-god' goes alongside countless other myths and myth-motifs.
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